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研究生:謝佳青
研究生(外文):HSIEH, CHIA-CHING
論文名稱:謝佳青碩士學位獨奏會與畢業音樂會
論文名稱(外文):Hsieh, Chia-Ching Master Degree Recital and Graduation Concert
指導教授:吳思珊吳珮菁
指導教授(外文):WU, SHIH-SANWU, PEI-CHING
口試委員:吳思珊吳珮菁張覺文
口試委員(外文):WU, SHIH-SANWU, PEI-CHINGCHANG, CHUEH-WEN
口試日期:2021-12-02
學位類別:碩士
校院名稱:國立臺北藝術大學
系所名稱:管絃與擊樂研究所
學門:藝術學門
學類:音樂學類
論文種類:代替論文:作品連同書面報告(藝術類)
論文出版年:2022
畢業學年度:110
語文別:中文
論文頁數:11
中文關鍵詞:謝佳青碩士學位
外文關鍵詞:Hsieh, Chia-Ching Master Degree
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此次獨奏會與畢業音樂會分別演譯經典的當代擊樂曲目,包含香港作曲家張鈞量改編自皮耶佐拉作品的鍵盤二重奏,需要充分展現出對探戈音樂的認知與詮釋,處理手風琴原版和馬林巴木琴改編的音色與音質差異是此曲較為挑戰之處、法國作曲家赫蘇斯.托雷斯的《變形蟲》結合肢體人聲和綜合鼓類的獨奏曲,技巧難度極高,考驗基本功以及對於肢體人聲運用在擊樂作品裡的融合度,必須將自己的身體獻上作為樂器與之融為一體幻化變形。《慾望廚房》來自於對慾望的探求,使用日常用品作為樂器,炫技且默契程度考驗十分高,是需要極度磨合與溝通的綜合二重奏,以及改編自西貝流士鋼琴小品的《雲衫》,鋼琴作品於馬林巴木琴上演奏,更多限制與困難,但卻也有更多可能性和突破。

除此以外也演奏不同時期不同風格的爵士標準曲,有喬治.蓋希文的經典音樂劇選曲做改編,為Ballad民謠風格,1950年代硬咆勃的經典曲目等等,曲目每一首都風格迥異,兼具技巧與音樂性。

除了著重表現當代擊樂作品演進交替的理念,複雜配置與技巧的獨奏到極簡風格的重奏,也是反思的過程。曲目跨度1942年到2019年,以純粹的器樂獨奏開頭到重奏編制加入留聲機採樣、拼貼影像等,串連1942年以來, 約翰凱吉開始發展預置鋼琴,嘗試在打擊樂曲的使用更多異素材,一直到2019年當代擊樂作品演進與回溯。爵士鼓獨奏Monkey Chant在曲中使用了甘美朗(Gamelan)的皮洛格式(Pelog)音階作為主要動機,富有民族色彩的樂器運用是作曲家最重要的理念之一,例如拇指琴(Kalimba)以及古鈸(Crotale),並且大量使用彈簧、竹籤等異素材加工在小鼓皮上,模仿出Cuica的音色,在looper反覆循環的烘托下,呈現熱帶雨林生態的豐富聲響。

改編自木琴獨奏E minor的二重奏是採譜自作曲家Thomas Daub收錄在2016年的演奏專輯 Marimba-Motions No.1其中一首改編。此曲的原作曲家是擊樂演奏家張鈞量,原為木琴獨奏,在改編後的版本裡增加了鋼琴的聲響,在原曲的基礎和弦上自由的即興,賦予了這首經典曲目新的聽覺體驗,讓聲音多了另一種可能。

1942年先鋒派作曲家John Cage的經典擊樂四重奏Credo in us加入了留聲機採樣的操作,以及使用鐵罐、發條式按鈴等媒材拼貼及架構鋼琴和擊樂聲部對位的方式,使曲中表現出複雜且多元化的後現代主義音樂色彩。

