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研究生:蔡明叡
研究生(外文):TSAI, MING-JUI
論文名稱:舒伯特 b 小調交響曲「未完成」作品研究及指揮詮釋
論文名稱(外文):Analysis and Conducting Interpretation for Schubert Symphony in b minor “Unfinished”, D. 759
指導教授:王雅蕙
指導教授(外文):Ya-Hui Wang
口試委員:許瀞心(無)
口試委員(外文):Hsu Ching-hsinSigmund Thorp
口試日期:2021-11-13
學位類別:碩士
校院名稱:國立臺北教育大學
系所名稱:音樂學系
學門:藝術學門
學類:音樂學類
論文種類:代替論文:作品連同書面報告(藝術類)
論文出版年:2022
畢業學年度:110
語文別:英文
論文頁數:160
中文關鍵詞:早期浪漫時期舒伯特D. 759
外文關鍵詞:Early-Romantic PeriodFranz Peter SchubertD. 759
相關次數:
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本論文研究重點為舒伯特 b 小調交響曲 D. 759 (未完成)。作者
將以管弦樂團指揮的觀點進行該作品之探討與論文撰寫,先由作曲
家當時之社會、文化、家庭及教育背景與其個人之音樂風格及交響
曲創作脈絡等切入,介紹作曲家與 D. 759 之作曲特色和歷史地位,
提出並解釋該作品未完成之原因與後續,進而分析其結構、和聲與
管弦樂團配器法等之運用,並將其創作手法及概念與早期或同期之
作曲家作品相互對照、比較,最後詳細分析整理總譜細節,以實際
排練及演出該作品為目的進行作品詮釋及指揮排練相關技法等範疇
之論述。
本論文可分為四大章節:引言、舒伯特與其音樂介紹、樂曲分
析、作品詮釋與指揮技巧。引言部分,作者將陳述本論文之定位與
價值以及自身對於 D.759 之研究動機脈絡與本文研究方法;舒伯特
與其音樂介紹部分,作者將整理陳述作曲家之生平、音樂理念及時
代氛圍,並簡要介紹其藝術歌曲之創作,以及早期浪漫時期管弦樂
團與作品之流變,和舒伯特交響曲之創作特色及發展過程;樂曲分
析以及作品詮釋與指揮技巧部分,作者將以樂章結構為主軸,詳細
分析總譜內之樂句、和聲、配器、力度、表情、演奏法等,與詳述
個人詮釋以及指揮排練之內容與技法。最終希冀本論文以實務用途
為特色,對於管弦樂團指揮實際演繹該作品時有所助益。
The research focus of this thesis is to analyze and conduct Franz
Peter Schubert’s Symphony in b minor, D. 759. First, the Symphony
would be studied from the aspects of its related historical and musical
backgrounds. Second, features of the Symphony would be discussed by
score analysis and by comparisons to other iconic symphonic works in
the composer’s era. Finally, personal interpretation of the music with
rehearsal insights and conducting skills would be elaborated thoroughly
in the thesis.
The thesis contains five chapters—INTRODUCTION, SCHUBERT
AND HIS MUSIC, ANALYSIS OF SCHUBERT’S SYMPHONY D. 759,
CONDUCTING INTERPRETATION, and CONCLUSION. In the
INTRODUCTION chapter, the author describes the scope and goals, as
well as the methodology for research of the thesis. Next, in the
SCHUBERT AND HIS MUSIC chapter, the author generally discusses
the related historical facts and musical characters about Schubert, and
also compares the composer’s music to the music by other great
composers during his period. As for the following two chapters,
ANALIYSIS OF SCHUBERT’S SYMPHONY D.759 and
CONDUCTING INTERPRETATION, the author thoroughly analyzes
Schubert’s Symphony in b minor with score examples to express in detail
personal interpretation about the music with rehearsal insights and
conducting skills. Finally, the author summarizes this thesis in the
CONCLUSION chapter.
Contents of Chapters
中文摘要 I
ABSTRACT II
CONTENTS OF CHAPTERS IV
CONTENTS OF SCORE EXAMPLES VI
CONTENTS OF TABLES IX
CONTENTS OF FIGURES IX
1. INTRODUCTION 1
1.1 Scope and Goals 2
1.2 Methodology 4
2. SCHUBERT AND HIS MUSIC 5
2.1 The Atmosphere and Events in Europe during Schubert’s Era 5
2.2 Schubert’s Life 7
2.2.1 During the Early Age 7
2.2.2 The Career Choice between School Teacher and Composer 8
2.2.3 The Life Struggling with Syphilis 9
2.3 Schubert’s Composition 10
2.3.1 Art song 10
2.3.2 Symphony 13
3. ANALYSIS OF SCHUBERT’S SYMPHONY D. 759 33
3.1 First Movement 37
3.1.1 Exposition (mm. 1 — 110) 37
3.1.2 Development (mm. 110 — 217) 46
3.1.3 Recapitulation (mm. 218 — 327) 47
3.2 Second movement 49
3.2.1 A Section (mm. 1 — 63) 50
3.2.2 B Section (mm. 64-mm.141) 51
3.2.3 A’ Section (mm. 142-mm.204) 53
3.2.4 B’ Section (mm. 205-mm. 285) 54
3.2.5 Coda (mm. 286-mm. 312) 54
3.3 Two iconic features in D. 759 59
3.3.1 The use of mediant relationship 59
3.3.2 The motive emphasizing the second beat 60
4. CONDUCTING INTERPRETATION 65
4.1 First Movement 65
4.1.1 Exposition (mm. 1-mm. 110) 67
4.1.2 Development (mm. 110 — 217) 90
4.1.3 Recapitulation (mm. 218 — 368) 101
4.1.4 Coda (mm. 328 — 368) 104
4.2 Second Movement 109
4.2.1 A Section (mm. 1 — 63) 110
4.2.2 B Section (mm. 64 — 141) 121
4.2.3 A’ Section (mm. 142 — 204) 130
4.2.4 B’ Section (mm. 205 — 285) 132
4.2.5 Coda (mm. 286 — 312) 133
5. CONCLUSION 137
REFERENCES 141
REFERENCES
中文參考文獻
1.方銘健 (2015)。西方音樂導論。臺北市
2.李秀鳳(2010)。舒伯特b小調交響曲《未完成》之研究。國立臺灣藝術大學音樂學系碩士論文,新北市。取自https://hdl.handle.net/11296/vg2752
3.高正賢(2004)。舒伯特b小調交響曲「未完成」D.759之研究與詮釋/永和青管弦, 禮讚十週年!。東吳大學音樂學系碩士論文,台北市。取自https://hdl.handle.net/11296/k234dd
4.陳文團 (1999)。未完成的計劃或被毀的哲學精神。東吳哲學報,4,165-166。
5.楊沛仁 (2015)。音樂史與欣賞,(頁225-228)。臺北市: 美樂出版社。



References in Foreign Language
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7.Aldwell, E., & Schachter, C. (2010). HARMONY & VOICE LEADING. Boston: Cengage Learning.
