跳到主要內容

臺灣博碩士論文加值系統

(216.73.216.41) 您好!臺灣時間:2026/01/14 05:07
字體大小: 字級放大   字級縮小   預設字形  
回查詢結果 :::

詳目顯示

我願授權國圖
: 
twitterline
研究生:鄧詩豪
研究生(外文):teng shi-hau
論文名稱:臺灣民間信仰之視覺表現研究
論文名稱(外文):Research on visual expression of folk believes in Taiwan
指導教授:曾啟雄曾啟雄引用關係
指導教授(外文):thzeng chi-shiung
學位類別:碩士
校院名稱:國立雲林科技大學
系所名稱:視覺傳達設計學研究所
學門:設計學門
學類:視覺傳達設計學類
論文種類:學術論文
論文出版年:2000
畢業學年度:88
語文別:中文
論文頁數:186
中文關鍵詞:道士服飾民間信仰
相關次數:
  • 被引用被引用:7
  • 點閱點閱:1857
  • 評分評分:
  • 下載下載:0
  • 收藏至我的研究室書目清單書目收藏:10
摘要
  臺灣民間信仰內容中,受到許多道教信仰的影響。道士所執行的祭祀、祈福等職務,與民間信仰有密切的關係。道士以穿著特定的服飾做為標示身份的重要視覺傳達要素,服飾上的圖形也表現道教信仰的宗教意義。本研究採三階段進行:文獻資料的彙整;對製作道士服飾的藝師與現職道士的訪談;對道士服飾中表現的圖形加以分析與探討。研究範圍以臺灣道教正一派道士所穿著的服飾為對象,探討道士服飾的製作材料及過程與藝師的表現方式,以及道士服飾上所表現出的形式與色彩等視覺表現為主要內容。經整理後,古代道士的服飾可分為常服及法服兩類。常服為日常所穿;法服用於壇場醮儀及傳戒受籙。法服的穿著為:頭上戴冠,上身穿褐,褐外披帔,下身著裙,腳穿履,手中執簡。正一派的法服為穿絳色褐、黃色裙、絳色帔。經對藝師及道士訪談後,臺灣道教正一派道士服飾的形式有:海青、道袍、絳衣、龍虎服、網巾、金冠、仰、五帝冠、朝鞋、朝珠、奏板。海青的色彩有:黑色、黃色。道袍的色彩有:紅底黑緣、紅底綠緣、紅底藍緣、橘黃底藍緣。絳衣色彩有:紅底黑緣、紅底綠緣、橘黃底藍緣、橘黃底綠緣、黃底藍緣、黃底紅緣。表現在道袍上的圖形主要有:龍、八卦、鯉魚、鶴、鳳凰、麒麟、牡丹、太極等等:表現在絳衣上的圖形主要有:龍、八仙、塔、火燄、三清、麒麟、鯉魚、八卦、金雞、玉兔等等。臺灣道教正一派道士服飾承襲古代道士服飾制度,並藉由形式及色彩來標示道士的等級,與區分儀式的內容。道士服的色彩所代表的等級,由低至高為:紅色、橘黃色、黃色。部分道士壇不分等級皆穿著絳衣,缺少道袍的形式。部分道士壇有穿著正一派天師專用的黃色絳衣的情形。道士服飾上的圖形,也表現出道教的思想來源、神仙思想以及多神崇拜等宗教思想。
Research on visual expression of folk believe in Taiwan
Concentrated on oranment and clothes of Taoist priest
Student:Teng Shi-Hau Advisor:Thzeng Chi-Shiung
Institute of Visual Communication Design
National Yunlin University of Science and Technology
ABSTRACT
Among folk’s religious believes, perhaps Taoism is the most influential to the daily life activities of people of Taiwan. There are very close relationships between the ritual services performed by Taoism priests and folk believes. A Taoist priest wears specific clothing to visually identify himself of an important status. Furthermore, pictures and figures appear in the clothing express Taoism religious meaning and believes. This study has been planned into three stages; namely, information and reference literature collection , editing and compiling; interview the master of seamstress who sewing Taoism priest clothing as well as priests themselves; and the third stage is to analyze and study pictures and diagrams appeared in on clothing. The frame of the study is confined to the Cheng-I faction of Taiwan Taoism only.From the clothes making process and masters of seamstress performance methods as well as of Priests of Chen-I faction the forms and colors visual expressions as major subjects of the study. After compiling , ancient Taoism priest clothing were sorted into two categories of common wears and ritual wears. Common wears are for daily living while ritual wears are worn when conducting ritual ceremony or occasions such as appointment or commissioning duties. Ritual wears including : head wears crown upper half body wears coarse clothe ho , put on over coat peih on the top of ho. While lower half body wears skirt, feet wear lyuu, hands