臺灣博碩士論文加值系統

本論文僅只對整部作品中的第一首《情話》作深入的研究，筆者嚐試先深入探討這首作品，進而對《哥雅之畫》的創作背景以及葛拉納多斯音樂中的風格特色有所了解，以避免輕易的按照譜面所示來演奏，而無法詮釋葛拉納多斯所再三強調的西班牙精神，顯得只是首旋律優美、極為浪漫的作品。
欲了解葛拉納多斯完成這部代表作品的寫作手法有三個重點：(一)承襲西班牙民間音樂的傳統(二)學習運用浪漫派音樂家如舒曼、蕭邦、李斯特的寫作手法(三)深受西班牙著名畫家哥雅(Goya)的影響。事實上，葛拉納多斯是少數結合各式西班牙民間音樂於作品中的作曲家。於第一首《情話》中，則特別運用安達魯西雅及阿拉崗地區荷他舞曲的節奏、旋律特色等為創作素材。《哥雅之畫》的創作靈感雖來自哥雅的畫作，但是葛拉納多斯並非巨細靡遺的藉由音樂表現哥雅某特定作品，而是取其畫作中極為感性、熱情的風格，最重要的是據實呈現西班牙的精神。至於馬哈及Maja馬霍及「馬哈主義」所代表的時代背景對於該部作品的影響意義也略述文中。
在了解作品創作背景及寫作手法運用後，筆者也將結構分析的結果，加上音樂句法、速度、力度掌握等實際演奏問題給予詮釋上的建議，並參考著名西班牙鋼琴演奏家拉羅佳的錄音作品，期以更貼近作曲家原意。
畢業音樂會曲目：
--巴哈
平均律第一冊降B小調編號八六七前奏與賦格
--莫札特
鋼琴奏鳴曲四五七號
--蕭邦
第一號敘事曲，G小調，編號二十三
--李斯特
第一號匈牙利狂想曲
--葛拉納多斯
《歌雅之畫》：第一首，情話
--巴伯
《巡遊》，編號二十

The thesis is a study of the first piece of 《Goyescas》, “Los Requiebros”. In order to annotate the Spanish spirit that Granados stressed most in his writing. The author explored this masterpiece in the style of the Spanish background which includes history and the use of traditional folk song material. In order to understand Granados’s composational style, readers can see from three focal point : First, he inherited the traditions of folk songs in Spain. Second, he uses the composing techniques of the Romanticist such as Schumann, Chopin, and Liszt. Third, he was affected by Goya, a famous Spanish painter. Actually, Granados was one of the few musicians that combined Spanish folk songs in his music works. In his first piece, “Los Requiebros,” he took the rhythm and melody of Jota in Andalusia, and Aragon as his source material. Though 《Goyescas》 inspired by Goya’s paintings, Granados didn’t depict Goya’s specific work in detail through his music but captured the style of perception and passion in Goya’s paintings, especially to present the Spanish spirit faithfully. As for the era background of Maja, Mojo, and 「Majism」 that influences 《Goyescas》 is also described briefly in the thesis.
After realizing the compositional background and method, the author compiled the results of structural analysis with some problems that may occur in the performance. the author posed some advice to articulation, tempo, and control over dynamic. In last chapter, the author referred to the recorded piece of the noted Spanish pianist, Alicia de Larrocha, to press close to the composer’s original intention.
Recital Program:
--J. S. Bach (1685-1750)
The Well-Tempered Clavier Ⅰin B flat minor, BWV867
--W. A. Mozart (1756-1791)
Piano Sonata KV. 457
--F. Chopin (1810-1849)
Ballade No.1 in G minor, op.23
--F. Liszt (1811-1886)
Hungarian Rhapsody No. 1
--Enrique Granados(1867-1916)
“Goyescas” :Ⅰ. Los Requiebros
--Samuel Barber (1910-1981)
Excursions, op. 20

第一章 前言
第二章 葛拉納多斯生平簡介
第三章 創作手法背景之探討
第一節 浪漫派音樂的影響
第二節 葛拉納多斯的西班牙風格
第三節 哥雅引發的創作靈感
第四章 樂曲分析
第一節 旋律素材與節奏
第二節 調性與和聲
第三節 曲式與結構
第五章 演奏詮釋之探討
第一節 速度與表情記號
第二節 演奏實際問題
第六章 結語
參考資料

