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研究生:尤國峰
研究生(外文):YU, GUO-FENG
論文名稱:最美的禮物:臺中萬春宮紀錄片製作報告
論文名稱(外文):The Gift - Documentary Production Report On Taichung Mazu Temple
指導教授:張桓忠張桓忠引用關係
指導教授(外文):CHANG, HUAN-CHUNG
口試委員:李佳懷周安邦
口試委員(外文):LEE, JIA-HUAIZHOU, AN-BANG
口試日期:2024-06-20
學位類別:碩士
校院名稱:中臺科技大學
系所名稱:文教事業經營研究所
學門:商業及管理學門
學類:其他商業及管理學類
論文種類:代替論文:作品連同書面報告(藝術類)
論文出版年:2024
畢業學年度:112
語文別:中文
論文頁數:48
中文關鍵詞:臺中萬春宮台中媽祖媽祖精神信仰傳承萬春密碼紀錄片
外文關鍵詞:Taichung Wanchun PalaceTaichung MazuMazu spiritbeliefinheritanceWanchun Codedocumentary
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本研究以臺中萬春宮的影像為主軸,探討媽祖精神的核心價值,利用半結構式訪談及參與觀察法,並透過攝影機記錄,將臺中萬春宮的重要活動以影音呈現。研究後發現:
一、 萬春宮的歷史悠久,自開基媽祖於1721年因朱一貴事件由藍廷珍恭請至台灣後,就與臺中這片土地有著非常密切的關係,也因為很早就進入臺中盆地,所以萬春宮的開基媽祖是台灣少數歷經清朝三大民亂的神尊之一,也是老臺中人都會認識的廟宇,雖然廟體小,但神格卻高。
二、 媽祖的精神在於忠孝禮義,萬春宮長年以公益活動推行媽祖精神,透過實作讓信徒了解如何實踐媽祖精神,希望信徒們都擁有一顆慈悲的心,潛移默化的傳達媽祖精神。
三、 信仰是否會因為時間的流逝而不見,信徒們是否可以一直守護自己的信仰,從臺中舊城區的興衰與店家人潮的遷移,萬春宮三個字仍然留在這些人的心中,每年一次的祝壽大典,可以看到平常未見的信徒一批一批來向聖母祝壽,信仰就應該有這種歷久彌新的樣貌。
四、 在紀錄片中,特別將萬春密碼列入腳本結構之中,萬春密碼包含每百年的大活動,七媽會、五州大會香、聖母來台百周年、笨港進香、湄洲遙祭,希望透過紀錄片為萬春宮的百年活動定義出一個名詞。
五、 早期每逢喜事就會到附近的大廟請神明回家同慶,不過臺中都會化之後,這項習俗漸漸地消失,因為都會化而改變拜拜的習慣是一件很值得令人探討的事情,紀錄片中記錄了目前臺中市還有請媽祖習慣的廟宇和社區,也希望用這樣的畫面勾起大家請媽祖的紀錄。

This study uses the images of Taichung Wanchun Palace as the main axis to explore the core value of Mazu spirit. It uses semi-structured interviews and participant observation methods, and records through cameras to present the important activities of Taichung Wanchun Palace in audio and video. After research, we found:

1. Wanchun Palace has a long history. Since Kaiji Mazu was invited to Taiwan by Lan Tingzhen in 1721 due to the Zhu Yigui incident, it has had a very close relationship with the land of Taichung. It also entered the Taichung Basin very early, so Wanchun Palace has a long history. The Kaiji Mazu in the Spring Palace is one of the few deities in Taiwan who survived the three major civil turmoils in the Qing Dynasty. It is also a temple that people in old Taichung will recognize. Although the temple is small, its deity is high.

2. The spirit of Mazu lies in loyalty, filial piety, etiquette and righteousness. Wanchun Palace has been promoting the spirit of Mazu through charity activities for many years. Through practical actions, believers can understand how to practice the spirit of Mazu. We hope that believers will have a compassionate heart and subtly convey the spirit of Mazu.

3. Whether faith will disappear due to the passage of time, and whether believers can always protect their faith. From the rise and fall of Taichung's old town and the migration of shopkeepers, the three words "Wanchun Palace" still remain in the hearts of these people. Once a year During the birthday celebration ceremony, you can see believers who have never been seen before coming one after another to wish Our Lady a happy birthday. Faith should have this timeless appearance.

4. In the documentary, the Wanchun Code is specifically included in the script structure. The Wanchun Code includes major events every hundred years, such as the Seven Mothers Association, the Five-State Conference, the Centenary of the Blessed Mother's Coming to Taiwan, Ben Hong Kong's Journey to Hong Kong, and Meizhou Yao Yao Festival, hoping to define a term for the centenary activities of Wanchun Palace through the documentary.

5. In the early days, whenever there was a happy event, people would go to nearby temples to invite the gods to come home to celebrate together. However, after Taichung became urbanized, this custom gradually disappeared. The change of worship habits due to urbanization is worth exploring. The documentary records that there are still temples and communities in Taichung that are accustomed to inviting Mazu. We also hope that this kind of scene will remind everyone of the record of inviting Mazu.


中文摘要………………………………………………I
目錄……………………………………………………VI
表目錄…………………………………………………VII
圖目錄…………………………………………………VIII
壹、緒論
一.創作緣起 ………………………………….1
二.創作背景與動機……………………………3
三.創作理念與目的……………………………5
貳、文獻探討
一.宗教類紀錄片………………………………8
二.台灣中部的媽祖紀錄片……………………9
參、創作歷程
一.影片製作流程………………………………10
二.廟口文化……………………………………14
三.故事大綱……………………………………15
四.訪談人物介紹………………………………16
五.紀錄片分鏡與文字腳本……………………18
1.正片分鏡39分鐘……………….19
肆、總結與建議
一.檢討與總結…………………………………45
二.建議與感謝…………………………………46
參考文獻……………………………………….47
附件一 紀錄片資料光碟

參考文獻
一.專書
行政院新聞局(2011)。《2009影視產業趨勢研究——電視、電影及流行音樂》
Richard M. Barsam(2012)。《記錄與真實:世界非劇情片批評 史》(王亞維譯)。遠流。
張桓忠(2014)。《萬春宮:臺中媽祖的故事》
丁佰桂《順濟聖妃廟記》

二.電影
Stephanie Spray 和 Pacho Velez(2013)。《Manakamana》
Jacques Perrin(2009)。《Oceans》
Martin Bell(1984)。《Streetwise》
李安(1994)。《飲食男女》
盧盈良(2022)。《神人之家》
Joshua Oppenheimer(2012)。《The Act of Killing》
當知項欠和久美嘉措(2008)。《無懼》
Krzysztof Kieślowski(1988)。《Dekalog》(十誡)
胡曉嬌(2022)。《儺.緣》
陝西德芳文化傳播有限公司(2014)。《全真之路》
任賢齊(2014)。《媽祖迺台灣》
文化部(2013)。《白沙屯媽祖進香》
彰化市政府(2022)。《南瑤新生》
大庄浩天宮(2018)。《最後一哩路的感動》

三.參考網路資料
台北金馬影展官網,網址:
https://www.goldenhorse.org.tw/aboutus/history/?sc=10&search_year=1962&ins=0
行政院國情簡介,網址:
https://www.ey.gov.tw/state/D00B53C98CD4F08F/0fe638e7-c0bf-401e-b9f2-3db11eecd508
白沙屯媽祖網路電視台,網址:
https://www.youtube.com/channel/UC8aI3Ee6KoWwjq6dcORBh8w



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