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中文書目: 赫拉巴爾(Bohumil Hrabal)著,楊樂雲譯。《過於喧囂的孤獨》。台北:大塊文 化,大塊文化出版股份有限公司,2012。
中文論文: 蔡明叡。《蘇菲亞‧古拜杜莉娜的三首大型鋼琴作品之研究與詮釋》。國立臺灣師 範大學音樂學系博士論文,2017。 方青雯。《巴爾托克《羅馬尼亞舞曲,Sz. 56》 之分析》。國立臺北教育大學音樂 學系碩士論文,2020。 江宜珊。《保羅・辛德密特 《中提琴奏鳴曲作品11-4》 作品研究與樂曲詮釋》。國 立臺北教育大學音樂學系碩士論文,2023。 洪婉綺。《巴爾托克中提琴協奏曲之作品分析與詮釋 (彼得‧巴爾托克編輯)》。輔 仁大學音樂學系碩士論文,2017。 蔡明娥。《音樂創作的堅持與妥協-巴爾托克根植於Transylvania傳統的《羅馬尼亞 民間舞曲》》。國立臺北藝術大學音樂系碩士在職專班音樂學組碩士論文,2011。 黃孟涵。《貝拉‧巴爾托克《羅馬尼亞民間舞曲》之研究與分析》。國立臺北藝術 大學音樂系碩士在職專班演奏組碩士論文,2013。 卓涵涵。《玻特西尼生平與美聲唱法的關係,暨升f 小調低音提琴協奏曲之樂曲分 析、版本研究與名家演奏詮釋分析》。國立臺北藝術大學碩士論文,2006。 鄭凱中。《波特西尼的兩首低音提琴作品:《悲歌》(Elegy No.1)和《塔朗泰拉舞曲》 (Tarantlla)之演奏詮釋與分析》。國立臺北藝術大學音樂學系碩士在職專班碩士論 文,2012。 許乃云。《朗森《為低音提琴協奏曲》作品研究與詮釋》。國立臺北藝術大學音樂 系碩士在職專班演奏組碩士論文,2013。 25 游沛涵。《德布西藝術歌曲《四首年少之歌》研究分析與詮釋》。國立臺北藝術大 學音樂學系碩(博)士班碩士論文,2023。 黃鈺軒。《德布西十首早期法國藝術歌曲之分析與詮釋》。國立臺灣師範大學音樂 學系碩士論文,2017。
外文期刊資料: Vera Lukomsky, and Sofia Gubaidulina. “‘Hearing the Subconscious’: Interview with Sofia Gubaidulina.” Tempo, no. 209 (1999): 27–31. Moody, Ivan, and SOFIA GUBAIDULINA. “‘THE SPACE OF THE SOUL’: AN INTERVIEW WITH SOFIA GUBAIDULINA.” Tempo 66, no. 259 (2012): 31–35. Claire Polin. “New York: Women in Music and Soviet Contemporaries.” Tempo, no. 174 (1990): 32–37. Lukomsky, Vera, and Sofia Gubaidulina. “Sofia Gubaidulina: ‘My Desire Is Always to Rebel, to Swim against the Stream!’” Perspectives of New Music 36, no. 1 (1998): 5–41. Thomson, Andrew. “César Franck: Mind, Flesh and Spirit.” The Musical Times 131, no. 1774 (1990): 639–41. Hutchings, A. J. B. “Franck’s Technique.” The Musical Times 70, no. 1037 (1929): 604–7. Austin, William W. “Debussy, Wagner, and Some Others.” 19th-Century Music 6, no. 1 (1982): 82–91.
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