臺灣博碩士論文加值系統

在巴拉基雷夫的鋼琴作品中，最著名的為《伊斯拉美》(Islamey-“Oriental Fantasy”)，曲中高難度的技巧，就連巴拉基雷夫本人都無法彈奏。此曲完成於1869年，是獻給鋼琴家尼可拉‧魯賓斯坦( Nikolay Rubinstein)，並在同年十二月於聖彼得堡首演。
《伊斯拉美》的創作靈感來自於巴拉基雷夫至高加索(Caucasus)旅行途中，感受到當地純樸的民情與自然和諧之美，並且聆聽到索卡西亞人(Circassian)演奏的一種舞曲，稱之為Islamey，Islamey為民間舞蹈，是Lesginska的一種，通常為6/8的拍號，之後擴充為12/16拍。此種曲調深受巴拉基雷夫之喜愛，他將此靈感用在其交響詩塔瑪拉(Tamara)中，並進而運用在鋼琴曲裡。
研究此鋼琴曲《伊斯拉美》的動機如下：此曲通常被鋼琴家認為是展現手指技巧的大好機會，但研究此曲演奏技巧方面的資料並不多。筆者除了探討曲中主題之運用與根源外，並透過曲式的分析，歸納俄國音樂之特點，最後深入探討演奏方面的問題。
§王乃加鋼琴畢業音樂會§
巴赫/布梭尼：D小調夏康舞曲，作品1004
貝多芬：第三十一號降A大調鋼琴奏鳴曲，作品110
斯特拉溫斯基：〈俄羅斯舞〉選自《彼得羅希卡》
舒曼：幻想曲，作品17
巴拉基雷夫：伊斯拉美

In Balakirev’s piano compositions, the most famous is Islamey-“Oriental Fantasy”. The technique of this piece is so difficult that Balakirev himself couldn’t play it. “Islamey” was finished in 1869, and dedicated to Nikolay Rubinstein, who gave its premiere performance in St Petersburg in December.
The creative inspiration of “Islamey” is from his traveling to Caucasus. He felt the beauty of the inhabitants and nature, and heard a kind of dance music which was Circassian played. One of them, called Islamey, is a folk-dance, a variety of the Lesginska. It is often written down in 6/8, and expanded 12/16 latter. Balakirev was fond of this tune, he had in mind on symphonic poem-”Tamara”, and began to arrange it for the piano compositions.
The motives of researching this piano piece- “Islamey” is as follows: This piece is often thought a good opportunity of showing finger technique by pianist. There are not too many materials for researching performing technique of this piece. The writer researches the using and source of main theme, concludes the feature of Russian music through form analyzing, and researches deeply about performing at last.
§Nai-Chia Wang Graduation Piano Recital§
Bach/Busoni: Chaconne in D minor, BWV 1004
Beethoven: Sonata No. 31 in A flat major, op.110
Stravinsky: “Russian Dance” from Petrouchka
Schumann: Fantasie, op. 17
Balakirev: Islamey

目次
致謝
前言........................................................1
第一章 巴拉基雷夫之生平及創作背景.........................4
第一節 巴拉基雷夫之生平及創作理念.........................4
第二節 《伊斯拉美》的創作背景背...........................8
第二章 創作背景之探討....................................12
第一節 俄羅斯音樂之發展..................................12
第二節 Virtuoso炫技風格的影響............................19
第三節 俄羅斯鋼琴學派的傳承..............................22
第三章 樂曲分析..........................................25
第四章 演奏詮釋上之探討.................................42
第一節《伊斯拉美》技巧探究...............................42
第二節 演奏要點探討.....................................61
第三節 技巧相關之俄羅斯作品..............................71
結論.......................................................79
參考書目...................................................81

