臺灣博碩士論文加值系統

本文以巴哈第五號大提琴無伴奏組曲為實例，探討巴洛克時期主要的大提琴演奏技巧與風格。第一章先綜論大提琴早期的演變與發展，及其在現代絃樂器家族裡的地位。第二章分別就演奏姿勢、左右手的握法與手形、運弓法和抖音，說明十八世紀前半的大提琴演奏法，與今日吾人所習之演奏法之異同。第三章將前二章之討論綜合，並以巴哈第五號大提琴無伴奏組曲為實例，分別就該組曲每一樂章討論其應用，並補充論述各樂章之演奏風格與特殊的技巧。

This thesis (written in Chinese) is an attempt at a survey of cello playing techniques during the Baroque period, particularly of the first half of the 18th century. Chapter 1 provides a description of the early history of the cello, and its position in the modern violin family. Chapter 2 is devoted to a discussion of cello playing techniques during the first half of the 18th century, focusing particularly on playing posture, shape of both hands, bowing and vibrato, and the discrepancies thereof between 18th century and modern performance practice. Chapter 3 applies the preceding discussion to Bach''s Suite for Solo Cello in C Minor, discussing details in the application of Baroque performance technique, and providing suggestions regarding style and certain technical problems.

目次
前言

本文所用之音名

第一章　大提琴的起源與發展 1
第一節　Violoncello一字之起源 1
第二節　現代提琴家族早期的演進 2
第三節　大提琴的演進 7
第四節　大提琴定絃的改變 12
第五節　弓的演進 14

第二章　十八世紀前半大提琴的演奏姿勢與技巧 16
第一節　大提琴持琴的姿勢 16
第二節　弓的握法 19
第三節　運弓方面的問題 22
第四節　抖音的使用 25
第五節　左手手形與指法的問題 27

第三章　巴哈第五號大提琴無伴奏組曲詮釋上的細節 30
第一節　版本的問題 31
第二節　前奏曲 35
第三節　阿雷曼舞曲 40
第四節　庫朗舞曲 41
第五節　薩拉邦德舞曲 42
第六節　兩首嘉禾舞曲 45
第七節　吉格舞曲 47

結語 50

參考書目 51

附錄一　C小調第五號大提琴無伴奏組曲，BWV 1011 54

附錄二　G小調魯特琴組曲，BWV 995 67

書籍及網頁

“Lira da braccio.” Kunsthistorisches Museum Vienna. Available from http://www.khm.at/system2E.html?/staticE/page202.html. Internet; accessed April 23, 2007.

The Rebec Page. Available from http://crab.rutgers.edu/~pbutler/rebec.html. Internet; accessed April 22, 2007.

Beethoven, Ludwig van. ““331. Beethoven an Breitkopf & Hartel in Leipzig.” Digital Archives of the Beethoven-Haus Bonn. Available from http://www.beethoven-haus-bonn.de/henle/letters-e/b0331.phtml?_gf=n. Internet; accessed April 22, 2007.

________. “370. Beethoven an Breitkopf und Hartel in Leipzig.“ Digital Archives of the Beethoven-Haus Bonn. Available from http://www.beethoven-haus-bonn.de/henle/letters-e/b0370.phtml?_gf=n. Internet; accessed April 22, 2007.


Bylsma, Anner. Bach, The Fencing Master: Reading aloud from the first three cello suites, 2nd ed. Amsterdam: Bylsma Fencing Mail, 2001.

De’ak, Stephen. David Popper. Neptune City, NJ: Paganiniana Publications, 1980.

Dilworth, John. “The cello: origins and evolution.” In The Cambridge Companion to the Cello, ed. Robin Stowell, 1-27. Cambridge University Press, 1999.

________. “The bow : its history and development.” In The Cambridge Companion to the Cello, ed. Robin Stowell, 28-37. Cambridge University Press, 1999.

Donington, Robert. The Interpretation of Early Music, new revised edition. New York: W.W. Norton, 1992.

Hoffmann, Bettina. Introduction to Samtliche Werke fur Violoncello, by Domenico Gabrielli. Kassel, Germany: Hinnenthal-Verlag, 2001.

Mozart, Leopold. A Treatise on the Fundamental Principles of Violin Playing. Translated by Editha Knocker, 2nd ed. Oxford University Press, 1985.

Quantz, Johann Joachim. On Playing the Flute: The Classic of Baroque Music Instruction. Translated by Edward R. Reilly, 2nd ed. Boston: Northeastern University Press, 2001.

Schwemer, Bettina, and Douglas Woodfull-Harris, eds. Text Volume. Vol. 2, 6 Suites a Violoncello Solo senza Basso, by Johann Sebastian Bach. Kassel, Germany: Barenreiter-Verlag, 2000.

Walden, Valerie. One Hundred Years of Violoncello: A History of Technique and Performance Practice, 1740-1840. Cambridge University Press, 1998.

Wenzinger, August. Preface to Sechs Suiten fur Violoncello Solo, by Johann Sebastian Bach, edited by August Wenzinger. Kassel, Germany: Barenreiter-Verlag, n.d.

樂譜

Bach, Johann Sebastian. 6 Suites a Violoncello Solo senza Basso. Edited by Bettina Schwemer and Douglas Woodfull-Harris. 6 vols. Kassel, Germany: Barenreiter-Verlag, 2000.

________. Sechs Suiten fur Violoncello Solo. Edited by Hans Eppstein. In Neue Bach-Ausgabe, ser. 6 vol. 2, 1-51. Kassel, Germany: Barenreiter-Verlag, 1988.

________. Sechs Suiten fur Violoncello Solo. Edited by August Wenzinger. Kassel, Germany: Barenreiter-Verlag, n.d.

________. Six Suites for Cello Solo. Edited by Pierre Fournier. New York: International Music Company, [1972].

________. Six Suites for Solo Cello, ed. Dimitry Markevitch, 4th ed. King of Prussia, PA: Theodore Presser, 2003.

________. Six Suites for unaccompanied violoncello. Edited by Janos Starker. New York: Peer Intermational, 1971.

________. Six Suites for Violoncello Solo. Edited by Edmund Kurtz. New York: International Music Company, [1983].

________. Suite g-moll fur Lauteninstrumente. Edited by Thomas Kohlhase. In Neue Bach-Ausgabe, ser. 5 vol. 10, 81-93. Kassel, Germany: Barenreiter-Verlag, 1976.

Barriere, Jean. 6 Sonates pour le Violoncelle avec la Basse Continue. Paris, 1733.

Gabrielli, Domenico. Samtliche Werke fur Violoncello. Kassel, Germany: Hinnenthal-Verlag, 2001.

Jacchini, Giuseppe. Tre Sonate per Violoncello e Clavicembalo. Padova, Italy: G. Zanibon, 1979.

錄音

Bylsma, Anner. Liner notes to Das Violoncello im 17. Jahrhundert. Performed by Anner Bylsma, Lidewy Scheifes and Bob van Asperen. Deutsche Harmonia Mundi 82876 601602, 1989. Compact disc.

Guillaume IX d’Aquitaine. Las Cansos del Coms de Peitieus. Performed by Brice Duisit. Alpha 505, 2003. Compact disc.