臺灣博碩士論文加值系統

中文摘要
寶琳‧維亞朵（Pauline Viardot- García, 1821- 1910）是一位職業生涯近24年的著名西班牙裔法國次女高音，在聲樂教育方面更是不遺餘力，父親曼紐．賈西亞(Manuel del Pópulo Vicente Rodriguez García ,1775-1832)為賈西亞派的創始人，而寶琳承襲了父母的教學方法並融會貫通，將歌唱藝術與事業推向高峰。
本論文以十九世紀作曲家寶琳‧維亞朵的四首藝術歌曲做分析詮釋研究，四首曲目分別為：Haï luli!〈啊！神哪！〉、Canción de la Infanta〈公主之歌〉、Les Filles de Cadix〈卡蒂斯姑娘〉、Morirò〈死〉等。不僅於表演和作曲方面有傑出的表現，這位在浪漫時期相當重要的女作曲家，也在聲樂教學方面留給後人深遠的影響和啟發。但國內卻尚未有人對寶琳．維亞朵作過深入研究。
本文總共分為五章，第一章為緒論；第二章則探討寶琳‧維亞朵之生平及她如何確立本身作品風格；第三章為賈西亞家族對聲樂教育音樂的影響；第四章以分析所選定的四首樂曲為主，背景、樂曲分析與詮釋報告；第五章為結論，希望能夠藉由本文介紹一位女性作曲家寶琳‧維亞朵的作品，讓台灣有更多人能夠認識這位女性作曲家的作品之美與其獨特的人生。


關鍵詞：寶琳‧維亞朵、浪漫曲

Abstract
Pauline Viardot-García (1821–1910), a celebrated French mezzo-soprano of Spanish descent, with a career that spanned over almost 24 years, devoted every effort to vocal music education. Daughter of Manuel del Pópulo Vicente Rodriguez García (1775-1832), founder of the García school, Pauline inherited and fine-tuned her parents’ teaching methods to promote the art of singing and reached the peak of her career.
In this paper, we used the following four art songs by Pauline Viardot-García, a nineteenth century composer, to analyze the interpretation of these songs: Haï luli!, Canción de la Infanta, Les Filles de Cadix, and Morirò. In addition to her outstanding work in performance and composition, Pauline Viardot-García as a key female composer during the Romantic Period is extremely influential and inspiring with her contribution in vocal music education. However, no Taiwanese study have examined this composer in depth.
This study is divided into five chapters: Chapter 1 is an introduction; Chapter 2 investigates the life of Pauline Viardot-García and how she established her style; in Chapter 3, Garcia family influence on vocal music education; Chapter 4 we examine the background, conduct song analysis, and deliver an interpretation of the four songs selected; Chapter 5 offers a conclusion. By introducing the works of Pauline Viardot-García, a female composer, we intend to show Taiwanese listeners the beauty of her works and her unique life.


Keywords: Pauline Viardot-García, romance

中文摘要 i
英文摘要 ii
目次 iii
表格目次 iv
譜例目次 v

第一章 緒論 1
第一節 研究動機與目的 1
第二節 研究範圍與方法 2
第二章 寶琳‧維亞朵之生平簡介與創作風格 3
第一節 生平簡介 3
第二節 寶琳的作品創作風格 8
第三章 賈西亞家族對聲樂教育音樂的影響 12
第一節 聲樂教育的先鋒 12
第二節 喉鏡的發明 14
第四章 樂曲分析與演唱詮釋 18
第一節 Haï luli!〈啊！神哪！〉 18
第二節 Canción de la Infanta〈公主之歌〉 32
第三節 Les Filles de Cadix〈卡蒂斯姑娘〉 42
第四節 Morirò〈死〉 55
第五章 結論 62
參考文獻 63

一、中文部分

周同芳。《佛瑞與法國藝術歌曲》。臺北市：全音樂譜，1990。

許涵堯，《佛瑞《五首威尼斯之歌》研究》。碩士論文，私立東海大學音樂研究所，2015。

楊沛仁。《音樂史與欣賞》。臺北市：美樂出版社，2001。

Hugh M. Miller、Paul Tzylor、Edgar William。《音樂概論》。桂冠學術編輯室譯。臺北市：桂冠圖書，1999。

尚家驤。《歐洲聲樂發展史》。香港：香港上海書局有限公司，1986。

二、外文部分

(一)書籍

Angeline Brasier,Pauline Viardot: Her Music and Spanish Influence.MM thesis, University of Melbourne,2000.

Angelica Minero Escobar,Enriching the French Romance: Pauline
Viardot-Garcia’s Early Composigion Song,1838-1850 Ph.D.diss.,The State University of New Jersey,2012.

Alexander Pushkin,The Queen of Spades and Other Stories,translated by Rosemary Edmonds,New York: Penguin Classics,1978

Fitzlyon,April. The Price of Genius: A Life of Pauline Viardot. New York:
Appleton-Century,1964.

Graham Johnson,Gabriel Faure: The Songs and their Poets Vermont: Ashgate
Phblishing,Ird.2009.

Isaac Nathan and Maria Malibran,Memories of Madame Malibran de Beriot.
London: Willian Clowes and Sons,1836.

Jessica McCormack,The Influence of National Styles on the Compositions of
Pauline Viardot 2009.

Kendall-Davies,Barbara,The Life and Work of Pauline Viardot Garcia: The
years of fame,1836-1863. London: Cambridge Scholars Press,2003.

Katarina Pilotti,The Road to Bel Canto .Master’s thesis,Örebro University,
2009.

Mikkelsen,Carol. Spanish Teacher Songs: Baroque and Classical Eras,Medium
Low. California: Alfred Music Publishing,2006.

Martha Elliott,Singing in Style: A Guide to Vocal Performance Practices,New
Haven: Yale University Press,2006.

Miles Hoffman,The NPR Classical Music Companion: Terms and Concepts from
A to Z Boston: ‬‬Houghton Mifflin Harcourt‬,1997.‬‬‬‬‬‬‬‬‬

Patricia Chiti - Songs and Duets of Garcia,Malibran and Viardot - Vocal
Collection: 1997.

Xavier de Maistre,A Jouney Round My Room,New York: Hurd and Houghton,
1871.

(二)期刊

A Stevens Robyn,“The Garcia Family: The Pedagogic Legacy of Romanticism’s
Premiere Musical Dynasty,” Journal of Singing,65/5（2009）.

Ard Jamee,“The Eternal Diva,” Journal of Opera News,72/4（2007）.

John Singer Sargent,“Manuel Garcia - The Centenarian,” Journal of The Musical
Times,46/746（1905）.

LaPorta Jesensky Katherine,“The life of Pauline Viardot: Her Influence on the
Music and Musicians of Nineteenth Century Europe,” Journal of Singing 67/3 （2011）.

Sergeant Perry Thomas,“Alfred de Musset by Paul Lindau,” Journal of The North
American Review,127/263（1878）.





(三)學位論文

Amy Jo Hunsaker,“Pauline Viardot’s Russian Compositions,”（DMA dissertation,
University of Nevada,Las Vegas,2010）.

Harris,Rachel M. “The Music Salon of Pauline Viardot: Featuring Her Salon
Opera Cendrillon”（DMA dissertation,Louisiana State University,2005）.

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Cambridge Dictionaries Online,
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