臺灣博碩士論文加值系統

約瑟夫．海頓（Joseph Haydn, 1732-1809）一生中創作了多首器樂協奏曲，其中兩首大提琴協奏曲為維也納古典樂派協奏曲中的經典作品，也在大提琴協奏曲目中佔有非常重要的地位。
本論文的研究主題《D大調大提琴協奏曲》創作於1783年，與前一首大提琴協奏曲的創作年份相隔了二十多年，海頓在這期間的創作歷練也隨著時間起了變化，透過這首樂曲可看出他雖遵循著巴洛克後期的音樂腳步，卻嘗試在當時古典浪潮中發展出屬於自己的語彙。
本論文共分五章，第一章為緒論，主要包含研究動機與目的、研究範圍與方法；第二章為創作背景，先介紹十七至十八世紀的音樂藝術變遷以及大提琴這項樂器在當時的地位變化，再簡述海頓的生平以及這首樂曲的創作背景；第三章為此曲的樂曲分析；第四章則是探討演奏詮釋；第五章為結論。

Joseph Haydn’s (1732-1809) concertos for various instruments nowadays become not only works representing the genre in the Viennese classical period, but also a standard repertoire for the instrument, just like the two concertos for cello.
Two decades since his previous work for cello, Haydn composed the Cello Concerto in D major in 1783. Through this piece, one can observe Haydn’s evolution of musical language combining the baroque heritage and the style of his time for developing his own style.
This thesis focuses on the study of the Haydn Cello Concerto in D major which is divided into five chapters. The first is the introduction, describes the research motive, purpose, range and methodology. The second chapter introduces the background of Haydn Cello Concerto in D major, as well as the musical environment during the 17th to the 18th century, the development process of the cello, the Haydn’s biography, and this work’s background. The third chapter consists the analysis of the piece, through musical form, harmony, melody and rhythm. The fourth chapter presents the author’s personal suggestions about the interpretation of the piece. The fifth chapter in a conclusion of the study.

摘要.....................................................................................................................i Abstract..............................................................................................................ii
目錄....................................................................................................................iii
譜例目錄.............................................................................................................iv
表目錄................................................................................................................vii
第一章 緒論.........................................................................................................1
第一節 研究動機與目的.............................................................................1
第二節 研究範圍與方法.............................................................................3
第二章 海頓《D大調大提琴協奏曲》創作背景.....................................................4
第一節 十七至十八世紀的音樂藝術變遷....................................................4
第二節 大提琴地位的演進.........................................................................7
第三節 海頓生平 .....................................................................................11
第四節 海頓《D 大調大提琴協奏曲》樂曲創作背景.................................17
第三章 海頓《D大調大提琴協奏曲》樂曲分析...................................................19
第一節 第一樂章......................................................................................19
第二節 第二樂章......................................................................................36
第三節 第三樂章......................................................................................42
第四章 海頓《D大調大提琴協奏曲》演奏詮釋....................................................55
第一節 第一樂章.......................................................................................55
第二節 第二樂章.......................................................................................67
第三節 第三樂章.......................................................................................70
第五章 結論........................................................................................................76
引用書目.............................................................................................................78

一、中文

王美珠。〈音樂與符號〉。《藝術評論》(第二十三期，2012)：67-97。

吳念穎。〈啟蒙與狂飆—許常惠早期音樂思想研究〉。國立臺灣師範大學民族音樂研究所論文，2010。

孟皓珣。《釋放音樂魂: 西方古典音樂導賞之旅》。臺北：商務出版社，2017。林志強。〈論西方近代自由觀念的演
進 1500-1890〉。天主教輔仁大學歷史研究所碩士論文，2002。

