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參考資料
一、中文書目 Stein, Leon. 《音樂的結構與風格》,潘皇龍譯。台北:全音出版社,1978。 Turabian, Kate L. 《芝加哥大學寫作手冊》,蔡美華譯。台北:五南圖書出版社,2013。 林倩如. “從調性特質與其色彩變化看理查史特勞斯降E大調小提琴奏鳴曲作品18詮釋的可能性, 2007.” 國立台南藝術大學,台南市。 卓涵涵. “波特西尼生平與美聲唱法的關係,暨升f小調低音提琴協奏曲之樂曲分析、版本研究與名家演奏詮釋分析, 2006.” 國立臺北藝術大學,台北市。 楊雅惠. “色彩在音樂聆聽的歷程中”。美育,160,64-67。。 楊凱甯. “法朗克《A大調奏鳴曲》之中提琴版本樂曲分析暨演奏詮釋報告,2012.” 臺北市立教育大學,台北市。 劉怡君. “西薩.法朗克重要鋼琴作品之探討, 2012.” 國立中山大學,高雄市。
二、英文書目 Benfield, Warren. The art of double bass playing, Evanston Ill: Summy-Birchard Co. 1973. Brun, Paul. A New History of the Double Bass. 2000. Dallas, TX: Paul Brun Productions, 2000. Cho, Han Han. “Double bass: Transcribed and contemporary repertoire.” Ph. D. diss., University of California, 2010. Connolly, David. “The Influence of Plainchant on French Organ
Music after the Revolution.” Ph. D. diss., Dublin Institute of Technology, 2013. Elgar, Raymond. Introduction to the Double Bass. New Jersey: Stephen W. Fillo Princeton, 1987. Harrison, Daniel. Harmonic function in chromatic music: a renewed dualist theory and an account of its precedents. Chicago: University of Chicago Press. 1994. Ishiguro, Maho A. “The affective properties of keys in instrumental music from the late nineteenth and early twentieth centuries. ” University of Massachusetts, 2010. Liuzzi, Vito. (2012, Jan). A Brief History of Double Bass Transcriptions. The Double Bass Blog - “il Contrabbasso”. Retrieved from http://liuzzivito.blogspot.tw/2012/01/brief-history-of-double-bass.html. Salzer, Felix. Structural Hearing: tonal coherence in music. New York: Dover Publications. 1962. Vallas, Leon. Cesar Franck, Trans. Hubert Foss. New York: Oxford University Press. 1951.
三、樂譜 Franck, Cesar. Sonata in A Mahor for Violin and Piano. Munchen: G. Henle Verlag, 1975. Franck, Cesar. Sonata in A Major for Double bass and Piano (Arr. Staurt Sankey). New York: International Music Company, 1952. Franck, Cesar. Sonata in A Major for Double bass and Piano (Arr. Eugene Levinson). Ridgewood: Medici Music Press, 1984.
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