臺灣博碩士論文加值系統

在浪漫主義與先前的維也納古典樂派音樂相比，注重情感和表現而比較不拘泥於形式和結構方面的要求，在19世紀初逐漸抬頭的浪漫主義中，許多作曲家以標題音樂為主並且著重個人主義，但布拉姆斯（Johannes Brahms，1833-1897）有著對古典傳統風格的執著，作品中採用古典時期的曲式以及音樂上的對位手法運用，在樂曲中豐富的和聲發展以及節奏的錯位交織，使得這首作品在古典形式下發展出浪漫的情感，並與貝多芬和巴哈齊名，成為音樂史上有名的「3B」，他的作品充滿獨特的情感以及充沛的內涵，雖然作品中欠缺華麗的外表，但蘊藏於樂曲當中的情感和能量，是相當耐人尋味且值得細細品嘗。

Compared with the previous romantic Viennese classical music music, focusing on the emotional and expressive and less formality and structure requirements, in the early 19th century, the gradual rise of romanticism, many composers and music-based title focus on individualism, but Brahms (Johannes Brahms, 1833-1897) with the dedication of classical traditional style, the works of bits used in musical form and technique on the use of the classical period of music, rich harmonies in the song development and rhythmic dislocation intertwined, making this piece develops romantic feelings in the classical form, and with Beethoven and Bach par, became famous in the history of music "3B", his work is full of emotion and plenty of unique content, although lack of work looks gorgeous, but hidden in the emotion and energy of the music which is quite intriguing and worth savoring.

第一章 緒論
第一節 研究動機與目的
第二節 研究範圍與方法
第三節 文獻探討
第二章 布拉姆斯生平
第三章 創作生涯與室內樂作品
第一節 創作生涯
第二節 室內樂作品
第四章 作品編號120第一號
第一節 創作背景
第二節 音樂結構分析
一、第一樂章
二、 第二樂章
三、 第三樂章
四、 第四樂章
第五章 結論
參考書目

Murphy, Scott (2009). “Metric Cubes in Some Music of Brahms”. Journal of Music Theory. Duke University Press on behalf of the Yale University Department of Music. Volume 53, pp. 1-56. Http://www.jstor.org/stable/40606877
Pacun, David (2005). “The Variations of Johannes Brahms”. Philadelahia: Music Library Association. Notes 62, 2, pp. 401-403.
Rink, John (2001). “Sonata”. The New Grove Dictionary of Music and MusiciansTM second edition. Stanley Sadie/John Tyrell. New York: Macmillan Publishers Limited, pp. 687-701.
Schonberg, Harold C. (1997). The Lives of the Great Composers. New York: W. W. Norton & Company.
Smith, Peter H. (2009). “Brahms's Motivic Harmonies and Contemporary Tonal Theory: Three Case Studies from the Chamber Music”. Music Analysis. Wiley-Blackwell. Volume 28, pp. 63-110. Http://www.jstor.org/stable/40606810 (Accessed 26 October 2012).
Webster, James (2001). “Sonata form”. The New Grove Dictionary of Music and MusiciansTM second edition. Stanley Sadie/John Tyrell. New York: Macmillan Publishers Limited, pp. 680-96.
Botstein, ed. The Compleat Brahms(1999): A guide to the Musical Work of Johannes Brahms. New York: W. W. Norton.

H. C. Colles. “The Music of Brahms”. Lodon : Oxford University Press.

Geiringer Karl(1974). “ Brahms：His Life and Work”. New York：Da Capo Press.