臺灣博碩士論文加值系統

本次挑選了五首作品，曲目風格橫跨了古典音樂時期至20世紀音樂，也都為當時期的代表作之一，讓觀眾可以在一個鐘頭的演出中欣賞到不同的音樂色彩。
第一首為莫札特的《D大調輪旋曲，作品184》，莫札特的音樂為古典時期成熟的作品，本次挑選的曲目雖然較為短小，但結構扎實，以單純的曲式、和聲進行，配合自然的旋律線，在每一樂段之中巧妙的連接在一起，莫札特其輕巧的音樂風格，也讓長笛的彈性得以發揮；第二首為貝姆的《D大調大波蘭舞曲》，為作曲家最廣為人知的曲目之一，身為長笛演奏家以及樂器改良家的貝姆，分別以不同的身份和角度切入樂曲，以古典音樂時期穩定的和聲進行以及華麗的旋律，配合以貝姆式長笛演奏高超的手指技巧，將長笛這項樂器推上了前所未有的高峰；第三首為塔法奈爾的《瑞米尼幻想曲》，為長笛大師塔法奈爾眾多歌劇改編曲目之一，為浪漫時期作品，曲目分為詠嘆調、宣敘調以及舞曲三大部分，美妙動聽的詠嘆調以及流暢的宣敘調，在作曲家精妙的設計下長笛與鋼琴各自發揮其特色，最後的希維拉納舞曲與薩爾塔列拉舞曲則充滿各自的風格，也展現了長笛輕巧、富有彈性的音色；第四首為若利維的《里諾之歌》，本曲目屬於20世紀的無調音樂，以中心音的概念創作，作曲家對於古老的神話、咒語等等超自然的事情非常感興趣，因此將其作為音樂的動機以及元素，曲目中常以半音、增音程以及特殊的和聲來增加神秘的氣氛，裝飾奏中的快速音群更是挑戰演奏者的手指技巧以及對於氣的控制，為難度非常高的曲目；第五首為藍乃克的《D大調長笛協奏曲，作品283》，浪漫時期長笛的代表曲目之一，也是許多國際大賽決賽之指定曲，三個樂章的風格可大略為優美、憂鬱以及華麗呈現，以長笛甜美的音色演奏出富有旋律性的音樂，配合織度厚實以及豐富的和聲進行，促成了本首精彩的樂曲。

Five works were selected this time. The style of the repertoire spans from the classical music period to the 20th century music. They are also one of the representative works of the period, allowing the audience to enjoy different musical colors in an hour's performance.
First one is W.A.Mozart: Rondo in D Major, K. Anh. 184 for Flute and Piano. Mozart’s music is a mature work of the classical period. Although the selected pieces are relatively short, they have a solid structure and simple musical form. Harmony, coordinated with the natural melody line, ingeniously connected in each section, Mozart’s light music style also allows the flexibility of the flute to be played; the second song is T. Boehm: Grand Polonaise in D Major, Op. 16 for Flute and Piano, is one of the composer’s most well-known pieces. As a flute player and instrument improver, Boehm cuts into the music with different identities and angles, and performs with the stable harmony of the classical music period. The magnificent melody, combined with the superb finger skills of playing the Boehm’s flute, has pushed the flute instrument to an unprecedented peak; The third song is Taffanel: Fantasie sur Françoise de Rimini pour flûte et piano, which is one of the many opera adaptations of the flute master Tafanel. It is a romantic period work. The repertoire is divided into three parts: aria,recitativo and dance. Beautiful arias and smooth recitativo. Under the composer’s ingenious design, the flute and the piano give full play to their own characteristics. The final Siverana and Saltarella are full of their own styles and also show The flute has a light and flexible tone; the fourth song is A. Jolivet: Chant de Linos pour flûte et piano. This piece belongs to the 20th century atonal music and is created with the concept of central sound. The composer has an understanding of ancient myths, spells, etc. I am very interested in supernatural things, so I use them as the motive and element of music. Semitones, increased intervals, and special harmony are often used in the repertoire to increase the mysterious atmosphere. The fast clusters in the decorative music are even more challenging to the player’s finger skills. And the control of qi is a very difficult repertoire; the fifth is C. Reinecke: Concerto in D Major for Flute and Orchestra Op. 283. one of the representative repertoires of flute during the romantic period, and it is also a designated piece for the finals of many international competitions. The style of the three movements can be roughly beautiful, melancholic and gorgeous. The sweet sound of the flute is used to play melody music, with thick texture and rich harmony, which contributes to this wonderful piece of music.

第一章 曲目規劃理念…………………………………………………………1
第二章 樂曲解析與詮釋
第一節 莫札特：《D大調輪旋曲，作品184》……………………………2
第二節 貝姆：《D大調大波蘭舞曲，作品16》…………………………4
第三節 塔法奈爾：《瑞米尼幻想曲》……………………………………6
第四節 若利維：《里諾之歌》……………………………………………7
第五節 藍乃克：《D大調長笛協奏曲，作品283》……………………9
參考文獻………………………………………………………………………11
附錄（含節目單）……………………………………………………………12

參考文獻
一、中文書目
于潤洋（民90）。中國藝術教育大系.音樂卷。中國：上海音樂。
二、外文文獻
Grout, Donald Jay, and Claude V. Palisea. A History of Western Music. 8th ed. New York. W. W. Norton & Company, Inc., 2008.
三、學術論文
蔡孟蓉。〈莫札特《第二號G大調長笛協奏曲》作品(K.314)之分析與詮釋〉。輔仁大學音樂研究所碩士論文，2008。
徐瑜婕。〈泰歐巴德．貝姆《G大調長笛協奏曲》作品一之樂曲分析與演奏詮釋探討〉。國立高雄師範大學音樂研究所碩士論文，2019。
楊喻方。〈保羅．法阿奈爾《魔彈射手》幻想曲之研究〉。東海大學音樂學研究所碩士論文，2015。
趙家穎。〈若利維《里諾之歌》作品研究及詮釋探討〉。臺北市立大學音樂研究所碩士論文，2015。
黃志嘉。〈卡爾．藍乃克《長笛協奏曲作品283》及《長笛敘事曲作品288》之分析與詮釋〉。中國文化大學音樂研究所碩士論文，2015。