臺灣博碩士論文加值系統

《英雄變奏曲》為貝多芬鋼琴變奏曲作品中的佳作。事實上，《英雄變奏曲》的主題來自貝多芬自己於1801年所寫之芭蕾舞劇音樂《普羅米修斯的創造物》的終曲中，貝多芬並於1801至1803年間先後以此「普羅米修斯」主題完成了四部作品，分別為芭蕾舞劇音樂《普羅米修斯的創造物》終曲、《鄉村舞曲》第七首、《英雄變奏曲》與《英雄交響曲》第四樂章。
本論文為有關《英雄變奏曲》詮釋方面的研究探討。首先，本論文的前兩章介紹《英雄變奏曲》的創作背景及主題的性格，接著在第三章筆者將《英雄變奏曲》與《英雄交響曲》第四樂章的樂譜加以分析與比較，並找出兩者間寫作手法的異同處。最後筆者再將分析樂曲的結果帶入實際演奏中，嘗試以交響樂的想法來看待《英雄變奏曲》的內容。是以，本論文可做為詮釋《英雄變奏曲》的一個參考，以期在演奏時更能貼近作曲者創作此曲的原始構想與樂曲的確切風格。
§鍾郁敏鋼琴畢業音樂會曲目§
巴赫 D小調半音階幻想曲與賦格，作品903
莫札特 第十二號F大調鋼琴奏鳴曲，作品332
拉威爾 小奏鳴曲
蕭邦 第三號B小調鋼琴奏鳴曲，作品58

“Eroica Variations” is a masterpiece of Beethoven’s piano variation works. Actually, the main theme of “Eroica Variations” is borrowed from the finale of “Die Geschopfe des Prometheus”, which is also composed by Beethoven in 1801. During 1801 to 1803, Beethoven used the so- called “Prometheus theme” in four different works including the finale of “Die Geschopfe des Prometheus”, “Contredanse No.7”, “Eroica Variations” and the fourth movement of “Eroica Symphony”.
This thesis is a study of interpretation of “Eroica Variations”. In Chapter One and Chapter Two, there are some discussions about the compositional background of “Eroica Variations” and the character of its main theme. In Chapter Three, the author analyzed and compared the writing methods of “Eroica Variations” and the fourth movement of “Eroica Symphony” to find out the similarities and differences between them. At last, the author took the results of structural analysis into performance practice, trying to show how to play “Eroica Variations” with symphonic idea. Thus, this thesis may provide as a reference to give some thoughts about the interpretation of “Eroica Variations”, in order to get closer to the composer’s original intention and its definite style.
§Yu-Min Chung Graduation Piano Recital Program§
J.S.Bach Chromatic Fantasy and Fugue in D minor, BWV 903
W.A.Mozart Piano Sonata No.12 in F major, K.332
M.Ravel Sonatine
F.Chopin Piano Sonata No.3 in B minor, Op.58

前言................................................i
第一章 《英雄變奏曲》之創作背景.....................1
第一節 《英雄變奏曲》主題的性格............1
第二節 四部作品與普羅米修斯精神............3
第二章 《英雄變奏曲》創作之原始構想.................7
第一節 受巴赫的影響........................7
第二節 與《英雄交響曲》第四樂章的關係.....10
第三章 樂曲結構與分析..............................12
第一節 《英雄變奏曲》.....................12
第二節 《英雄交響曲》第四樂章.............21
第三節 比較《英雄變奏曲》與《英雄交響曲》第四樂章
寫作手法的異同.....................23
第四章 《英雄變奏曲》之詮釋探討....................32
第一節 力度...............................32
第二節 聲部...............................35
第三節 對比...............................37
第四節 模仿管弦樂器的聲響.................43
第五節 其它...............................46
第五章 結語........................................49
參考書目...........................................51
致謝...............................................55

