臺灣博碩士論文加值系統

威廉．玻爾康(William Bolcom, 1938- )為美國當代最活躍的作曲家兼鋼琴家之一，創作題材豐富，作品涵蓋多種樂類，不論是來自古典或流行的音樂元素，皆能在他精巧的創作手法下完美地融合，幻化出各式各樣絢爛的音樂色彩。作品《回憶－為雙鋼琴的三首傳統拉丁美洲舞曲》(Recuerdos: Three Traditional Latin-American Dances for Two Pianos)中包括三首不同民族的傳統舞曲，分別是〈秀羅〉(Chôro)、〈帕塞歐〉(Paseo)與〈委內瑞拉華爾茲〉(Valse Venezolano)，其創作題材來自三個不同的國家，分別為「巴西」、「阿根廷」與「委內瑞拉」。玻爾康用特有的藝術觀點將傳統舞曲重新創造，體現出他獨特的創作理念。
本論文共分為四章。第一章為緒論，包含研究動機與目的、研究範圍與方法。第二章介紹玻爾康的生平，並從他的學習歷程中探討主要的創作風格。第三章為《回憶－為雙鋼琴的三首傳統拉丁美洲舞曲》的探源與樂曲分析，分別追溯三首舞曲的背景來源，解析作品標題之涵義，對樂曲內容進行分析，並提供詮釋建議。第四章為結論。

第一章、緒論 1
第一節 研究動機與目的 1
第二節 研究範圍與方法 3
第二章、玻爾康之生平與創作風格 4
第一節 玻爾康之生平 4
壹、背景與學習歷程 4
貳、任教與獲獎殊榮 5
參、散拍音樂的復興 7
肆、音樂創作與貢獻 9
第二節 玻爾康之創作風格 12
壹、二十世紀創作手法 13
貳、美國流行音樂元素 20
參、民間音樂取材 24
第三章、《回憶－為雙鋼琴的三首傳統拉丁美洲舞曲》探源與樂曲分析 25
第一節 〈秀羅〉 26
壹、「秀羅」的涵義解析 26
一、巴西傳統民間音樂概述 26
二、「秀羅」涵義與源起 32
三、「秀羅」作為樂團的編制與特色 32
四、「秀羅」的代表性作曲家 33
貳、玻爾康的〈秀羅〉 34
一、作品概述 34
二、樂曲分析 34
三、詮釋建議 45
第二節 〈帕塞歐〉 46
壹、「帕塞歐」的涵義解析 46
一、「帕塞歐」涵義與源起 46
二、「帕塞歐」與「探戈」 47
三、〈帕塞歐〉與高夏克 48
貳、玻爾康的〈帕塞歐〉 51
一、作品概述 51
二、樂曲分析 51
三、詮釋建議 60
第三節 〈委內瑞拉華爾茲〉 62
壹、「委內瑞拉華爾茲」的涵義解析 62
一、委內瑞拉音樂中的華爾茲 62
二、帕拉西歐斯與「委內瑞拉華爾茲」 65
貳、玻爾康的〈委內瑞拉華爾茲〉 66
一、作品概述 66
二、樂曲分析 66
三、詮釋建議 75
第四章、結論 77
參考文獻 79
附錄一 83

中文書目

馬清。《二十世紀歐美音樂風格》台北市：揚智文化，2000 。
陳自明。《拉丁美洲音樂》。北京：人民教育，2007。
王雪。《拉丁美洲音樂文化》。北京：人民音樂，2009。
陳敏華。《威廉．玻爾康十二首新鋼琴練習曲之研究》。台北市：東和音樂，2015。

西文書目

Bolcom, William. “Song and Dance: The American Way of Pianism.” ed. James R. Graines, in The Lives of the Piano. New York: HarperCollins, 1983.
Cattell, Jacques. Who’s Who in American Music: Classical. 2nd ed. New York: R. R. Bowker, 1986.
Koonce, Frank. The Baroque Guitar in Spain And the New World. Fenton: Mel Bay Publications, 2006.
Mupphy, John P. Music in Brazil. Oxford：Oxford University Press, 2006.
Waldo, Terry. This is Ragtime. New York: Da Capo Press, 1991.

西文期刊

Feingold, Michael. “Bolcom Goes for the Gold.” Village Voice. 1 September 1992, 89-90.
Malitz, Nancy. “Synthesizer.” Opera News, Vol. 50. November 1992, 15-16.

中文解說音樂會報告

游詠晴。〈威廉．波爾肯雙鋼琴作品《回憶－三首傳統拉丁美洲舞曲》之探討〉。國立中山大學音樂學系碩士學位解說音樂會報告，2008。

西文學位論文

Bateman, Marlene Titus. “The Cabaret Songs, volume one, of William Bolcom and Arnold Weinstein: An Exploration and Analysis.” DMA diss., University of Texas at Austin, 2001.
Kaiser, Audrey Kathleen. “William Bolcom: A Survey of the Two-Piano Music.” DMA diss., University of Kentucky, 2000.
Yu, Yeung. “A Style Analysis of William Bolcom’s Complete Rags for Piano.” DMA diss., University of Cincinnati, 2007.

樂譜

Bolcom, William. “Recuerdos, Three Traditional Latin-American Dance for Two
Pianos.” New York: Edward B. Marks Music, Dist. by Hal Leonard, 1993.
---. “Twelve Etudes for Piano.” Pennsylvania: Theodore Presser Company, 1971.
---. “Twelve New Etudes for Piano.” New York: Edward B. Marks Music, Dist. by
Hal Leonard, 1988.
---, “Nine Bagatelles.” New York: Edward B. Marks Music, Dist. by Hal Leonard,
1997.
Gottschalk, Louis Moreau. “Piano Music of Louis Moreau Gottschalk.” New York:
Dover Publications, 1973.
Joplin, Scott. “The Entertainer.” Montréal: Les Éditions Outremontaises, 2007.
Messiaen, Olivier. “Neumes rythmiques.” Scribd - Read books, audiobooks, and
more. Paris: Durand & Cie. Web. 2 January 2018. <https://zh.scribd.com/document/356614826/messiaen-neumes-rythmiques-pdf>
Waller, Thomas. “Alligator Crawl.” MuseScore: Sheet music. EU and Canada. Web.
2 January 2018. <https://musescore.com/james_brigham/scores/1841986>

網路資料

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Telin, Mike. “Oberlin Opera: Conversations with William Bolcom and Joan Morris.” ClevelandClassical.com. 22 November 2011. (Accessed [21 January 2018])
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威廉．玻爾康個人網站 (Accessed [21 March 2018])
<https://williambolcom.com/>
玻爾康與莫芮斯網站 (Accessed [21 March 2018])
<https://www.bolcomandmorris.com/>
帕拉西歐斯 (Accessed [21 March 2018])
<https://www.venezuelasinfonica.com/ramon-delgado-palacios-el-enamorado-del-tono-menor>