|
A. 索洛甫磋夫。《肖邦的创作》。中央音乐学院译。北京:人民音乐出版社,1960。
Abraham, Gerald. Chopin’s Music Style. Westport, CT.: Greenwood Press, 1980.
Brook, Donald. Masters of the Keyboard. London: Rockliff, 1946.
Brown, Maurice J. E. Chopin: An Index of His Works in Chronological Order. New York: Da Capo Press, 1972.
Eigeldinger, Jean-Jacques. Chopin: Pianist and Teacher as Seen by His Pupils. Translated by Naomi Shohet, Krysia Osostowicz, and Roy Howat. New York: Cambridge University Press, 1986.
Goldberg, Halina. Music in Chopin’s Warsaw. New York: Oxford University Press, 2008.
Hunker, James. Chopin: The Man and His Music. New York: C. Scribner’s Sons, 1900.
Lederer, Victor. Chopin: A Listener’s Guide to the Master of the Piano. Pompton Plains, N J: Amadeus Press, 2006. Mason, Daniel Gregory. The Romantic Composers. Westport, CT: Greenwood Press, 1970.
Milewski, Barbara. “Chopin’s Mazurkas and the Myth of the Folk.” 19th-Century Music 23, no. 2 (Autumn 1999): 113-135.
Niecks, Fredrick. Frederick Chopin: As a Man and Musician. Enlarge and Illustrated ed. Vol. 2. Neptune City, NJ: Paganiniana, 1980.
Petty, Wayne C. “Chopin and the Ghost of Beethoven.” 19th-Century Music 22, no. 3 (Spring 1999): 281-299.
Plantinga, Leon. Romantic Music: A History of Musical Style in Nineteenth-century Europe. 1st ed. New York: Norton, 1984.
Rink, John. Chopin: The Piano Concertos. New York: Cambridge University Press, 1997.
________.“Tonal Architecture in the Early Music.” In The Cambridge Companion to Chopin. Edited by Jim Samson. New York: Cambridge University Press, 1992.
Rowland, David. “Chopin’s Tempo Rubato in Context.” In Chopin Studies 2. Edited by John Rink and Jim Samson. New York: Grove, 2001.
Sadie. Stanley, ed. The New Grove Dictionary of Music and Musicians. 2nd ed. 29 vols. New York: Grove, 2001. S.v. “Mazurka,” by Stephen Downes.
______. The New Grove Dictionary of Music and Musicians. 2nd ed. 29 vols. New York: Grove, 2001. S.v. “Rondo,” by Malcolm S. Cole.
Samson, Jim. Chopin: The Four Ballades. New York: Cambridge University Press, 1992.
Smialek, William. Frederic Chopin: A Guide to Research. New York: Garland, 2000.
Temperlet, Nicholas, Gerald Abraham, and Humphrey Searle. The New Grove Early Romantic Masters 1: Chopin, Schumann, Liszt. New York: Norton, 1985.
Thomas, Adrian. “Beyond the Dance.” In The Cambridge Companion to Chopin. Edited by Jim Samson. New York: Cambridge University Press, 1992.
王惠玲。《蕭邦馬祖卡舞曲之研究》。台北市:國立台北藝術大學,民國97年。
友梅。《蕭邦的革命音樂》。台北市:天同出版社,民國67年。
徐頌仁。《音樂演奏的實際探討》。台北市:全音樂譜出版社,民國76年。
楊沛仁。《音樂史與欣賞》。台北市:美樂出版社,民國96年。
張倍綸。《鍵盤獨立輪旋曲之研究─以巴羅克樂派至浪漫樂派之鍵盤獨奏樂曲為例》。台北市:中國文化大學,民國93年。
廖乃雄。《作曲家小百科10,蕭邦:鋼琴詩人》。台北市:世界文物,民國90年。
劉雅雯。《蕭邦波蘭舞曲,作品22與61之輪旋曲與幻想曲》。台北市:台北藝術大學音樂研究所,民國94年。
龔黛麗。《蕭邦的鋼琴音樂析論》。台北市:樂韻出版社,民國66年。
|