臺灣博碩士論文加值系統

林肯郡花束( Lincolnshire Posy )是格蘭傑( Percy Aldridge Grainger, 1882-1961 ) 生平最膾炙人口的作品之一，也是二十世紀管樂經典曲目的里程碑。 它在和聲、配器與技法上面，皆有迷人而創新的表現。近年來，管樂在全世界各地都有健全穩定的發展與長足的進步，新的研究與錄音不斷問世，讓我們有很多機會，能欣賞到好的樂團的技藝精湛的演出，又因為學者與樂團指揮們不的努力，我們得以接觸由各種不同的角度切入所得出來的的詮釋，當然，其中不乏各種忠實而嚴謹的﹔或是充滿個人色彩的演繹。然而，有關本曲在作曲家心中所發出的的原始音響，到底應該是如何？我們在演奏的實際操作中，又會碰到哪些問題？這些引發了筆者想要進一步探索本曲的創作精神與配器、結構的動機。本篇論文將是以實際演奏的分析為主，主要是從配器、句法、結構與創作背景的角度，探討本曲的風格與詮釋方法。並深入討論一些演奏上或排練上，總譜上或樂團團員可能會發生的一些問題。希望藉由這樣的工作，能對本曲的演奏與詮釋上，提供一點解決的方法與一些新的方向。

Abstract
Lincolnshire Posy is one of the Percy Aldridge Grainger’s (1882-1961) works that enjoy greatest popularity, and it is also the milestone of 20th century classic wind music words index. It has fascinating but innovate expressions in harmony, instrument and technique. In recent years, the wind music has sturdy and stable development and great advance worldwide, and there are coming new research and record unceasingly; therefore, we have great opportunities to enjoy excellent technique and performance by good orchestra. Moreover, due to continuous efforts by scholars and conductors, we could get in touch with interpretations input from various angles, of course, there is no lack of all kinds of truthful but exact or with abundant individualism rendering. However, what should be the original sound of this melody issued from the composer? What problems will we encountered during practical performance? All these lead the author to have the desire to further explore this melody’s creating spirit, instrument and structure’s motives. This thesis will focus on the analysis of practical performance, mainly from the angles of instrument, sentence, structure and creation background, to discuss this melody’s style and interpretation approaches. Furthermore, go deep into the discussion of some problems that might rise from performance, practice, notation or orchestra members. Hoping that through these kinds of works, could offer some solutions and new directions of the performance and interpretation in this melody.

一、前言 1
二、創作背景與風格 1
三、分析與詮釋
第一樂章: Lisbon ( Sailor’s Song ) 4
第二樂章: Horokstow Grange ( The Miser and
his Man: A Local Tragedy ) 12
第三樂章: Rufford Park Poachers ( Poaching
Song ) 17
第四樂章: The Brisk Young Sailor ( Who
returned to wed his True Love) 31
第五樂章: Lord Melbourne ( War Song ) 35
第六樂章: The Lost Lady Found ( Dance Song ) 42
四、結論 45
五、參考書目 47

邁可‧甘乃迪，黃長發（中文版發行者），牛津音樂辭典中文版，台灣麥克股份有限公司，台北是，1996年11月。
康謳，大陸音樂辭典，十二版，大陸書店，台北市，1997年7月。
Begian, Harry, “ Remembering how Graiger conducted Lincolnshire Posy “, The Instrumentalist, August 1992.
Fennell, Frederick, Basic Band Repertory: Lincolnshire Pocy Part I (movements 1 and 2 of 6) The Instrumentalist May 1980. Illinois, Instrumentalist company. P.42-48.
Fennell, Frederick, Basic Band Repertory: Lincolnshire Pocy Part II ( Movments 3 of 6) The Instrumentalist September 1980. Illinois, Instrumentalist company. P.15-20.
Fennell, Frederick, Basic Band Repertory: Lincolnshire Pocy Part III (movements4,5,6 of 6) The Instrumentalist October 1980. P.28-36.
Graddy, Scott, Grainger, Persichetti, and the Piccolo, The Instrumentalist April 1998. Illinois, Instrumentalist company. P. 50-52.
Grauer, Mark, Grainger’s Lost Letters on Lincolnshire Pocy, The Instrumentalist, August 1992. Illinois, Instrumentalist company. P.12-19.