|
This creative research project centers on the concept of 「Escape in Reverse」 a visual and linguistic experiment in destabilizing subjectivity through image and language.
Through blurred selfies, rephotographed spaces, fragmented personal texts and dislocated materials, this work attempts to question the visual position of the subject and its conditions of being seen.
Theoretical references include Jacques Lacan’s mirror stage, Nan Goldin’s private photography, and Sergei Eisenstein’s montage logic.
The creative methodology integrates misrecognition, material reprinting, and disrupted visual layout in order to challenge linear modes of perception.
|