外文部份
辭典、工具書
Burford, Freda, and Anne Daye. “Contredanse,” The New Grove Dictionary of Music and Musicians. Ed. Stanley Sadie. 2nd ed. London: Macmillan, 2001, vol. 6, pp. 374- 376.
Kerman, Joseph, and others. “Beethoven, Ludwig van,” The New Grove Dictionary of Music and Musicians. Ed. Stanley Sadie. 2nd ed. London: Macmillan, 2001, vol. 3, pp. 73- 140.
Sisman, Elaine. “Variations,” The New Grove Dictionary of Music and Musicians. Ed. Stanley Sadie. 2nd ed. London: Macmillan, 2001, vol. 26, pp. 284- 326.
一般書籍
Autexier, Philippe A. Beethoven: The Composer as Hero. London: Thames and Hudson, 1992.
Beethoven, Ludwig van. The Letters of Beethoven. Ed. and trans. Emily Anderson. 3 vols. New York: St. Martin’s Press, 1961.
Broyles, Michael. Beethoven: The Emergence and Evolution of Beethoven’s Heroic Style. New York: Excelsior Music Publishing, 1987.
Burnham, Scott. Beethoven Hero. Princeton, NJ: Princeton University Press, 1995.
Cooper, Barry, ed. The Beethoven Compendium: A Guide to Beethoven’s Life and Music. London: Thames and Hudson, 1991.
Green, Douglass M. Form in Tonal Music. 2nd ed. New York: Holt, Rinehart and Winston, 1979.
Johnson, Douglas, ed. The Beethoven Sketchbooks: History, Reconstruction, Inventory. Los Angeles: University of California Press, 1985.
Kinderman, William, ed. Beethoven’s Compositional Process. Lincoln, NE: University of Nebraska Press, 1991.
Newman, William S. Beethoven on Beethoven: Playing His Piano Music His Way. New York: Norton, 1988.
Rosen, Charles. The Classical Style: Haydn, Mozart, Beethoven. New York: Norton, 1972.
-------. Sonata Forms. Rev. ed. New York: Norton, 1988.
Rosenblum, Sandra P. Performance Practices in Classic Piano Music: Their Principles and Applications. Bloomington and Indianapolis, IN: Indiana University Press, 1987.
Sipe, Thomas. Beethoven: Eroica Symphony. Cambridge: Cambridge University Press, 1998.
-------. Interpreting Beethoven: History, Aesthetics, and Critical Reception. Ann Arbor, MI: U.M.I., 1992.
Sisman, Elaine R. Haydn and the Classical Variation. Cambridge, MA: Harvard University Press, 1993.
Todd, Larry R. ed. Nineteenth- Century Piano Music. New York: Schirmer Books, 1990.
Tyson, Alan, ed. Beethoven Studies 3. Cambridge: Cambridge University Press, 1982.
Witten, David, ed. Nineteenth- Century Piano Music: Essays in Performance and Analysis. New York: Garland Publishing, 1997.
Wolff, Konrad. Masters of the Keyboard: Individual Style Elements in the Piano Music of Bach, Haydn, Mozart, Beethoven, Schubert, Chopin, and Brahms. Enl. ed. Bloomington and Indianapolis, IN: Indiana University Press, 1990.
期刊
Derr, Ellwood. “Beethoven’s Long- Term Memory of C.P.E.Bach’s Rondo in E Flat, W.61/1 (1787), Manifest in the Variations in E Flat for Piano, Opus 35 (1802).” The Musical Quarterly 70 (1984), pp. 45- 76.
Fischer, Kurt von. “Eroica- Variationen op.35 und Eroica- Finale.” Schweizerische Musikzeitung 89 (1949), pp. 282- 286.
Misch, Ludwig. “Fugue and Fugato in Beethoven’s Variation Form.” The Musical Quarterly 42 (1956), pp. 14- 27.
Tyson, Alan. “Beethoven’s Heroic Phase.” The Musical Times 110 (1969), pp. 139- 141.
樂譜
Bach, Johann Sebastian. Neue Ausgabe Samtlicher Werke: Klavier- und Lautenwerke. Band 2. Ed. Georg von Dadelsen. Kassel: Barenreiter, 1977.
-------. Neue Ausgabe Samtlicher Werke: Klavier- und Lautenwerke. Band 3. Ed. Georg von Dadelsen. Kassel: Barenreiter, 1970.
Beethoven, Ludwig van. Beethoven Werke: Variationen fur Klavier. Ed. Joseph Schmidt- Gorg. Munich: G. Henle, 1961.
-------. Symphonie Nr. 3 in Es- Dur op. 55 》Eroica《. Ed. Jonathan Del Mar. Kassel: Barenreiter, 1999.
中文部份
辭典、工具書
國立編譯館 編訂。音樂名詞。台北：桂冠圖書，民83。
音樂之友社 編。林勝儀 譯。“Contredanse, 對舞”。新訂音樂標準辭典 A- L。台北：美樂出版社，民88，頁416。
一般書籍
徐頌仁。音樂演奏的實際探討。台北：全音樂譜出版社，民76。
馮作民 譯。西洋神話全集。台北：星光出版社，民72。
陳美鸞。鋼琴變奏曲之藝術：獨奏會樂曲詮釋論述。台北：雅典出版社，民87。
陳漢金，閻嘯平，楊忠衡。發現貝多芬。台北：時報文化，民91。
董學渝。貝多芬狄亞貝里33 C小調32變奏曲之研究。台北：全音樂譜出版社，民82。
劉志明。西洋音樂史與風格。台北：全音樂譜出版社，民89。
羅曼‧羅蘭（Romain Rolland）。傅雷 譯。貝多芬傳。台北：世界文物出版社，民85。
論文
吳郁芬。貝多芬中期變奏曲之研究與比較―以作品34、35、76號論之。碩士論文，私立中國文化大學，民89。
林宜貞。貝多芬鋼琴奏鳴曲中變奏樂章之探討。碩士論文，國立中山大學，民89。
林錦霞。貝多芬第三號交響曲「英雄」指揮詮釋之比較研究。碩士論文，國立台灣師範大學，民90。