hold a piece of jiaan. Cheng-I faction priests ritual wear is called jiahngyi with jiahng and ho colored. Yellow skirt, wear pei with chian colore. After interviewed with master seamstress, it was found that there were many variety of ritual wears of Chen-I faction priest; such as haiching, Taoist preistis robe ,jiahngyi, dragon-tiger cloth , net scarf, golden crown, yang, five pieces Emperior Hat, imperial shoes, imperial pearl, and a small piece of report panel. Colors employed in haaiching are black and yellow while colors adopted by Taoist preistis robe are red ground with black hem, red ground with green hem, orange ground with blue hem, orange ground with green hem, yellow ground with blue hem, and yellow ground with red hem. Pictures and diagrams sewn on Taoist preistis robe are Dragon, baguah, carps, crane, phoenix, kilin, and Taichi., while pictures and diagrams sewn on chiangyi are Dragon, the eight Taoist Immortal, tower, flame, sanching, kilin, carps, baguah, gold cock, and jade rabbit. Taism priest clothing of Cheng-I faction inherited the ancient Taoism clothing system which classified position of priest as well as the nature of ritual service they are performing by shape and color of clothing. As hierarchic arrangement from low to high position by colors are found to be in order of red, orange, yellow, Some priests, however, do not follow the rules wear robes according to his class, perhaps because of supply shortage or else, and some other factions wear yellow robes only which is equivalent of master priest in Cheng-I faction. Pictures and diagrams on priest robs may have some connections with the origin of the Taoism’s multiple gods worship.
目錄
中文摘要............................I
英文摘要 ...........................II
誌謝.............................IV
目錄 .............................V
圖目錄............................VII
表目錄............................XIII
一、緒論 .......................1
1.1 研究動機 ... ......................1
1.2 研究背景與目的 ......................2
1.2.1 研究背景 .......................2
1.2.2 研究目的 .......................4
1.3 研究方法與範圍.......................4
1.5 研究流程..........................7
1.6 道教相關研究探討......................7
1.6.1 道教的發展. .....................7
1.6.2 道教的信仰思想....................12
1.6.3 道教的派別......................17
二、歷代道士服飾的形制.... ..............23
2.1道教初期及南北朝的道士服飾.. ..............23
2.2唐、宋時期的道士服飾形制.... .............28
2.3明、清時期的道士服飾形制.... .............33
三、臺灣道士服飾的製作 ...............37
3.1 藝師訪談 ........... .............39
3.2 道士服飾的製作 ......................54
四、臺灣道士服飾的視覺表現 ...............61
4.1 道士訪談 .........................61
4.2 道士服飾樣本 .......................71
4.3 道士服的形式與色彩 ....................78
4.4 道士服上表現的圖形 ....................94
五、道士服飾上的圖形代表之意義..............112
5.1 八卦圖形.........................115
5.2 太極圖形.........................123
5.3 河圖洛書.........................127
5.4 龍............................129
