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This thesis mainly discusses the creation of the animation through the series of "Love for All Seasons" series, as the starting point of this thesis, and analyzes the creative process. Through the creation of various absurd and contradictory behaviors of human beings in the face of emotions, the author develops creations with reference to various interesting and irrational behaviors seen in daily life.
Using desktop KTV space fields as creative elements "Possibility of love" questions the absurdity of love, the contradiction of love, the definition of love, morality and norms, and the relationship between people. Pathing the various feelings and romances, creation is to explore what "love" is. Captives of the Love and the Be-loved pull with each other and coexisted.
The trilogy of "Love for All Seasons", from one person to two people, then to several people, "Arowana always gets water", "a love story" and "love reagent", expresses dissatisfaction hesitantly.
This research begins with a personal review of the context of creative experience and style formation in Chapter 1. It continues with Chapter 2, analysis of works related to the contradictions of love, ridiculous daily, real and false, and oral. In Chapter 3, the style characteristics corresponding to the animation image and sound, and the production of frame-by-frame animation shooting has been conducted. The content of Chapter 4 is the author's reflection on the creative practice and learning of the institute, the problems encountered in the creation of "Hundred Years", and finally the author's expectations and persistence in future creation.
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