臺灣博碩士論文加值系統

舒曼（Robert Schumann, 1810-1856）音樂生涯中共創作了260多首藝術歌曲，包含1840年他與克拉拉結婚前夕，集合了26首聲樂歌曲所製作成的一本歌曲集《桃金孃》（Myrthen, Op. 25），其中第一首〈奉獻〉（Widmung）最廣為流傳。八年後善於改編藝術歌曲的李斯特（Franz Liszt, 1811-1886）也將此首歌曲改編成鋼琴獨奏曲，大幅增加此首曲目的曝光。
本文架構分為四大章節：第一章為舒曼與李斯特的生平，概述兩位作曲家一生的重要經歷；第二章為舒曼原創藝術歌曲〈奉獻〉，針對其創作背景來了解舒曼所表達的心境，進而探討此曲的創作手法；第三章為舒曼原創藝術歌曲〈奉獻〉與李斯特鋼琴獨奏曲《奉獻》之對照，深入探討兩種版本的曲式架構、速度、力度及表情風格術語間的差異；第四章為舒曼原創藝術歌曲〈奉獻〉與李斯特鋼琴獨奏曲《奉獻》之詮釋，根據此兩首不同曲種之作品，來探討鋼琴所擔任的角色不同，造成作曲家的創作手法及演奏家所注重的演奏技法而有所差異。最後第五章為結語，分析後總結出鋼琴合作者與鋼琴獨奏者在演奏曲目時，所應扮演的角色及具備演奏技法和詮釋的轉換能力。

Robert Schumann (1810-1856) has composed more than 260 art songs in his music career, including the twenty-six vocal songs collection “Myrthen” before his wedding in 1840. Moreover, the first song of “Myrthen”- Widmung was his most beloved piece. Later on, Franz Liszt（1811-1886）, a composer whose expertise was transposing every music genre into the piano solo piece, transposed this favorite art song eight years later.
This thesis divides into four chapters: the first chapter is the life of Schumann and Liszt. It will summarize the essential life experiences of these two composers. The second chapter talks about Schumann's original art song, “Widmung.” It contains the details of Schumann’s composition background. The third chapter will discuss the differences between the two “Widmung.” This chapter discusses the differences between two compositions’ musical structure, speed, strength, and the express terms. And the fourth chapter will discuss how to interpret those two pieces. It will suggest the different role-playing on the piano of these pieces and the consequences of various performing techniques. The final chapter will present the conclusion. After the analysis, it concludes that the piano collaborator and piano soloist should play different role when they perform the repertoire and the performance techniques and interpretation conversion capabilities they should possess.

中文摘要.................................................................................................................................I
Abstract................................................................................................................................II
目錄..................................................................................................................................... III
圖目錄.................................................................................................................................IV
表目錄..................................................................................................................................V
譜目錄................................................................................................................................VI
第一章 舒曼與李斯特生平簡述..........................................................................................1
第一節 舒曼生平簡述...........................................................................................1
第二節 李斯特生平簡述........................................................................................4
第二章 舒曼原創藝術歌曲〈奉獻〉..................................................................................7
第一節 創作背景..................................................................................................7
第二節 樂曲結構分析..........................................................................................10
第三章 舒曼原創藝術歌曲〈奉獻〉與李斯特改編鋼琴獨奏曲《奉獻》之對照.........17
第四章 舒曼原創藝術歌曲〈奉獻〉與李斯特改編鋼琴獨奏曲《奉獻》之詮釋........31
第五章 結語........................................................................................................................41
參考文獻..............................................................................................................................43

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