臺灣博碩士論文加值系統

穿戴裝置作為人機介面已被廣泛的運用在互動藝術、科技表演藝術等領域，企圖透過穿戴裝置緊密聯繫觀者的視覺、聽覺、觸覺與肢體動作，給予觀者更強烈的身體感。本人創作方向一直追求將身體與聲響結合在一起，因此在本論文提出「隻手音聲-穿戴聲音裝置之身體感」的議題，試著探討具有體現性的聲音。本人以〈身聲舞動〉與〈光音計畫〉兩件作品來實現穿戴裝置在身體產生聲音，透過作品將內心的聲音表達出來。
〈身聲舞動〉作品是聲音藝術與舞蹈跨域融合在一起的表演。本人利用穿戴式聲音裝置將身體內部的聲響外放出來，希望透過穿戴式聲音裝置將跳舞時肌肉震顫與骨頭撞擊的聲音釋放出來，使得舞動的身體成為一件樂器，達成樂舞合一的目標，讓身體為我奏樂，且滿足本人想實現"隨音樂舞蹈，舞在節奏"的夢想。作品雖不是用單隻手產生聲響，但作品由身體關節及肌肉震顫產生聲響來回應「隻手音聲」主題。
〈光音計畫〉作品是一件視覺、聽覺與手部動作相互呼應的互動作品，藉由穿戴聲音裝置讓參與者可以用手與光互動，將光的動態變化轉化為聲響，希望傳達出作品意象：一個人用手觸碰機器上閃爍的燈光，聆聽機器所述說的話語。作品讓參與者戴著手套隻手與裝置中的光轉化聽(看)到聲響，也回應了論文主題「隻手音聲」。
兩件作品透過觸碰、振動、光等物理性現象，讓表演者或參與者利用身體的姿態、手勢、動作直覺地進行流暢的科技藝術表演或聲響探索，以產生具有體現性的聲音，亦即運用穿戴聲音裝置，延伸人的身體，將身體建構為技術的身體，延伸人的審美經驗，這是本論文的主要目的。

Wearable devices as a human machine interface have been widely used in the interactive and digital performing arts. This technology attempts to tightly wound the viewer''s sense of sight, hearing, touch and body movements through wearable devices, giving viewers a stronger sense of embodiment.
My research mainly focuses on connecting the body and the sound, therefore in this thesis I discuss the issue through “the sound of one hand clapping- the embodiment of wearable audio devices” based on my two artworks “body-sound dancing” and “light-tone plans”. These two artworks try to explore the topic of the thesis. In these artworks I utilized wearable device to create sound through body movements, capturing and expressing the sound in my mind.
“Body-sound dancing” is an interdisciplinary performance fusing sound art and dance. By use of the wearable audio devices I am able to perform the internal sounds of my body. I anticipate the dancing body and it turns into a musical instrument through the wearable audio devices. Every visceral phenomenon of the body during dance becomes part of the music instruments, including the compression of the bones and tremors of the muscles, achieving music and dance as one. So I have a dream of playing music by the body. And now “dancing with the music, dancing on the beat” has come true. The artwork doesn''t literally create sound by clapping one hand, but instead responses to the topic “the sound of one hand clapping” by the sound resulted from the body’s joints and muscles.
“Light-tone project” is an interactive artwork that incorporates the sense of sight, hearing and hand movements which echo within each other. Participants can interact with the led light by their hands wearing gloves with audio devices, which transform variations of led light into sound. This work seeks to express an image of a person touching the flashing lights on the machine with their hands while listening to words spoken by the machine.
The artworks allow performers or participants to embody sound through physical phenomena such as touch, vibration and light. Utilizing body posture, gestures, and movements to smoothly and intuitively take part in digital performances or explorations of sound. In the conclusion of the thesis, the main purpose is using the wearable audio devices to extend the human body and to construct the body as a technical body, extending our aesthetic experience.

摘要 i
ABSTRACT ii
致謝 iii
目錄 iv
圖次 v
第一章 緒論 1
第二章 文獻探討 3
第一節 技術現象學的身體 3
第二節 身體的震顫狀態 10
第三節 穿戴科技在聲音相關應用實例 14
第三章 創作論述 18
第一節 〈身聲舞動〉作品論述與執行方法 18
一、創作動機與理念 18
二、執行方法 20
三、呈現與記錄 22
第二節〈光音計畫〉作品論述與執行方法 26
一、創作動機與理念 26
二、執行方法 27
三、呈現與記錄 31
第四章 結論 33
第一節 作品檢討 33
第二節 作品未來展望 34
參考文獻 37

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