胡三元。《蘇格拉底傳記》。臺北：谷月社，2015。

胡耿銘、陳孟珊、李永忻、劉聖文、孫家璁、blue97。〈發現海頓〉《MUZIK 古典樂刊》No. 31（五月號，2009）。

高洛堯。〈海頓《D 大調大提琴協奏曲》之音樂風格與詮釋研究〉。國立臺北藝術大學碩士論文，2008。

莊仲平。《提琴之愛：製琴、名琴、和擁有它們的故事》。臺北：如果出版社，2006。

許怡茹。〈艾曼紐．巴哈《為職業與業餘》鍵盤曲集幻想技法之研究〉。國立中山大學音樂研究所碩士論文，1994。

許麗雯。《古典音樂便利貼》。臺北：華滋出版，2012。

郭瑜潁。《關於世界名曲的 100 個故事》。臺北：宇河文化，2012。

陳希茹。《奧林帕斯的回響——歐洲音樂史話》。臺北：三民書局，2000。

二、外文

"Haydn's Second Visit to England." The Musical Times 50, no. 802 (1909): 773-75. doi:10.2307/905843.

Burkholder, J. Peter, Donald Jay Grout and Claude V. Palisca. A History of Western Music, 8th. ed. New York: W. W. Norton & Company, 2009.

Buxton, David and Sue Lyon. The Great Composers, Their Lives and Times. New York: Marshall Cavendish Corporation, 1990.

Griesinger, G. A. and A. C. Dies. Joseph Haydn: eighteenth-century gentleman and genius. translated by Vernon Gotwals. Wisconsin: University of Wisconsin Press, 1963.

Jambe de Fer, Philibert. Epitome musical des tons, sons et accordz, es voix humaines, fleustes d'Alleman, fleustes à neuf trous, violes, & violons. Lyons: par Michel du Bois, 1556.

Marco, G. A.. The Alberti Bass before Alberti. The Music Review, 1959.

Nohl, Ludwig. Letters of distinguished musicians: Gluck, Haydn, P. E. Bach, Weber, Mendelssohn. Translated from the German. London: Longmans, Green, 1867.

Wilkinson, Philip. The History of Music in Fifty Instruments. Canada: Firefly Books, 2014.

三、網路資源

莊孝文。〈真理大學音樂應用學系，西洋音樂史紙本與應用教材，第一章前古典時期〉，課程投影片。下載網址：https://ilms.au .edu.tw/sys/read_attach.php?id=189626.

楊文信。〈NSO 就是貝多芬系列-貝多芬與海頓〉，陳小凌 採訪（臺北，2011 年 12 月 09 日），民生@報。http://msnews.n.yam.com/mkarticle.php?article=20111209013930.

"Lombardic rhythm." Grove Music Online. Oxford Music Online. Oxford University Press, accessed October 7, 2017, http://www.oxfordmusiconline.com/subscriber/article/grove/music/16896.

"murky bass." The Oxford Companion to Music. Oxford Music Online. Oxford University Press, accessed October 7, 2017, http://www.oxfordmusiconline.com/subscriber/article/opr/t114/e4603.

Eisen, Cliff, Eva Rieger, Stanley Sadie, Rudolph Angermüller, C.B. Oldman, and William Stafford. "Mozart family." Grove Music Online. 4 Jan. 2018. http://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001 .0001/omo-9781561592630-e-0000040258.

George J. Buelow. "Affects, theory of the." Grove Music Online. Oxford Music Online. Oxford University Press, accessed November 1, 2017, http://www.oxfordmusiconline.com/subscriber/article/grove/music/00253.

Goodwin, Noël. 2001 "Gendron, Maurice." Grove Music Online. 24 Sep. 2018. http:////www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.00 1.0001/omo-9781561592630-e-0000010857.

Heartz, Daniel, and Bruce Alan Brown. "Rococo." Grove Music Online. 29 Jan. 2018. http://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001 .0001/omo- 9781561592630-e-0000023632.

Heartz, Daniel, and Bruce Alan Brown. 2001 "Galant." Grove Music Online. 24 Sep. 2018. http:////www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.00 1.0001/omo-9781561592630-e-0000010512.

Heartz, Daniel, and Bruce Alan Brown. 2001 "Rococo." Grove Music Online. 2 Oct. 2018. http:////www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.00 1.0001/omo-9781561592630-e-0000023632.

Heartz, Daniel, and Bruce Alan Brown. 2001 "Sturm und Drang." Grove Music Online. 24 Sep. 2018.
http:////www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.00 1.0001/omo-9781561592630-e-0000027035.