參考書目
A. Biography
Brown, David and others. Russian Masters 1: Glinka, Borodin, Balakirev, Mussorgsky, Tchaikovsky. New York: W. W. Norton, 1980.
Campbell, Stuart. Russians on Russian music, 1830-1880. New York: Cambridge University Press, 1994.
B. Biographical Writing
Dale, Kathlean. Nineteenth Century Piano Music. New York: Da Capo Press, 1972.
Grout, Donald Jay and Claude V. Palisca. A History of Western Music 5th ed. New
York, Norton＆Company, 1996.
Longyear, Rey M. Nineteenth-Century Romanticism in Music. Englewood Cliff: Prentice-Hall, 1973.
Plantinga, Leon. Romantic Music: A History of Musical Style in Nineteenth-Century Europe. New York: Norton＆Company, 1984.
Taruskin, Richard. Defining Russia Musically: Historical and Hermeneutical Essays. Princeton: Princeton University Press, 1997.
Schongberg, Harold C.《國民樂派》。陳琳琳譯。台北：萬象，民82。
諸大明主講。《多元的近代鋼琴音樂》。台北：台北愛樂，民90。
C. Analyses of the Music
Bie, Oscar. A History of the Pianoforte and Pianoforte Players. New York: Da Capo Press, 1966.
Chasins, Abram. Speaking of Pianists. New York: Da Capo Press,1982.
Dunsby, Jonathan. Performing Music. Oxford: Oxford University Press, 1996.
Freedman, Frederick. Notes on the Literature of the Piano. New York: Da Capo Press, 1968.
Gat, Josef. The Technique of Piano Playing. London: Collet’s Publishers, 1974.
Gerig, Reginald R. Famous Pianists and Their Technique. New York: Robert B. Luce,
1976.
Gillespie, John. Five Centuries of Keyboard Music: A Historical Survey of Music for
Harpsichord and Piano. New York: Dover Publications, 1965.
Mach, Elyse. Great Contemporary Pianists Speak for Themselves. New York: Dover Pubnlications, 1980.
Neuhaus, Heinrich. The Art of Piano Playing. Trans. by K. A. Leibovitch. New York: Praeger, 1973.
Todd, Larry. Nineteenth-Century Piano Music. New York: Schirmer Books, 1990.
Westerby, Herbert. The History of Pianoforte Music. New York: Da Capo Press, 1924.
Dubal, David.《鋼琴家談演奏藝術》。顧連理譯。台北：世界文物，民87。
Schonberg, Harold C.《不朽的鋼琴家》。顧連理，吳佩華譯。台北：世界文物，民87。
Slenczenska, Ruth.《指尖下的音樂》。王潤婷譯。台北：大呂，民80。
李哲洋主編。《最新名曲解說全集16獨奏曲3》。台北：大陸書店，民72。
狄約芙莉著。《柯爾托鋼琴演奏解說》。林勝儀譯。台北：大陸，民76。
徐頌仁著。《音樂演奏的實際探討》。台北：全音，民81。
彭聖錦著。《彈鋼琴的藝術》。台北：全音，民75。
葉綠娜著。《詮釋蕭邦練習曲》。台北：大呂，民79。
樊慰慈著。《飛越高加索的琴韻》。台北：燿文，民86。
D. Thesis and Dissertations
Breheda, Vera. “The Original Solo Piano Works of Mily Balakirev” D. M. A. Diss. Seattle: Washington University, 1983. 158p.
E. Dictionary and Encyclopedia
Randel, Don Michael. The New Harvard Dictionary of Music. Cambridge: Harvard University Press, 1986.
Sadie, Stantly ed. The New Grove Dictionary of Music and Musicians. 20vols. London: Macmillan Publishers, 2001.
Slonimsky, Nicolas. Baker’s Dictionary of Music. New York: Schirmer Books, 1997.
康謳主編。《大陸音樂辭典》，七版。台北：大陸書店，民79。
簡明仁編。《新訂標準音樂辭典》。台北：美樂，民80。
F. Music Score
Balakirev, and others. Islamey and Other Favorite Russain Piano Works. New York: Dover Publication, 2000.
Balakirew, Mili. Islamei: Orientalische Fantasie. Leipzig: C. F. Peters Edition, 1992.
G. Discography
Islamey (Great Pianists of the 20th Century), Performed by Claudio Arrau. Philips
456 706-2, 1998. Compact Disc.
Islamey (Great Pianists of the 20th Century), Performed by Andrei Gavrilov. Philips 456 787-2, 1998. Compact Disc.
Islamey (Great Pianists of the 20th Century), Performed by Julius Katchen. Philips
456 856-2, 1998. Compact Disc.
Islamey (Great Pianists of the 20th Century), Performed by John Ogdon. Philips
456 916-2, 1998. Compact Disc.
Islamey, Performed by Mikhail Pletnev. A Universal Music Company. 471 157-2, 2001. Compact Disc.