臺灣博碩士論文加值系統

羅威爾‧利伯曼(Lowell Liebermann, 1961-)是現今於美國最出色且活躍的作曲家之一，連《華爾街日報》都曾經讚譽他為「高超的作曲家」，這首利伯曼的長笛協奏曲，作品編號39(Lowell Liebermann Flute Concerto Op.39)風格獨特卻又不失傳統曲式，不論是在獨奏或是伴奏的鋼琴、樂團上，都能聽見屬於利伯曼獨有的作曲手法，充滿著吸引力，並且他也是首位為短笛創作協奏曲的作曲家，在這之前短笛通常被定義為輔助的樂器，他大大的提升了短笛的地位，因此他所創作的長笛作品在長笛現代曲目中扮演著十分重要的角色，由於作曲家利伯曼仍在世，參考文獻較少，因此鮮少人選用此曲作為論文探討之題目，筆者希望透過此次研究更深入的了解利伯曼這位現代作曲家獨特的創作曲風。

本論文以三個部分來探討。第一部分深入研究利伯曼生平及創作背景。第二部分為分析樂曲之結構。最後第三部份則是以聆聽各種版本以及筆者親身演奏之經驗加以詮釋探討。

Lowell Liebermann (1961-) is one of the most prominent and active composers in United States,even the Wall Street Journal once praised him as a "Superior Composer." Liebermann's Flute Concerto, Op. 39 shows his unique style combined with traditional style,and this attractive style can be listened and discovered both in flute and orchestra or piano accompaniment.He also composes for piccolo. His piccolo concerto has greatly improved the status of this instrument and he became one important role in modern flute music. Considering the composer Lieberman is still alive and there are few references, very few people choose this work as the topic of analysis. The author hopes that through this research, a deeper understanding of Lieberman's unique style of modern composition can be showed.
This essay is composed of three parts. The first part is an in-depth study of Lieberman's life achievements and composition’s background. The second part is to analyze the structure of his concerto. The third part is the interpretation and discussion based on listening to various versions and the author's personal performance experience.

第一章 緒論……………………………………………………………………..........................1
第一節 研究目的與動機 ………………………………………………….......................1
第二節 研究方法………………………………………………………………….............2
第二章 利伯曼 生平與創作背景 …………………………………………………...............3
第一節 作曲家生平 ……………………………………………………………................3
第二節 創作背景……………………………………………………………….…............8
第三章 樂曲分析與曲式結構 …………………………………………………………...........9
第一節 第一樂章..………………………………………………………………...........…10
第二節 第二樂章 ………………………………………………………………..............33
第三節 第三樂章 ………………………………………………………………..............42
第四章 樂曲詮釋 ……………………………………………………………………...........…58
第一節 第一樂章 ……………………………………………………………..................59
第二節 第二樂章 ……………………………………………………………..................67
第三節 第三樂章 ……………………………………………………………..................72
第五章 結論…………………………………………………………………………...........….79
參考文獻 …………………………………………………………………………………...........80

樂譜
Liebermann,Lowell. Concerto for Flute and Orchestra Op.39.Published by Theodore 樂譜Presser Co.,King of Prussia,PA.1993.
有聲資料
Galway,James.“James Galway plays Lowell Liebermann.”RCA Legacy,1998.CD.
電子資料庫
Andrea Isaacson. The University of Oklahoma "The Piano Sonatas of Lowell 樂譜Liebermann: A Performer's Analysis"May.2015.<https://shareok.org/handle/ 樂譜11244/14559>
Lisa Garner. Rice University "Lowell Liebermann: A Stylistic Analysis and 樂譜樂譜樂譜Discussion of the Sonata For Flute and Piano, Op.23, Sonata for Flute and 樂譜樂Guitar, Op.25 and Soliloquy for Flute Solo, Op.44"1997.<https://樂譜樂譜樂譜樂譜www.worldcat.org/title/lowell-liebermann-a-stylistic-analysis-and-discussion-of-樂譜the-sonata-for-flute-and-piano-op-23-sonata-for-flute-and-guitar-op-25-and-樂樂譜soliloquy-for-flute-solo-op-44/oclc/40226330>

Meng-Hua Lin. University of Illinois at Urbana-Champaign"A stylistic analysis of 樂樂譜piano sonatas by Lowell Liebermann"2015.<https://www.ideals.illinois.edu/ 樂譜handle/2142/75924>
網站
Lowell Liebermann : https://www.lowellliebermann.com/