一、外文部份：
工具書：
Cunningham, Martin. “Spain, Ⅱ. Folk Music” The New Grove Dictionary of Music and Musicians. Ed. Sadie, Stanly. London: Macmillan Publishers, 2001. Vol. 17, pp. 791-803
Fallows, David. “Allegretto” The New Grove Dictionary of Music and Musicians. Ed. Sadie, Stanly. London: Macmillan Publishers, 2001. Vol. 1, p. 382.
Fallows, David. “Allegro” . The New Grove Dictionary of Music and Musicians. Ed. Sadie, Stanly. London: Macmillan Publishers, 2001. Vol. 1, p. 384.
Fallows, David. “Assai” . The New Grove Dictionary of Music and Musicians. Ed. Sadie, Stanly. London: Macmillan Publishers, 2001. Vol. 2, pp. 117-118.
Larrad, Mark. “Granados, Enrique” The New Grove Dictionary of Music and Musicians. Ed. Sadie, Stanly. London: Macmillan Publishers, 2001. Vol. 10, pp. 277-281
論文：
Cuéllar, B.M. Martin. “The Escenas Románticas by Enrique Granados: A Revised Edition.” M.M. dissertation. University of Texas at Austin, 1997. 125 p.
Riva, J. Douglas. “The “Goyescas” for Piano by Enrique Granados: A Critical Edition.” Ph.D. dissertation. University of New York, 1982. 368 p.
Salvador, Miguel. “The Piano Suite “Goyescas” by Enrique Granados: An Analytical Study.” D.M.A. dissertation. University of Miami, 1988. 142 p.
Samulski-Parekh, Mary M. V. “A Comprehensive Study of the Piano Suite “Goyescas” by Enrique Granados.” D.M.A. dissertation. University of Missouri-Kansas City, 1988. 230 p.
Wolfe-Ralph, Carol Anne. “The Passion of Spain: The Music of twentieth-Century Spanish Composers with Special Emphasis on the Music of Enrique Granados.” D.M.A. dissertation. University of Maryland, 1995. 72 p.
書籍：
Bach, Carl Philipp Emanuel. Essay on the Ture Art of Playing Keyboard Instruments. Trans. William J. Mitchell. New York: Norton, 1949. Originally published Berlin, 1735.
Banko, Gregor. Josef Hofmann: Piano Playing with Piano Questions Answered. New York: Dover Publications, Inc. , 1976.
Boyd, Malcolm. José Carreras Juan, ed. Music in Spain During the Eighteenth Century. New York: Cambridge University Press, 1998.
Collet, Henri. Albeniz et Granados. Paris: Librarie Pion, 1948.
Cooke, James Francis. Great Pianists on Piano Playing. New York: AMS Press Inc. , 1967.
Dubal, David. The Art of the Piano. New York: Summit Books, 1989.
Gillespie, John. Five Centuries of Keyboard Music: An History Survey of Music for Harpsichord and Piano. New York: Dover Publications, Inc. , 1965.
Green. Douglass M. Form in Tonal Music. 2nd ed. Holt, Rinehart and Winston, 1965; Orlando, Florida: Harcourt Brace Jarandvich College, 1993.
Linton, Powell. A History of Spanish Music. Indiana: Indiana University Press, 1980.
Mach, Elyse. Great Contemporary Pianists Speak for Themselves. 2 Vols. New York: Dover Publications, Inc., 1991.
Newman, Willams S. The Pianist’s Problems. New York: Da Capo Press, 1984.
Paine, Richard. Hispanic traditions in Twentieth-Century Catalan Music: With Particular Reference to Gerhard, Mompou, and Montsalvatge. New York & London: Garland Publishing, Inc. , 1989.
Samson, Jim, ed. The Late Romantic Era: From the Mid-Nineteen Century to Word War 1. Englewood Cliffs, New Jersey: Prentice, 1991.
Stolba, K.Marie. The Development of Western Music: A History. 2nd ed. Madison: Brown & Benchmark Publishers, 1994.
Temperley, Nicholas, and others. The New Grove Early Romantic Masters 1: Chopin Schumann Liszt. Ed. Sadie, Stanley. London: Macmillan Publishers, 1985.
Todd, Lary. Nineteenth-century Piano Music. New York: Schirmer Books, 1990.
CD：
Alicia de, Larrocha. Granados: Goyescas El Pelele. Lodon: Decca, 1984.
Alicia de, Larrocha. Grnados: Goyescas Allegro de concierto Danza lenta. BMG, 1989.　
樂譜：
Granados, Enrique. Goyescas, Spanish Dances and Other Works for Piano Solo. New York: Dover Publication Inc. , 1987.
二、中文部份：
辭典：
鄭世文總編輯，《音樂表演用語辭典》編寫組，音樂表演用語辭典。台北市：世界文物出版社，民83年初版。
論文；
吳卓穎：葛拉納多斯的哥雅畫集研究。碩士論文：台北，國立台灣師範大學研究所，1998。
書籍：
何政廣編。世界名畫全集：哥雅。台北：藝術家出版社，1998。
濱田滋朗著，李冷西譯。西班牙音樂專集，全音音樂文摘。台北：大陸書店，1989，元月號。