8.Bie, O. (1970). Schubert, the Man., (p.163). New York: Books for Libraries Press.
9.Blatter, A. (2007). Revisiting Music Theory: a guide to the practice, (p. 28). England: Routledge.
10. Brown, A. P. (2002). The Symphonic Repertoire (Volume 2, pp. 598–603). Indiana: Indiana University Press.
11. Carse, A. (2012). The History of Orchestration, (p. 230). New York: Dover Publication.
12. Duncan, W. E. (1905). The Master Musicians: Schubert, (p. 95). London: J.M. Dent & Co.
13. Dyson, G., & Drabkin, W. Chromatic. Grove Music Online. Retrieved 11 Aug. 2021, from https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000005718.
14. Feil, A., Aderhold, W., Dürr, W., & Litschauer, W. (1985) Franz Schubert, Jahre der Krise, 1818-1823 : Bericht über das Symposion, Kassel, 30. September bis 1. Oktober 1982. Kassel: Bärenreiter.
15. Graubart, M. (2010). Schubert's silence. The Musical Times, 151(1912), 5-7. Retrieved August 11, 2021, from http://www.jstor.org/stable/25759495
16. Gülke, P. (1990). Schubert Symphony No.7 in B minor (Unfinished), (Preface). Wiesbaden: Breitkopf & Härtel.
17. Huizenga, T. (2006). Nikolaus Harnoncourt: Schubert's Religion. Retrieved 11 Aug. 2021, from https://www.npr.org/templates/story/story.php?storyId=5398354.
18. Laciar, S. (1928). The Chamber-Music of Franz Schubert. The Musical Quarterly, 14(4), 515-538. Retrieved August 11, 2021, from http://www.jstor.org/stable/738517
19. M. J. E. B. (1972). Music & Letters, 53(3), 345-347. Retrieved 11 Aug. 2021, from http://www.jstor.org/stable/734966.
20. Merriam-Webster. (n.d.). Ländler. In Merriam-Webster.com dictionary. Retrieved August 11, 2021, from https://www.merriam-webster.com/dictionary/l%C3%A4ndler
21. Newbould, B. (1978). Schubert's Other 'Unfinished'. The Musical Times, 119(1625), 587-589. doi:10.2307/958822
22. Newbould, B. (1992). Schubert and the Symphony: A New Perspective, (pp. 86–109). London: Toccata Press.
23. Reed, J. (1997). Schubert, (p. 89). New York: G. Schirmer, Inc.
24. Reichenberger, T. (1985/2017). Franz Schubert Symphony D 759 “unfinished”. London: Ernst Eulenberg Ltd.
25. Reid, P. (2013). BEETHOVEN AND SCHUBERT. Retrieved 11 Aug. 2021, from https://unheardbeethoven.org/beethoven-and-schubert-2/
26. Schering, A. (1938). Franz Schuberts Symphonie in H-moll (“Unvollendete”) und ihr Geheimnis. Würzburg: Konrad Triltsch Verlag.
27. Solomon, M. (1997). Schubert's "Unfinished" Symphony. 19th-Century Music, 21(2), 111-133. doi:10.2307/746894
28. Steinberg, M. (1995). The Symphony: A Listener's Guide, (pp. 471-472). New York: Oxford University Press.
29. Tzelepi, M. (2000). Franz Schubert: His life and works (with emphasis on the piano sonatas D958-D959-D960). Retrieved 11 Aug. 2021, from https://www.academia.edu/19847222/Franz_Schubert_His_life_and_works_with_emphasis_on_the_piano_sonatas_D958_D959_D960_?
30. Verdegem, S. (2008). Sellner-Type Oboes in Vienna and Mainz in the Second Quarter of the Nineteenth Century. The Galpin Society Journal, 61, 205-250. Retrieved August 11, 2021, from http://www.jstor.org/stable/25163934
31. Zhou, H. (2017). The History, Art Song Characteristics and Performance of Schubert’s “Unfinished” Symphony (Master thesis, California State University). Retrieved 11 Aug. 2021, from https://scholarworks.calstate.edu/concern/theses/h989r6873?locale=en

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