最後則是綜合電子音樂及影像的擊樂作品Time & Money總結整場獨奏的核心概念,循環的樂段、反覆的節奏、手勢和音色的變換上像是演奏者被時空時間不停的擠壓束縛,進而去破碎的控訴這個體制,隨著樂曲抽離的過程中,舞台上的隻字片語也一點點剝離,聲響在消逝的時間裡歸於死寂。



The recital and the graduation concert respectively perform classic contemporary percussion repertoires, including keyboard duets adapted from Piezola's works by Hong Kong composer Zhang Junliang. The difference in timbre and sound quality of the marimba arrangement is the more challenging part of this piece. French composer Jesus. Torres' "Proteus" is a solo piece that combines body vocals and integrated drums. The technique is extremely difficult. It tests basic skills and the integration of body vocals in percussion works. You must present your body as an instrument to blend with it. Transform into one. "Sex in the Kitchen" comes from the pursuit of desire, using everyday objects as musical instruments, showing off skills and a high level of tacit understanding. It is a comprehensive duet that requires extreme running-in and communication, as well as "The Spruce" adapted from Sibelius' piano piece, Piano skills are played on the marimba, with more limitations and difficulties, but also more possibilities and breakthroughs.

In addition,I also played jazz standard songs of different periods and styles, including George. Gaishiwen's classic musical selections are adapted for Ballad folk style, hard and roaring classics in the 1950s, etc. Each song has a different style, both technical and musical.

In addition to emphasizing the concept of the evolution and alternation of contemporary percussion works, the complex configuration and technique of the solo to the minimalist ensemble is also a process of reflection. The repertoire spanned from 1942 to 2019, beginning with pure instrumental solos to ensemble preparations, adding gramophone samples, collage images, etc. Since 1942, John Cage began to develop preset pianos and tried to use more variety in percussion music. material, until the evolution and retrospect of contemporary percussion works in 2019. Drum solo "Monkey Chant" used Gamelan's Pelog scale as the main motive, and the use of ethnic instruments was one of the composer's most important concepts, such as the Kalimba and Ancient cymbals (Crotale), and a large number of different materials such as springs and bamboo sticks are used to process the snare drum skin to imitate the sound of Cuica.

The duet arrangement of the marimba solo "Etude in e minor" is one of the arrangements from composer Thomas Daub's performance album Marimba-Motions No.1 in 2016. The original composer of this piece is percussionist Zhang Junliang. It was originally a solo xylophone. In the adapted version, the sound of the piano has been added, and the free improvisation on the basic chords of the original piece has given this classic piece a new listening experience. Another possibility for sound.

In 1942, the avant-garde composer John Cage's classic percussion quartet "Credo in us" added the operation of gramophone sampling, as well as the use of tin cans, clockwork bells and other media to collage and structure the piano and percussion parts. , so that the complex and diversified post-modernist music colors are shown in the music.

Finally, Time & Money, a percussion piece that integrates electronic music and video, summarizes the core concept of the whole solo. The looping passages, repeated rhythms, gestures and changes in timbre seem to be constantly squeezed by the players through time, space and time. Bound, and then to break the system of accusing, with the process of the music being pulled away, the words on the stage are stripped away little by little, and the sound returns to dead silence in the elapsed time.
目錄
目錄…………………………………………………………………………………………1


第一章 謝佳青擊樂碩士學位考試第一場 碩士學位獨奏會……………………………2
第一節 謝佳青擊樂碩士學位獨奏會曲目表……………………………………2
第二節 謝佳青擊樂碩士學位獨奏會曲目規劃與樂曲解說……………………3

一、 曲目規劃理念
二、 樂曲解說


第二章 謝佳青擊樂碩士畢業音樂會
第一節 謝佳青擊樂碩士畢業音樂會曲目表
第二節 謝佳青擊樂碩士畢業音樂會曲目規劃與曲目解說
一、 曲目規劃理念
二、 樂曲解說

附錄一 兩場音樂會之影音資料

Azzi, Maria Susana and Collier, Simon, Le grand tango- the life and music of Astor Piazzolla, New York: Oxford, 2000.

McPhee, Colin. "The Five-Tone Gamelan Music of Bali" The Musical Quarterly 35, no.2, 1949.


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