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“The Dance of Daolang” is composed by Wang Lo Lung, a composer who is commissioned by Wu Ru Ching, a young Chinese performer in 2016. Wang Lo Lung turned his artistic conception into an image with his own imagination of Xinjiang Daolang Dance, and wrote an ideal composer’s music. The music structure breaks away from the traditional rules of Sonata form, using the Sonata-form frame to add or subtract the writing techniques belonging to the composer himself. The use of Xinjiang’s image of brave and fierce warriors, coupled with the Sonata form with the composer’s ideas, all of which led to the author’s motivation.
The author interviewed the composer, Wang Lo Lung, to understand the mood and background of the song in the most direct way. For the analysis and interpretation, there was the first-hand information from the composer, and made a detailed analysis of Wang Lo Lung’s learning history and composition experience. From the literature, the author summed up the artistic value and significance of the transplanted compositions of Chinese musical instruments, and explored the similarities and the possibilities from the transplant relationship between Zhongruan and Liuqin.
“The Dance of Daolang” was originally a work of Zhongruan. The author transplanted it to Liuqin. Based on the interview of Wang Lo Lung, through analysis of the transplanted composition, and exploring the musical aesthetics of performance for Chinese musical instruments, the author learned about the mood and thoughts of “The Dance of Daolang” from the composer. The author clearly understood the use of Daolang dance materials and the changes of Western Sonata structure, and carried out detailed analysis and interpretation analysis of the music, and established the experience of the song for the actual performance of the Liuqin performers.
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