臺灣博碩士論文加值系統

朱里歐‧卡契尼 (Giulio Caccini, 1551-1618) 是巴洛克前期的作曲家，以《新音樂》曲集及其音樂理論在西洋音樂史上流傳千古，〈阿瑪莉莉，我的愛人〉更是不朽名曲。本研究自《新音樂》中挑選五首歌曲探究，分別是〈阿瑪莉莉，我的愛人〉、〈幸運的小鳥兒〉、〈聽啊，聽啊，愛侶們〉、〈聽啊，伊烏泰佩〉、〈美麗的紫紅玫瑰〉。全文共分六章，首先探討作曲家的生平事蹟及其音樂的創新之處，並進一步闡釋卡契尼《新音樂》〈前言〉中的聲樂理論，包括他對聲樂技巧的見解以及各種歌聲的潤飾方法。之後本文介紹《新音樂》詩詞作者的簡介，以及義大利詩的基本格律規則，並在最後提出五首歌曲的詮釋。

Giulio Caccini (1551-1618), a remarkable composer in the early Baroque period, is known in western music history for his Le Nuove Musiche as well as its preface, in which Caccini left his famous theory of voice and composition, and his “Amarilli, mia bella” from Le Nuove Musiche is also popular between singers for hundreds of years. Five pieces from Le Nuove Musiche are inquired: “Amarilli, mia bella,” “Fortunato Augellino,” “Udite, udite, amanti”, “Odi, Euterpe,” and “Belle rose porporine.” There are six chapters in this thesis. First, the background of the composer is introduced; furthermore, the theory of voice in the preface to Le Nuove Musiche is discussed and Caccini’s viewpoints on vocal techniques and vocal ornamentation are described. In addition, the background of the poets of the lyrics in Le Nuove Musiche as well as the basic metrics of Italian poetry are presented. Finally, the interpretation of the five pieces are proposed.

謝辭 I
中文摘要 II
英文摘要 III
圖目錄 VI
表目錄 VII
譜例目錄 VIII

第一章 緒論 1
第一節 研究動機與目的 1
第二節 研究方法與範圍 3
第三節 文獻與有聲資料回顧 5

第二章　卡契尼的生平 10
第一節　早年的音樂生活 (1551-1577) 11
第二節 參與卡美拉達聚會 (1578-1592) 13
第三節 事業顛峰期 (1593-1607) 17
第四節 晚年生活 (1608-1618) 21

第三章 1602年出版的《新音樂》曲集 22
第一節 《新音樂》的創新性 24
第二節 嗓音的潤飾 30
第三節 其他演奏實務相關探討 47

第四章 《新音樂》曲集的詩人生平與詩詞格律 56
第一節 《新音樂》詩人生平 58
第二節 義大利詩的基本格律規則 64

第五章 五首選曲分析及演唱詮釋探討 72
第一節 〈阿瑪莉莉我的愛人〉 73
第二節 〈幸運的小鳥兒〉 82
第三節 〈聽啊，聽啊，愛侶們〉 91
第四節 〈聽啊，伊烏泰佩〉 100
第五節 〈美麗的紫紅玫瑰〉 110

第六章 結論 119

附錄一 巴爾迪伯爵的卡美拉達聚會 121
附錄二 梅迪奇家族介紹 124
附錄三 《新音樂》〈前言〉完整中譯 127
附錄四 五首選曲完整樂譜 145
附錄五 學位音樂會節目單 160

參考文獻 178

一、中文資料
丁晏海。〈布拉姆斯Hemiola藝術歌曲研究〉。台南科大學報第28期 (2009)：73-94。
侯錫瑾。《西方早期合唱藝術》。北京：北京大學出版社，2006。
郭尚興、劉亞杰、齊林濤譯，瓦萊里奧‧林特納著。《週末讀完意大利史》。上海：上海交通大學出版社，2009。
郭斌和、張竹明譯。《理想國》。北京：商務印書館，1986。
章安祺、黃克劍、楊慧林著。《西方文藝理論史──從柏拉圖到尼采》。北京：中國人民大學出版社，2007。
楊兆禎。《歌唱的理論與實際》。台北：全音樂譜出版社，1980。
賈棣然譯，朱里歐‧卡契尼著。〈《新音樂》序言〉，音樂研究第2期 (2010)：91-102。
管謹義。《西方聲樂藝術史》。上海：人民音樂出版社，2005。
劉志明。《巴洛克時代音樂史》。台北：全音樂譜出版社，2002。
________。《文藝復興時代音樂史》。台北：全音樂譜出版社，2004。
蔡順美。《研究十七世紀新音樂曲集的革新》。台南：漢家出版社，1984。
薛良。《歌唱的方法》。北京：中國文藝聯合出版公司，1983。
謝斐紋。《早期聲樂歌曲探究》。台北：美樂出版社，2006。