Ian Woodfield and Lucy Robinson. "Viol." Grove Music Online. Oxford Music Online. Oxford University Press, accessed November 28, 2017, http://www.oxfordmusiconline.com/subscriber/article/grove/music/29435.

James Webster and Georg Feder. "Haydn, Joseph." Grove Music Online. Oxford Music Online. Oxford University Press. http://www.oxfordmusiconline.com/subscriber/article/grove/music/44593 (May 17, 2017.)

Jeremy Norman. "The Statute of Anne: The First Copyright Statute" HistoryofInformation.com, http://www.historyofinformation.com/expanded.php?id=3389.

Mary Cyr and Valerie Walden. "Duport." Grove Music Online. Oxford Music Online. Oxford University Press, accessed July 7, 2017, http://www.oxfordmusiconline.com/subscriber/article/grove/music/08356.

Othmar Wessely and Suzanne Wijsman. "Kraft." Grove Music Online. Oxford Music Online. Oxford University Press, accessed October 22, 2017, http://www.oxfordmusiconline.com/subscriber/article/grove/music/15458pg1.

Rosselli, John. 2001 "Castrato." Grove Music Online. 19 Sep. 2018. http:////www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.00 1.0001/omo-9781561592630-e-0000005146.

Russell, Tilden A. 2001 "Endpin [tailpin]." Grove Music Online. 23 Sep. 2018. http:////www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.00 1.0001/omo-9781561592630-e-0000008788.

Stephen Bonta, et al. "Violoncello." Grove Music Online. Oxford Music Online. Oxford University Press, accessed March 29, 2017, http://www.oxfordmusiconline.com/subscriber/article/grove/music/44041.

Thomas, Günter. 2001 "Esterházy." Grove Music Online. 20 Sep. 2018. http:////www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.00 1.0001/omo-9781561592630-e-0000009020.

Wikipedia contributors. “The Free Encyclopedia: Baryton.” Wikipedia, https://en.wikipedia.org/wiki/Baryton.

Wikipedia contributors. “The Free Encyclopedia: Kurt Soldan.” Wikipedia, https://de.wikipedia.org/wiki/Kurt_Soldan.

Wikipedia contributors. “The Free Encyclopedia: Mannheim school.” Wikipedia, https://en.wikipedia.org/wiki/Mannheim_school.

Wikipedia contributors. “The Free Encyclopedia: Public speaking.” Wikipedia, https://en.wikipedia.org/wiki/Public_speaking.

Wikipedia contributors. “The Free Encyclopedia: Rohrau, Austria.” Wikipedia, https://en.wikipedia.org/wiki/Rohrau,_Austria.

William Drabkin. "Fortspinnung." Grove Music Online. Oxford Music Online. Oxford University Press, accessed October 7, 2017, http://www.oxfordmusiconline.com/subscriber/article/grove/music/10024.

Wolf, Eugene K. 2001 "Mannheim style." Grove Music Online. 24 Sep. 2018. http:////www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.00 1.0001/omo-9781561592630-e-0000017661.

Woodfield, Ian, and Lucy Robinson. 2001 "Viol." Grove Music Online. 23 Sep. 2018. http:////www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.00 1.0001/omo-9781561592630-e-0000029435.

四、影音

HAYDN, F.J.: Cello Concertos Nos. 1 and 2 (Mørk, Norwegian Chamber Orchestra, Brown). CD-ROM. Norway: Simax Classics, 1992.

HAYDN, J.: Cello Concertos Nos. 1 and 2 / Violin Concerto in G Major (arr. for cello) (Wen- Sinn Yang, Accademia d'archi Bolzano, Egger). CD-ROM. Germany: Oehms Classics, 2011.

五、樂譜

Joseph Haydn. Cello Concerto in D major. Ed. Kurt Soldan. Leipzig: C. F. Peters, 1920.

Joseph Haydn. Cello Concerto in D major. Ed. Maurice Gendron. Mainz: Schott Edition, 1982.

Joseph Haydn. Cello Concerto in D major. Offenbach: Johann André, 1804.