臺灣博碩士論文加值系統

本場單簧管獨奏會為學位取得之必修課程。筆者在十四年的單簧管學習生涯中，練習過無數單簧管曲目，包括各時期的經典曲目、比賽技巧為指標的曲目以及能發揮單簧管音色長處的抒情曲目。筆者在十餘年的音樂生涯中也勇於挑戰艱深曲目，在學生時期的最後一場獨奏會之中，依然選擇用三支不同調性的單簧管完成學生時期的最後一個里程碑。
本場單簧管獨奏會選擇以降 B 調單簧管、A 調單簧管以及降 E 調高音單簧管為出發點，規劃了三個時期不同風格的三首曲目。上半場第一首為約翰 ̇梅勒西奧 ̇ 莫特(Johann Melchior Molter, 1696-1765)的《第一號單簧管協奏曲》(Clarinet Concerto No. 1, 1750)，由降 E 調高音單簧管演奏;第二首為卡爾 ̇瑪利亞 ̇馮 ̇韋 伯(Carl Maria von Weber, 1786-1826)的《單簧管與鋼琴協奏式大二重奏，作品 48》 (Grand Duo Concertant, Op. 48, 1816)，由降 B 調單簧管演奏，上半場到此結束;下半場只有一首曲子由 A 調單簧管演奏，曲目為卡爾 ̇尼爾森(Carl Nielsen, 1865- 1931)的《單簧管協奏曲，作品 57》(Clarinet Concerto, Op. 57)。
上述三首曲目均為單簧管史上的重要曲目，其中需掌握晚巴洛克、前古典時期的精緻、浪漫時期的優美以及 20 世紀「後調性」的自由，故這場獨奏會選擇這三首經典曲目來深入學習，經由獨奏會前的練習、琢磨，再到舞台上的實際演出，完整了筆者的單簧管經典作品曲目庫。

The clarinet recital is a mandatory course for obtaining the degree. Over the course of my fourteen-year journey in learning the clarinet, I have practiced countless clarinet pieces, including classical works from different periods, competition-oriented pieces, and expressive pieces that showcase the clarinet's tonal qualities. Throughout my musical career of over a decade, I have fearlessly taken on challenging repertoire. In my final student solo recital, I decided to use three different clarinets in B-flat, A, and E-flat to mark the culmination of my student years.

For this clarinet recital, I have selected three pieces from different periods and styles, using the B-flat clarinet, A clarinet, and E-flat clarinet as a starting point. The first piece in the first half of the program is Johann Melchior Molter's "Clarinet Concerto No. 1" (1750), to be performed on the E-flat soprano clarinet. The second piece is Carl Maria von Weber's "Grand Duo Concertant, Op. 48" (1816), and it will be played on the B-flat clarinet. The first half of the recital concludes with this piece. The second half will feature only one piece, Carl Nielsen's "Clarinet Concerto, Op. 57," performed on the A clarinet.

Each of the three selected works holds significant importance in the history of the clarinet. Mastery of late Baroque and early Classical period, Romantic period, and the freedom of 20th-century "post-tonal" music is required. Thus, I have chosen these three classic pieces to delve deeply into my studies. Through diligent practice and contemplation leading up to the recital, and finally, the actual performance on stage, I have completed my repertoire of classic clarinet works.

目次
第一章 曲目規劃理念.................................1
第二章 樂曲解析與詮釋...............................3
第一節 莫特《第一號單簧管協奏曲》....................3
第二節 韋伯《單簧管與鋼琴協奏式大二重奏，作品 48》....13
第三節 尼爾森《單簧管協奏曲，作品 57》...............23
參考文獻...........................................38
附錄一 節目單.......................................39
附錄二 英文版曲目解析報告............................44

辭典
參考文獻
Klaus Häfner. “Molter, Johann Melchior” In Grove Music Online. Oxford Music Online, https://www.oxfordmusiconline.com/grovemusic/display/10.1093/gmo/97815615926 30.001.0001/omo-9781561592630-e-0000018914?rskey=3LTRf7&result=1(accessed January 20, 2001)

Janet K. Page, K.A. Gourlay, Roger Blench, and Nicholas Shackleton. “Clarinet” In Grove Music Online. Oxford Music Online,
https://www.oxfordmusiconline.com/grovemusic/display/10.1093/gmo/97815615926
30.001.0001/omo-9781561592630-e-0000052768?rskey=3LTRf7&result=2(accessed January 20, 2001)

學術論文
朱嬿蓉。〈卡爾 ̇尼爾森單簧管協奏曲之研究與詮釋〉。國立台灣師範大學碩士論 文， 2007。

張嘉媛。〈韋伯降 E 大調單簧管與鋼琴大二重奏，作品四十八之分析與詮釋〉。國 立 台灣師範大學碩士論文，2013。

樂譜資料
Molter, Johann Melchior. Konzert für Klarinette, Streicher und Basso continuo Nr. 1. Leipzig: Edition Breitkopf, 1986.

Weber, Carl Maria von. Grand Duo Concertant in Eb major, Op. 48. Leipzig: Edition Peters, Ed. 3317, n. d. Plate 9539.

Nielsen, Carl. Clarinet Concerto, Op. 57. Copenhagen: Samfundet til Udgivelse af dansk Musik, 1931.