二、西文資料
Aldrich, Putnam. Rhythm in Seventeenth-Century Italian Monody. New York: W. W. Norton & Company, 1966.
Barnes, Sheila. “Sprezzatura” essay in accompanying booklet, Giulio Caccini and his circle performed by David Bates and La Nuova Muscia. Somm Recordings SOMMCD 083, 2008. Compact disc.
Bovicelli, Giovanni Battista. Regole, passaggi di musica. Venice, 1954.
Brunelli, Antonio. Regole ultilissime per li scolari. Florence, 1606.
Burkholder, J. Peter, Donal Jay Grout, and Claude V. Palisca. A History of Western Music. 8th ed. New York: W. W. Norton & Company, 2010.
Carter, Tim. “Caccini’s Amarilli, mia bella: Some Questions (and a Few Answers).” Journal of the Royal Musical Association 113, No. 2 (1988): 250-273.
________. “On the composition and performance of Caccini’s Le nuove musiche (1602).” Early Music 12, No.2 (1984): 208-217.
Curt, Sachs. The History of Musical Instruments. New York: W. W. Norton & Company, 1940.
Cyr, Mary. Performing Baroque Music. Portland, OR.: Amadeus Press, 1992.
Dane, Joseph A. The Long and the Short of It. Notre Dame, Indiana: University of Notre Dam Press, 2010.
Donington, Robert. The Interpretation of Early Music, new revised ed. New York: W. W. Norton & Company, 1992.
Elliott, Martha. Singing in Style. New Haven: Yale University Press, 2006.
Finch, Alfred Ashfield. “A Study of Caccini’s Le nuove musiche.” MA.diss, University of Rochester, 1942.
Gaffurius, Franchinus. Pratica musicae. Milan, 1496. Translated by Celment A. Miller, Dallas: American Institute of Musicology, 1968. Also translated by Irwin Young, Madison: University of Wisconsin Press, 1969.
Hill, John Walter . “Oratory Music in Florence, I: Recitar cantando, 1583–1655.” Acta Musicologica 54, Fasc. 1 (1979): 108–12.
Hitchcock, H. Wiley. Introduction to Le Nuove Musiche, by Giulio Caccini. Recent Researches in the Music of the Baroque Era, vol. 9. Madison, Wis.: A-R Editions, 1970.
________. Introduction to Nuove Musiche e Nuova Maniera di Scriverle (1614). Recent Researches in the Music of the Baroque Era, vol. 28. Madison, Wis.: A-R Editions, 1978.
_________. “Vocal Ornamentation in Caccini’s Nuove Musiche.” The Musical Quarterly 56, No.3 (1970): 389-404.
Marcuse, Sibyl. A Survey of Musical Instruments. New York: Harper & Row Publishers, 1975.
Neumann, Frederick. Performance Practices of the Seventeenth and Eighteenth Centuries. New York: Schirmer Books, 1993.
Nuti, Giulia. The Performance of Italian Basso Continuo. Aldershot, UK: Ashgate, 2007.
Palisca., Claude.V. The Florentine Camerata: Documentary Studies and Translations. New Haven: Yale University Press, 1989.
Whenham, John. Duet and Dialogue in the Age of Monteverdi, vol. 1. Studies in British Musicology, ed. Nigel Fortune, no. 7. Ann Arbor, Mich.: UMI Research Press, 1982.


