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中文專書:
朱宗慶,《打擊樂演奏的探討》。台北:擊樂文教基金會,1994。 吳祖強,《曲式與作品分析》。台北:世界文物出版社,2004。 徐頌仁,《音樂演奏的實際探討》。台北:全音樂譜,2001。 曾毓芬,《從音樂美學觀點論音樂分析的可能性》。台北:揚智文化,2003。 奧利維亞.梅湘,《我的音樂語言的技巧》,連憲升譯。台北,1992。
外文專書:
Bailey, Derek. Improvisation: Its Nature and Practice in Music. New York: Da Capo Press, 1992. Blades,James., Percussion Instruments And Their History. London: faber and faber, 1984. Frank K.MacCallum. The Book of the Marimba . New York: Carlton Press, 1969 Peter Eckersall. Performativity and Event in 1960s Japan: City, Body, Memory. Basingstoke: Palgrave Macmillan, 2013
外文學術論文:
Maiko Sasaki “ Trio Webster : Toshi Ichiyanagi’s Fusion of Eastern and Western Music”, RICE University, 2012.
網路資源:
新葛洛夫線上辭典: Masakata Kanazawa and Susumu Shono. "Ichiyanagi, Toshi." Grove Music Online. Oxford Music Online. Oxford University Press. Web. 30 Mar. 2016. <http://www.oxfordmusiconline.com/subscriber/article/grove/music/13697>.
Hugh Davies. "Sound sculpture." Grove Music Online. Oxford Music Online. Oxford University Press. Web. 30 Mar. 2016. <http://www.oxfordmusiconline.com/subscriber/article/grove/music/47630>.
Hugh Davies. "Electronic instruments." Grove Music Online. Oxford Music Online. Oxford University Press. Web. 30 Mar. 2016. <http://www.oxfordmusiconline.com/subscriber/article/grove/music/08694pg4>.
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