臺灣博碩士論文加值系統

本論文將探討拉威爾的《小提琴奏鳴曲》(Sonata for Violin and Piano, 1923-1927) 此曲是他的第二首小提琴奏鳴曲，1923-1927年創作歷經四年之久。作為拉威爾最後一首室內樂作品，他相信鋼琴與小提琴的不相容性在此種組合下更明顯。
第一次世界大戰之後，因為拉威爾親身經歷其中，使音樂風格有很大的轉變，轉變的特徵最先從《小提琴與大提琴的奏鳴曲》(Sonata for Violin and Cello, 1920-1922)作品中顯現，拉威爾認為《小提琴與大提琴奏鳴曲》此首作品是他音樂風格最重要的轉折點，和聲上的簡樸以及對於線性旋律興趣的增加，複調的使用，開啟通往戰後作品的道路。此首《小提琴奏鳴曲》(1923-1927)延續了《小提琴與大提琴奏鳴曲》的傳統，聲部間有著相當的獨立性，簡約的織度，還有一些複調的片段 。
從繼承聖桑、佛瑞法國的傳統風格，法國印象派影響，汲取萬國博覽會時東方異國的情調，他不斷吸收不同的音樂風格，隨著時間成長，其手法更為成熟。此首小提琴奏鳴曲包含三大音樂風格，當時流行的爵士樂元素，及新興的新古典主義風格，及法國印象，融入其創作，將透過生平，時代背景、音樂風格，創作背景的探討，能夠更了解作曲家的想法，及透過樂曲分析與詮釋，探討如何運用各種技法，演奏情感，更能體現樂曲中的美學與精神。

This supporting document focuses upon Maurice Ravel’s Sonata for Violin and Piano (1923-1927). Composed between 1923 and 1927, this sonata is the second of his two violin sonatas, which took him four years to complete. As the last amongst his chamber music repertoire, Ravel believes that the incompatibility between violin and piano is further highlighted with this genre.
After World War I, in which the composer himself was involved, his compositional style had undergone substantial change. This change inaugurates his signature post-war style and was first evidenced in the Sonata for Violin and Cello (1920-1922) which Ravel also believes to be the most important turning point of his musical style, characterized by simpler harmony, increased interest in the melodious contour and the use of bitonality. This Violin Sonata for Violin and Piano (1923-1927) inherits the tradition in the Sonata for Violin and Cello with marked independence between voices, simple texture, and some passages with bitonality.
Ravel incorporates various musical styles from the French tradition on the line of Saint-Sëans and Fauré, the French impressionism, and the oriental exoticism following the Exposition Universelle, which altogether matured his compositions with time. This Violin Sonata includes three major styles: the jazz element dominant at the time, the neo-classicism on the rise, and the French impressionism. By probing into the composer’s life and his time, his musical style and background, we gain further understandings of his musical ideas, and through analysis on the work itself and its interpretation, we arrive at embodiment of proper aesthetics and spirit with violinistic techniques and performing sensibilities.

目錄
目次
潘俊蓁小提琴演奏會錄音CD曲目 ................................viii
演奏會曲目..................................................x
輔助文件摘要................................................xi
Recital Program..........................................xii
Paper Abstract................................................xiii
目錄.....................................................xiv
表目錄.....................................................xv
譜例目錄..................................................xvi
第一章 拉威爾生平概述與創作時代背景及風格.........................1
第一節生平概述...............................................1
第二節 時代背景與音樂風格......................................3
第三節 創作背景..............................................8
第二章 樂曲分析與詮釋........................................12
第一節 第一樂章.............................................13
第二節 第二樂章.............................................25
第三節 第三樂章.............................................37
第三章 結語................................................48
參考文獻...................................................50

中文書目：
瑪麗-克萊爾‧繆薩(Marie-Claire Mussat)。《二十世紀音樂》。馬凌，王洪一譯。北京市:文化藝術。2005。
林勝儀。《拉威爾》。林勝儀譯。音樂之友社編。台北市：美樂。2000。
陳漢金。〈巴黎的美麗與維也納的哀愁─德布西與荀貝格的崛起〉。《NSO畫說音樂講座音樂會》。2010年12月4日。25-29。
陳漢金。〈二戰之間的復甦─「新古典」與「十二音」〉。《NSO畫說音樂講座音樂會》。2011年5月22日。41-46。
陳漢金。〈「狂熱年代」與「新客觀主義」─爵士樂風潮〉。《NSO畫說音樂講座音樂會》。2011年6月25日。51-55。

中文論文：
高珮馨。《拉威爾二首小提琴奏鳴曲之研究》。高雄市:國立中山大學音樂研究所碩士論文， (2004)。
王淑君。《拉威爾小提琴奏鳴曲之音樂語法與詮釋》。台北市：東吳大學音樂研究所碩士論文，(2007)。

英文書目：
Burkholder J. Peter, Donald Jay Grout, and Claude V. Palisca. A History of Western Music. New York. London .W.W. Norton &; Company. (2000).
Larner, Gerald. Maurice Ravel. London: Phaidon Press Limited. (1990).
Mawer, Deborah, ed. The Cambridge Companion to Ravel. UK: Cambridge University Press. (2000).
Mawer, Deborah, ed. Ravel Studies.UK: Cambridge University Press. (2010).
Orenstein, Arbie. Ravel:Man and Musician. New York: Dover Public. (1991).
Orenstein, Arbie. Maurice Ravel's Creative Process. The Musical Quarterly Vol. 53 No. 4 (Oct 1967):467-481. http://www.jstor.org/stable/741228?&;Search=yes&;searchText=progress&;searchText=Ravel&;searchText=creative&;list=hide&;searchUri=%2Faction%2FdoBasicSearch%3FQuery%3DRavel%2Bcreative%2Bprogress%26acc%3Don%26wc%3Don%26fc%3Doff&;prevSearch=&;item=3&;ttl=494&;returnArticleService=showFullText

樂譜：
Ravel, Maurice. Sonate pour Violon et Piano. Paris: Durand Editions. 1927.