三、樂譜
Caccini, Giulio. Le Nuove Musiche. Florence, 1602. Reprint: New York: Broude Brothers Limited, 1973.
________. Le Nuove Musiche. Tanslated and edited by H. Wiley. Hitchcock in Recent Researches in the Music of the Baroque Era, vol. 9. Madison, Wis.: A-R Editions, 1970.
________. Nuove Musiche e Nuova Maniera di Scriverle.Tanslated and edited by H. Wiley. Hitchcock in Recent Researches in the Music of the Baroque Era, vol. 28. Madison, Wis.: A-R Editions, 1978.
________. “Amarilli, mia bella.” In Anthology of Italian Song of the Seventeenth and Eighteenth Centuries, ed. Alessandro Parisotti. London and New York: G. Schirmer, 1895. Art Song Central, http://artsongcentral.com/wp-content/uploads/2ais019.pdf (accessed April 16, 2012).

四、有聲資料
Bates, David and La Nuova Muscia. Giulio Caccini and his circle. Works by Claudio Monteverdi, Giulio Caccini, Girolamo Kapsberger, Girolamo Frescobaldi, and Peter Philips. Somm Recordings SOMMCD 083, 2008. Compact disc.
Caccini, Giulio. Integrale des madrigaux & arias, vol.1 : Le nuove musiche (1601). Performed by Maurizia Barazzoni and Sandro Volta. Arion ARN 268190, 1992. Compact disc.
________. “Amarilli, mia bella.” In Arie antiche sung by Cecilia Bartoli with Gyorgy Fischer. Decca CD 0289 436 2672 9, 1992. Compact disc.
________. “Amarilli, mia bella.” In Arie antiche sung by Emma Kirkby with Anthony Rooley. Musica Oscura 070988, 1993. Compact disc.
________. “Belle rose porporine.” The Italian lute song sung by Julianne Baird with Ronn McFarlane. Dorian Recordings DOR-90236,1996. Compact disc.
________. “Odi, Euterpe.” In Odi Euterpe, Italian monody from the early 17th century sung by Rasa Dominguez with Monica Pustilnik and Dolores Costoyas. Glossa GCD922502, 2010. Compact disc.

五、網路資料
Carter, Tim, H. Wiley Hitchcock, Suzanne G. Cusick, Susan Parisi. “Caccini.” In Grove Music Online. Oxford Music Online, http://www.oxfordmusiconline.com/subscriber/article/grove/music/40146pg1 (accessed March 17, 2012)
Carter, Tim. “Rediscovering Il rapimento di Cefalo.” Journal of Seventeenth-Century Music 9, No.1 (2003), http://www.sscm-jscm.org/v9/no1/carter.html (accessed July 4, 2012).
“Ceba, Ansaldo.” In Oxford Companion to Italian Literature. Answer.com, http://www.answers.com/topic/ansaldo-ceba (accessed April 12, 2012).
Fortune, Nigel and Tim Carter. “Monody.” In Grove Music Online. Oxford Music Online, http://www.oxfordmusiconline.com/subscriber/article/grove/music/18977 (accessed March 20, 2012).
“Guarini, Alessandro.” In Oxford Companion to Italian Literature. Answer. com, http://www.answers.com/topic/alessandro-guarini (accessed April 12, 2012).
Hanning, Barbara R. “Chiabrera, Gabriello.” In Grove Music Online. Oxford Music Online, http://www.oxfordmusiconline.com/subscriber/article/grove/music/05560 (accessed April 7, 2012).
________. “Guarini, Battista.” In Grove Music Online. Oxford Music Online, http://www.oxfordmusiconline.com/subscriber/article/grove/music/11899 (accessed August 26, 2012).
________. “Rapimento di Cefalo, Il.” In The New Grove Dictionary of Opera, edited by Stanley Sadie. Grove Music Online. Oxford Music Online, http://www.oxfordmusiconline.com/subscriber/article/grove/music/O003343 (accessed July 4, 2012).
________. “Rinuccini, Ottavio.” In Grove Music Online. Oxford Music Online, http://www.oxfordmusiconline.com/subscriber/article/grove/music/23494 (accessed April 7, 2012).
Palisca., Claude V. “Bardi, Giovanni de'', Count of Vernio.” In Grove Music Online. Oxford Music Online, http://www.oxfordmusiconline.com/subscriber/article/grove/music/02033 (accessed August 26, 2012).
________. “Camerata.” In Grove Music Online. Oxford Music Online, http://www.oxfordmusiconline.com/subscriber/article/grove/music/04652 (accessed March 18, 2012).
________. “Cavalieri, Emilio de’.” In Grove Music Online. Oxford Music Online, http://www.oxfordmusiconline.com/subscriber/article/grove/music/05202 (accessed March 20, 2012).