臺灣博碩士論文加值系統

日常生活是一個概稱,是個體以自我為中心與周遭事物接觸所留下的軌跡,也 可視為一個將一團混沌化約成為可被敘述的說詞,「生活」一詞,包含了所有固定 的、零碎的、雜亂的、瑣碎的、所有存在於生活中的發生。日常可以是一個當下瞬 間的周遭狀態與心理關係,或是以時間軸當做參考線,以當下為區分,回頭檢視過 去的環境與記憶,然後建立與修正對於未來的想像。
更進一步的說,目前的日常生活裡我們是透過迂迴的方式觀看著,比如說電 影、卡通、漫畫、戲劇、等各種影像媒體,以及透過各式各樣的碎片了解並組織自 己的世界,也透過創作去重組這些碎片,試圖拼湊出生活之外的某種冀望與想像。
重新回頭檢視這些組成現在生活中的元素,無論是影像經驗,或是生活中熟悉 的物件,主要是為了釐清創作上的脈絡,試圖以熟悉的物件與經驗當做創作出發的 原點,讓創作既貼近現實生活,也同時多了幾分距離去思考,是否有其他可能的生 活(或創作)方式。

Everyday life is the trail of a self-centered individual leaves while interacting with his/her
surroundings. It is a simplified word representing all the tedious messy everything happening existing and belonging to life. “Everyday life” can be a snapshot of a relationship between current mental status and the surroundings. Living everyday life is always present but at the same time one reviews memories and environment from the past and then further builds and fixes his/her imagination about the future.
In everyday life of modern society, people do not see things directly but see them through lenses. For example, I see movies, cartoons, comics and all kinds of media to try to understand and build my cognition of the world with all the fragments we print from what we see. Also, with these pieces of fragments, I try to put together a puzzle and reconstruct some anticipation and imagination that does not belong to the real daily life.
In everyday life of modern society, people do not see things directly but see them through lenses. For example, I see movies, cartoons, comics and all kinds of media to try to understand and build my cognition of the world with all the fragments we print from what we see. Also, with these pieces of fragments, I try to put together a puzzle and reconstruct some anticipation and imagination that does not belong to the real daily life.

摘要..................................I
Abstract...........................II
致謝..................................III
目錄..................................IV
圖次..................................V
第一章緒論.........................1
第二章小物件......................2
第一節由現成物開始.............2
第二節玩具的招喚................4
第三節以無能作為一種能力....6
第四節強大的表象.................8
第三章模型..........................13
第一節模型..........................13
第二節This is a Book...........18
第四章模型化的身體感...........22
第一節在被觀看與觀看之間.....22
第二節日常的憂慮..................26
第三節State No.1 .................27
第五章結論............................30
參考文獻...............................33

羅蘭‧巴特（Roland Barthes），《神話學》（Mythologies），許薔薔、許綺玲譯，桂冠圖書股份有限公司出版，1997。

斯拉維‧紀傑克（Slavoj Žižek），《幻見的瘟疫》（the Plague of Fantasies），朱立群譯，桂冠圖書股份有限公司出版，2004

村上隆，《藝術創業論》，商周出版，2007

Marita Sturken and Lisa Cartweight，《觀看的實踐》（Practices of Looking），陳品秀譯，臉譜出版，2009

天下雜誌418期，2009年3月