臺灣博碩士論文加值系統

安托尼歐．韋瓦第（Antonio Vivaldi, 1678-1741）為義大利作曲家，被認為是同時代最具創意和影響力的音樂家之一，在巴洛克協奏曲的發展上立下了重要的基石。《C大調雙小號協奏曲，作品五三七》，這是在十七世紀早期相當罕見的以銅管樂器為主要特色的獨奏作品之一，這部作品之所以稀有，是因為它展現了巴洛克時期小號所特有的挑戰。在當時，小號並沒有按鍵，音域極其有限，並且很大程度上取決於演奏者對嘴唇的控制。
本報告分析《C大調雙小號協奏曲，作品五三七》之曲式架構，並提出詮釋重點。報告共分為五個段落：「第一章」為前言，包含研究動機與目的、研究範圍與方法；「第二章」為韋瓦第的生平概述及巴洛克時期小號音樂的特色；「第三章」為樂曲分析；「第四章」為樂曲詮釋；「第五章」為結論，綜合前四個段落的研究。

Antonio Vivaldi, an Italian composer, is regarded as one of the most innovative and influential musicians of his time, laying significant groundwork in the development of Baroque concertos. His “Concerto for 2 Trumpets in C Major, RV 537,” stands as a rare gem from the early seventeenth century, showcasing the challenges inherent to the Baroque trumpet. This work's scarcity stems from its demonstration of the unique hurdles faced by trumpeters of the era, as the instrument lacked keys, possessed a severely limited range, and heavily relied on the performer's lip control.
This report delves into the structural framework of the “Concerto for 2 Trumpets in C Major, RV 537,” while offering interpretive insights. The report is divided into five sections: "Chapter 1" serves as an introduction, encompassing the research motivation and objectives, as well as the scope and methodology employed; "Chapter 2" provides a biographical overview of Vivaldi and musical characteristics of Baroque trumpet music; "Chapter 3" conducts a thorough musical analysis; "Chapter 4" offers interpretive insights into the music; and "Chapter 5" concludes by synthesizing the findings from the preceding sections.

摘要 i
Abstract ii
目次 iii
譜例目錄 iv
圖目錄 vi
表目錄 vii
第一章、前言 1
第一節、研究動機與目的 1
第二節、研究範圍與方法 2
第二章、作曲家生平及巴洛克時期小號音樂的特色 3
第一節、作曲家生平 3
第二節、巴洛克時期小號音樂的特色 5
第三章、樂曲分析 7
第一節、第一樂章 8
第二節、第二樂章 18
第三節、第三樂章 19
第四章、樂曲詮釋 34
第一節、第一樂章 34
第二節、第三樂章 43
第五章、結論 51
參考書目 52
附錄一（第二場音樂會節目單） 54
附錄二（第二場音樂會中文節目單） 55
附錄三（第一場音樂會節目單） 56
附錄四（第一場音樂會中文節目單） 57

一、中文專書
劉志明。《曲式學》。臺北市：大陸書店，1981年。
許鐘榮主編。《巴洛克的巨匠》。臺北縣：錦繡，1999年。
音樂之友社編。《韋瓦第》。林勝儀譯。臺北市：美樂，2004年。

二、外文專書
Grout, Donald Jay, J. Peter Burkholder and Claude V. Palisca. A History of Western Music. 9th ed. New York: W. W. Norton & Company, 2014.

三、期刊論文
Smithers, Don, Klaus Wogram, and John Bowsher. “Playing the Baroque Trumpet.” Scientific American 254, no. 4 (1986): 108–17. http://www.jstor.org/stable/24975936.

四、樂譜
Arban, Jean-Baptiste. Arban Complete Conservatory Method for Trumpet. Edited by Thomas Hooten and Jennifer Marotta. New York: Carl Fischer, 2013.
Clarke, Herbert L. Technical Studies for The Cornet. New York: Carl Fischer, 1984.
Vivaldi, Antonio. Concerto for Two Trumpets in C Major, RV 537. Edited by Vilmos Lesko. Milan: Casa Ricordi, 1984.

五、網路資源
Frobenius, Wolf, Peter Cooke, Caroline Bithell, and Izaly Zemtsovsky. "Polyphony." Grove Music Online. 2001; Accessed 15 May. 2024. https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000042927.
Sarkissian, Margaret, and Edward H. Tarr. "Trumpet." Grove Music Online. 2001; Accessed 14 May. 2024. https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000049912.
Talbot, Michael, and Nicholas Lockey. "Vivaldi, Antonio." Grove Music Online. 2001; Accessed 14 May. 2024. https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000040120.