臺灣博碩士論文加值系統

這是一個關於記憶、消逝，隱含悼念之意的數位多媒體攝影裝置製作，製作概念從記憶的堆疊和夢境的語囈出發，表現上採用夢境的手法，基於羅蘭．巴特在《明室》對照片的論述，從我之於照片的三種情感及意向做為觀看原則，在照片媒材的靈光下進行創作發想、討論和實現，城市中待拆毀圯的建築景觀，潛藏在自己生命記憶中感覺「相似」的景像，一種灼熱的刺痛感覺，轉變成記憶與景物消逝的悼念、討論。

展演主軸為實體照片，內容分成三個部份，首先為一張60X140cm臺北意象的城市俯瞰照片，再來是展幅十張40.64X60.96cm的照片，另有一組三十張12.7X17.78cm小時候舊照片所構成的立體裝置，照片所承載的時間性具有獨特的「魔術奇幻」，一種象徵死亡與永恆的雙重物品，與本創作想表述之概念極為貼切，因此以照片為創作及展演主軸。另有動態影片投影及音樂燈光的氣氛渲染。

在展演空間及動線規劃上，則採用電影場景的敘事形式，依循場景的轉換與串連，引導觀眾從真實世界進入創作者的時光旅程，最終去探尋自己的歲月記憶。 觀眾進入第一場景，由臺北城市景觀俯瞰照與循環投影影片共組而成，它們是獨立也交疊；第二場景馬賽克牆幼時家居照裝置，建構一個立體、零散、陌生的記憶影像；第三場景裡的照片以大比例待拆的臺北城市景觀，與隱晦的創作者幼時家居照，對觀眾產生索引斷裂的迷失；第四場景，象徵著離開創作者的時光旅程，這趟疲倦沈重的旅程甦醒，遺留觀者一種虛無、禪空。

This is a graduate digital multimedia photography installation about memory and scenery fade away. That implied condolences. The main concept is from the stacking memory and dreams of talking in sleep. The way of performance is near dreams. Use Aura in the photo to create, discuss and realize. Wherever the demolished architectural landscape in the city, there is some "familiar" sense hidden in the memories of my life. That one kind of burning tingling sensation transforms to lament and discuss about memory and scenery fade away.

The main axis of showcase is photos. Content is divided into three parts. First, It is a 60X140cm photo. That’s images of the city overlooking Taipei. Next came the size ten 40.64X60.96cm photos, another group of thirty 12.7X17.78cm childhood photos constituted a three-dimensional installation. Photos are hosted temporality is a unique "magic fantasy". It is a symbol of death and eternity double object. So I choose the photo as the creation and performances subject. In addition, there are dynamic video projection, music and lighting atmosphere rendering.

The plan of exhibition space and moving line,I use of movie scenes narrative form. Guide the audience from the real world into the artist's journey time. Finally make audience to explore their memories. The audience into the first scene, it’s constituted by images of the city overlooking Taipei and the cycle video projection. The second scene is the childhood home photo installation of mosaic wall, construct a three-dimensional, fragmented, strange memory image; In the third scene, a large proportion of photos are to be demolished of the Taipei city landscape. The fourth scene, symbolizing to leave the time journey of artist, and waking from a heavy tired journey.

─ 目錄 ─
致謝.....................................................................................................................................................................I
中文摘要..............................................................................................................................................................II
英文摘要..............................................................................................................................................................III
目錄....................................................................................................................................................................IV
第一章、緒論........................................................................................................................................................1
第一節、創作背景與動機........................................................................................................................................2
第二節、創作目的.................................................................................................................................................3
一、「我」與他者 a 的對話....................................................................................................................................4
二、「我」與影像的對話........................................................................................................................................4
三、影像的自我對話..............................................................................................................................................4
四、創造平面攝影展演敘事的新形式........................................................................................................................4
五、透過展演產生療瘉與啟發.................................................................................................................................4
第二章、文獻探討.................................................................................................................................................6
第一節、攝影起源的追尋........................................................................................................................................6
一、巴沁《Burning with Desire:The Conception of Photography》(1997) .............................................................6
二、瑪莉安《Photography and its Critics:A Cultural History 1839-1900》(1997) .................................................7
三、布余內《La naissance de l’idée de photographic》(2000) ............................................................................10
第二節、源自真實的張力......................................................................................................................................12
一、紀錄形式的歷史............................................................................................................................................12
二、紀錄風格......................................................................................................................................................13
三、紀錄性符號的作用方式...................................................................................................................................14
四、文件性使用的問題.........................................................................................................................................15
第三節、詭異與熟悉............................................................................................................................................16
一、詭異與熟悉的陌生感......................................................................................................................................16
二、詭異概念下的照片.........................................................................................................................................19
第四節、明室......................................................................................................................................................20
一、巴特的肖像閱讀.............................................................................................................................................20
二、風態.............................................................................................................................................................21
第五節、布希亞的攝影論.......................................................................................................................................22
一、對傳統攝影美學作主客體反轉..........................................................................................................................22
二、最嚴格的非寫實主義.......................................................................................................................................24
三、攝影作為他者出現的場所.................................................................................................................................25
第三章、創作說明.................................................................................................................................................29
第一節、創作理念.................................................................................................................................................29
第二節、創作內容概述..........................................................................................................................................30
一、照片與影片....................................................................................................................................................31
二、裝置..............................................................................................................................................................37
三、音樂與燈光....................................................................................................................................................40
第三節、構成要素及規格.......................................................................................................................................40
一、臺北城市景觀俯瞰照裝置.................................................................................................................................40
二、馬賽克牆幼時家居照裝置.................................................................................................................................40
三、拆除中或頹圯景觀夢境照裝置...........................................................................................................................41
四、黑色邊框與記憶片段裝置.................................................................................................................................41
五、動態影片播放.................................................................................................................................................42
六、展場襯底音樂.................................................................................................................................................42
第四節、創作進度表..............................................................................................................................................42
第五節、經費預算表..............................................................................................................................................43
第四章、展演作品暨空間........................................................................................................................................45
第一節、展演作品.................................................................................................................................................45
第二節、展演空間.................................................................................................................................................47
第三節、展演計畫.................................................................................................................................................50
第四節、展演團隊.................................................................................................................................................55
第五章、展演後討論與回應....................................................................................................................................57
第一節、開幕式座談.............................................................................................................................................57
第二節、茶會座談.................................................................................................................................................72
第六章、研究重要性與預期效果..............................................................................................................................73
參考文獻..............................................................................................................................................................75

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