臺灣博碩士論文加值系統

本論文概述貝多芬生平後，分析樂曲風格、特色、結構貝多芬《英雄變奏曲》作品35及《英雄交響曲》作品55，最後將分析樂曲的結果帶入《英雄變奏曲》實際演奏中，嘗試以交響樂想法融入詮釋。論文共分為五個章節，其章節內容包含作曲家之生平概述以及作品本身的創作背景、樂曲分析和演奏詮釋。第一章為介紹貝多芬生平與音樂風格特色，把它分成早期、中期和晚期來做深入研究。第二章概述變奏曲的定義、歷史發展、變奏曲的類型、技巧、種類與特點及討論貝多芬創作之變奏曲。第三章說明《英雄變奏曲》創作背景與《英雄交響曲》關係。第四章討論詮釋方法及練習技巧。第五章為結論，將本論文研究結果整理與歸納。

This study introduce the life story of Beethoven and analysis 15 Variations and Fugue, Op. 35 and Symphony No.3 in E flat major, Op.55. At last, this study will take the results of structural analysis into performance practice, trying to show how to play “Eroica Variations” with symphonic idea.

This study which is divided into five chapters, each chapter contains are composer’s personal life, the background, analysis and interpretation of the works. Chapter 1 discusses Beethoven’s life and music style in his three creative periods. Chapter 2 introduce the definition, history, types, techniques and features of the variations of piano variation, and discuss about the variations be used in Beethoven's piano compositions. Chapter 3 focuses on the historical background of Eroica Variations , analyzed the fourth movement of “Eroica Symphony” and found out the similarities and differences between them. Chapter 4 explores the performance issues and Exercise issues. Chapter 5 will conclude with the result of this research.

目次

表目錄………………………………………………………………… ii
譜例目錄……………………………………………………………… iii
前言 ……………………………………………………………………1
第一章 貝多芬生平概述……………………………………………3
第二章 變奏曲概述……………………………………………………9
第一節 變奏曲定義及手法…………………………………….9
第二節 變奏曲的發展至貝多芬時期…………………………11
第三節 貝多芬的鋼琴變奏曲………………………………13
第三章 《英雄變奏曲》創作背景與《英雄交響曲》關係…………18
第一節 《英雄變奏曲》創作背景……………………………18
第二節 與《英雄交響曲》第四樂章關聯性…………………22
第四章 《英雄變奏曲》樂曲分析及練習技巧………………………28
第一節 結構分析及詮釋……………………………………28
第二節 練習技巧……………………………………………51
第五章 結論.………………………………………………58
參考書目………………………………………………………………60

參考書目

一、中文書目

邵義強 編譯。貝多芬鋼琴作品剖析。台北：天同出版社，1984。

音樂之友社編。貝多芬。林勝儀譯。台北：美樂出版社，1999。

奧加．艾提斯 (Orga Ates)。偉大作曲家群像－貝多芬。蕭美惠、林麗冠譯。 台北：智庫文化，1995。

馮作民譯，西洋神話全集。台北：星光出版社，1983。

瑞奇‧艾倫 (Rich Alan)。貝多芬─《英雄》交響曲、《艾格蒙》序曲。陳澄和譯。台北：智庫文化，1997。

劉志明。西洋音樂史與風格。台北：全音樂譜出版社，2000。

劉志明。曲式學。台北：大陸書店，1981。

羅蘭．羅曼 (Rolland Romain)。貝多芬傳。傅雷譯。臺北：世界文物出版社，1996。

林宜貞。貝多芬鋼琴奏鳴曲中變奏樂章之探討。中山大學碩士論文，2000。

陳思彣。貝多芬《英雄》鋼琴變奏曲‧作品三十五之詮釋報告。臺灣師範大學碩士論文，2007。

鄭佳姍。貝多芬英雄主題變奏曲作品三十五。臺北藝術大學碩士論文，2003。

鍾郁敏。貝多芬鋼琴作品《英雄變奏曲》之詮釋探討。東吳大學碩士論文，2004。


二、外文書目

Anderson, Emily. The Letters of Beethoven. 3 vols. London: Macmillan, 1961.

Drake, Kenneth. The Beethoven Sonatas and the Creative Experience. Bloomington: Indiana University Press, 1994.

Gillespie, John. Five Centuries of Keyboard Music: An Historical Survey of Music for Harpsichord and Piano. New York: Dover Publications, 1965.

Gordon, Stewart. A History of Keyboard Literature: Music for the Piano and Its Forerunners. New York: Schirmer Books, 1996.

Johnson, Douglas, ed. The Beethoven Sketchbooks. Los Angeles: University of California Press, 1985.

Kennedy, Michael. The Oxford Dictionary of Music. London: Oxford University Press, 1985.

Kinderman, William. “Beethoven.” Nineteenth-Century Piano Music. Edited by R. Larry Todd. New York: Schirmer Books, 1990, 55-96.

Lockwood, Lewis. “Beethoven’s Earliest Sketches for the ‘Eroica’ Symphony,” The Musical Quarterly 67, no. 4 (October 1981): 457-78.

Misch, Ludwig, and G. I. C. deCourcy. “Fugue and Fugato in Beethoven’s Variation Form.” The Musical Quarterly 42, no. 1 (January 1956): 14-27.

Pang, Ta-Hsi. “The Variation Technique in Selected Piano Works of Haydn, Mozart, Beethoven, and Schubert: A Performance Project.” Ph. D. diss., University of Maryland, 1998.

Randel, Don Michael, ed. The New Harvard Dictionary of Music. Cambridge: Harvard University Press, 1986.

Rosen, Charles. The Classical Style: Haydn, Mozart, Beethoven. New York: Norton, 1971.

Rosenblum, Sandra P. Performance Practices in Classic Piano Music: Their Principles and Applications. Bloomington: Indiana University Press, 1998.

Sadie, Stanley, ed. The New Grove Dictionary of Music and Musicians. 2nd ed.
26 vols. London: Macmillan, 2001.

Sadie, Stanley, ed. The New Grove Dictionary of Music and Musicians. 2nd ed. London: Macmillan, 2001. S.v. “Varioations,” by Elaine Sisman.

Sisman, Elaine. Haydn and the Classical Variation. Cambridge: Harvard University Press, 1993.

Whiting, Steven Moore. “To the "New Manner" Born: A Study of Beethoven's Early Variations.” Ph. D. diss., University of Illinois at Urbana-Champaign, 1991.