5.5 鳳凰...........................132
5.6 鶴............................134
5.7 三清...........................137
5.8 日、月 ..........................143
5.9 八仙 ...........................147
5.10 麒麟 ..........................157
5.11 鯉魚 ..........................159
5.12 星辰 ..........................161
5.13 塔............................171
六、結論與後續研究....................173
6.1 結論...........................173
6.2 後續研究之建議......................178
七、參考文獻.....................180
八、附錄.......................183
〈專書部分〉
﹙ 1﹚王卡等,1996,道教三百問,建安出版社,臺北,初版一刷
﹙ 2﹚王明,1984,道家和道教思想,中國社會科學出版社,重慶,初版一刷
﹙ 3﹚王邦雄,1991,老子的哲學,東大圖書公司,臺北,七版
﹙ 4﹚王宜娥,1997,道教與藝術,文津出版社,臺北,初版一刷
﹙ 5﹚中國道教協會,1996,中國道教大辭典,東久出版,臺中,初版
﹙ 6﹚片岡巖,1987,台灣風俗誌,陳金田譯,眾文圖書公司,臺北,二版
﹙ 7﹚任繼愈等,1992,中國道教史,桂冠出版社,臺北,初版一刷
﹙ 8﹚岑家梧,1996,圖騰藝術史,地景企業公司,臺北,初版
﹙ 9﹚杜而未,1996,鳳鱗龜龍考釋,臺灣商務印書館,臺北,二版一刷
﹙10﹚李中華,1996,新譯抱朴子,三民書局,臺北,初版一刷
﹙11﹚李亦園,1998,宗教與神話論集,立緒文化公司,臺北,初版一刷
﹙12﹚李英華,1997,中國古代織繡藝術,南天書局,臺北,初版一刷
﹙13﹚李應強,1993,中國服裝色彩史論,南天書局,臺北,初版一刷
﹙14﹚李豐楙,1981,不死的探求-抱朴子,時報文化出版,臺北,四版一刷
﹙15﹚阮昌銳,1990,中國民間宗教之研究,台灣省立博物館,臺北,
﹙16﹚呂凱,1998,神仙道家-淮南子,時報文化出版,臺北,四版一刷
﹙17﹚林尹,1997,周禮今註今譯,臺灣商務印書館,臺北,初版七刷
﹙18﹚林書堯,1995,色彩認識論,三民書局,臺北,三版
﹙19﹚林會承,1995,臺灣傳統建築手冊.形式與作法篇,藝術家出版社,臺北,二版
﹙20﹚吳山等,1991,中國工藝美術辭典,雄獅美術圖書,臺北,初版
﹙21﹚周錫保,1986,中國古代服飾史,丹青圖書公司,臺北,初版一刷
﹙22﹚故宮叢刊編委會,1987,龍在故宮,國立故宮博物院,臺北,二版
﹙23﹚胡孚琛等,1995,中華道教大辭典,中國社會科學出版社,北京,初版一刷
﹙24﹚南懷瑾、徐芹庭,1997,周易今註今譯,臺灣商務印書館,臺北,修訂版十刷
﹙25﹚陳鼓應等,1996,道家文化研究.第九輯,上海古籍出版社,上海,初版一刷
﹙26﹚陳鼓應,1994,莊子今註今譯,臺灣商務印書館,臺北,初版十二刷
﹙27﹚陳拱,1978,墨學研究,東海大學,臺中,二版
﹙28﹚徐芹庭,1996,細說易經,聖環圖書公司,臺北,初版二刷
﹙29﹚莊宏誼,1986,明代道教正一派,臺灣學生書局,臺北,初版一刷
﹙30﹚黃文博,1997,台灣民間信仰與儀式,常民文化出版社,臺北,初版一刷
﹙31﹚郭立誠,1992,中國人的鬼神觀,臺視文化公司,臺北,初版一刷
﹙32﹚喬繼堂,1993,吉祥物在中國,百觀出版社,臺北,初版
﹙33﹚卿希泰等,1992,中國道教史,四川人民出版社,四川,初版二刷
﹙34﹚卿希泰等,1992,道教與中國傳統文化,福建人民出版社,福建,初版二刷
﹙35﹚曾啟雄,1999,色彩的科學與文化,思想生活屋國際文化公司,臺北,初版一刷
﹙36﹚傅錫壬,1994,白話山海經,文化圖書公司,臺北,二版一刷
﹙37﹚程建軍,1997,中國古代建築與周易哲學,淑馨出版社,臺北,初版一刷
﹙38﹚張善文,1997,象數與義理,洪葉文化事業公司,臺北,初版一刷
﹙39﹚葉海煙,1990,莊子的生命哲學,東大圖書公司,臺北,初版
﹙40﹚馮友業,1984,中國哲學史新編,人民出版社,北京,二版
﹙41﹚鈴木清一郎,1994,台灣舊慣習俗信仰,馮作民譯,眾文圖書公司,初版二刷
﹙42﹚臺北市道教會,1995,道藏三十六經,台北市道教會,臺北
﹙43﹚劉文三,1995,台灣宗教藝術,雄獅圖書公司,臺北,七版四刷
﹙44﹚劉枝萬,1985,台灣民間信仰論集,聯經出版公司,臺北,初版四刷
﹙45﹚劉國粱,1999,新譯周易參同契,三民書局,臺北,初版
﹙46﹚劉還月,1997,台灣民間信仰小百科‧醮事卷,臺原出版社,臺北,初版三刷
﹙47﹚劉還月,1996,台灣民間信仰小百科‧靈媒卷,臺原出版社,臺北,初版三刷
﹙48﹚劉錫誠,1998,中國原始藝術,上海文藝出版社,上海,初版一刷
﹙49﹚劉瞱原、鄭惠堅,1998,中國古代祭祀,臺灣商務印書館,臺北,初版一刷
﹙50﹚蔣述卓,1998,宗教藝術論,暨南大學出版社,廣州,初版一刷
﹙51﹚賴宗賢,1999,台灣道教源流,中華道統出版社,臺北
﹙52﹚謝謙,1996,中國古代宗教與禮樂文化,四川人民出版社,成都,初版一刷
﹙53﹚鍾敬文,1996,民俗文化學,中華書局,北京,初版一刷
﹙54﹚蕭登福,1998,周秦兩漢早期道教,文津出版社,臺北,初版一刷
﹙55﹚黨聖元、李繼凱,1998,中國古代道士生活,臺灣商務印書館,臺北,初版一刷
QRCODE
 
 
 
 
 
                                                                                                                                                                                                                                                                                                                                                                                                               
第一頁 上一頁 下一頁 最後一頁 top