臺灣博碩士論文加值系統

本輔助文件分為兩部份，第一部分為《Vibrating》之創作理念、樂思佈局、動機及樂曲分析；第二部份為豎琴獨奏曲《Vibrating》之總譜。
　　本文描述此曲創作的心靈狀態，並闡述創作中開發豎琴新聲響與彈奏方式的過程與實證。另外，筆者並以空間的音域與時間的音值互換概念來探索新的作曲技術，達到體現宇宙之愛其超越時空的神祕特質。

The supporting paper consists of two parts. The first comprises the idea behind the composition, the layout of the musical thoughts, and the motivic and structural analysis. The second consists of the musical score of “Vibrating.”
The thesis describes the spiritual state while composing. It explains the process and the realization of developing new acoustics and new performance approaches on the harp. Apart from that, the composer invented a new composition technique by exchanging space and time with pitch register and note values, which together, express the love of the universe, the mysterious character of the transcending time and space.

演奏會曲目與輔助文件摘要…………………………i
Recital Program and Paper Abstract……………ii
誌謝……………………………………………………iii
丁怡文豎琴獨奏會CD…………………………………iv
目錄……………………………………………………v
一．前言………………………………………………1
二．作曲理念……………………………………… 2
三．樂曲構思與佈局…………………………………3
四．音樂體現方式……………………………………10
(一)動機分析
(二)樂曲分析
五．結語………………………………………………19
參考文獻………………………………………………20
附錄　豎琴獨奏曲《vibrating》樂譜…………… 21

書目
Carlos Salzedo: Modern Study of Harp. New York: G. Schirmer, 1921.
影音資料
Helene Breschand: Harpist. France. Basta. 1998.