臺灣博碩士論文加值系統

中文摘要&;nbsp;&;nbsp;&;nbsp; 本紀錄片想藉由夏學曼女士動人、坦然的生命故事，來探索人與人相互的情感互動、關懷、施與受之間最單純、真切的魅力與情懷，見證人世間的愛，有如「天使之手」；所以本片彙整應用媒體藝術及多種數位媒體素材，紀實寫真、真誠探索。依訴求對象、企劃應用、整合多媒體影片製作，藉由這時代快速溝通思想、傳遞訊息的便利媒體感染效力，真正達到傳播人性真理效果，企圖把本媒體放諸弱勢團體、醫療中心及社會與家庭中…等，作為施與受之間的媒介，感召關注與被關注的人及想伸出關注、有心援手的天使們，做為之間互相有一個接觸交流的機會。&;nbsp;&;nbsp;&;nbsp; 創作者學生本人，在高中時期階段遭遇喪母之痛。在十多年的長時間內對母親的記憶呈現封閉、抗拒狀態。在爾後一次整理家中雜亂龐多的舊物裡，無意間發現母親寫給本人的日記留言與相片，剎時之間激起長年來在潛意識對母親的思念與感念於內心融疊著學曼的故事交繞思索。&;nbsp;&;nbsp;&;nbsp; 本紀錄片除了當作學習研究的報告、畢業創作作品呈現之外，將可擴充深入推展於社會的福利機構、弱勢團體及醫療中心做為媒介，凸顯社會上的積極、真誠、人跟人之間、情感互動的正面昇華，透過的「天使之手」充分發展施與受之間的媒介作用。個人本創作、學習的過程中也將一個正面的導向發展為未來創作的精神主軸，而從本次的媒體應用發展為未來個人應用媒體學習過程裡，達到一個最佳的學習效果與企圖。關鍵字：紀錄片、媒體、影片製作、真實電影、母親、癌症、天使

Abstract&;nbsp;&;nbsp;&;nbsp;&;nbsp;&;nbsp;&;nbsp;&;nbsp; In this documentary, we want to explore the emotion, interaction, care, the simplest and true charm and feelings of giving and taking, and witness love in the world just like “the hands of Angel” through Sha Xue-Man lady's touching story; therefore, this film integrated applied media arts and multiple digital media materials to record and explore the truth. The truth of humanity can truly be disseminated according to the subjects, planning application and the integration of multimedia film production through the influence of convenient media with rapid thought communication and information sending of this time; we aimed to focus this media on minority group, medical center, family and society etc. to make it become the media of giving and taking and inspire those who receive care and those angels who care and want to help and create an opportunity for them to exchange and communicate. &;nbsp;&;nbsp;&;nbsp; The student creator – I – came across the pain of losing mother at my senior high school. Within the years of over a decade, I closed and rejected the memory of my mother. Afterwards, as I cleaned out the disorderly old stuffs I accidentally found out the diary that my mother wrote to me and photos; that instant stimulated my unconscious yearn and appreciation for her with the interweaving of Sha Xue-Man’s story in my heart. &;nbsp;&;nbsp;&;nbsp; Besides being the report of study and presentation of graduation work, this documentary can be extended to be the media for social welfare institutes, minority groups and medical centers and to make the positive and sincere human emotions and interactions stand out; the spirit of giving and taking can be fully presented through the media of “the hands of Angel.” This process of creation and learning will use a positive direction and development as the main spirit for future creation; from this process of media application development to my future learning, the best learning result and goal was achieved. &;nbsp;&;nbsp;&;nbsp;&;nbsp; welfare institutes, minority groups and medical centers and to make the positive and sincere human emotions and interactions stand out; the spirit of giving and taking can be fully presented through the media of “the hands of Angel.” This process of creation and learning will use a positive direction and development as the main spirit for future creation; from this process of media application development to my future learning, the best learning result and goal was achieved. Key Words: Documentary, Media, Film Production, Film Truth, Mother, Cancer, Angel

參考書目(一)中文參考書目：叢書(1)劉蕙苓(1997)，《從美日英之經驗看我國未來電視新聞性節目之發展》，台北：新聞評議會。(2)劉蕙苓(2000)，《重見家園：台灣社區再造的故事與省思》，台南：企鵝。(3)劉蕙苓（2004），《重見家園：回首崎嶇路》，台北：唐山。(4)李幼蒸著，《當代西方電影美學思想》，時報文化公司。(5)David Bordwell著，李顯立等譯，《電影敘事:劇情片中的敘述活動》，遠流出版社。(6)國家電影資料館(1999)，《電影辭典》。(7)洪國鈞(2002)，（專題：台灣紀錄片論壇）【電影欣賞季刊】，91年春季號，總號第111期。(8)Louia Giannetti 著，焦雄屏 譯，《認識電影》，遠流出版社。(9)徐炳勳 譯(1993)，《套出真相：問與被問的攻防術》，台北：卓越文化。(10)夏學理、鄭美華、陳曼玲、周一彤、方顗茹、陳亞平 著（2003），《藝術管理》，台北：五南。(11)夏學理、陳尚盈、羅皓恩、王瓊英 著（2003），《文化市場與藝術票房》，台北：五南。(12)謝富章(2002)，《電視影像美學析論--攝影的內涵與形式》台北：五南。(13)熊移山(2002)，《電視新聞攝影》，五南出版社。(14)Karel Reisz 著，許祥熙 譯（1981），《電影剪輯的奧秘》，台北：志文。(15)翟德爾 著，廖祥雄 譯，《映像藝術:電影電視的應用美學》，志文出版社。(16)詹明信教授講座 ，《後現代理論與文化理論》，合志文化公司出版。(17)單萬里（2001），＜紀錄與虛構＞，《紀錄電影文獻》，北京:中國廣播電視出版社。(18)陳清河(2000)，《電影製作》，台北：五南。(19)David Bordwell and Kristin Thompson 著，曾偉禎 譯，《電影藝術:形式與風格，美商麥格羅．希爾公司。(20)蔡念中、劉立行、陳清河 編著，《電視節目製作》，五南出版社。(21)Lynne S. Gross’Larry W. Ward 著，蔡念中、李泳泉等譯《電子影片製作》，五南圖書出版公司。(22)Herbert Zettl著，葉春華 譯，《錄影製作:觀念、原理與科技》，亞太圖書出版社。(23)楊家麟 編著,《電視節目製作－單機操作析論》，新形象出版事業有限公司。(24)Edward Pincus 著，王瑋、黃克義 譯，《電影製作手冊》，遠流出版社。(25)陳清河 編著，《ENG攝錄影實務》，合記圖出版社。 (26)Michael Rabige 著，王亞維 譯，(1998)，《製作紀錄片》，台北：遠流。(27)吳佳倫（2007），《電影0行銷》，台北：書林。(28)余秋雨（1990），＜召喚結構＞，《藝術創造工程》，台北：允晨。論文(1)黃嘉俊(2009)，《飛行少年》，國立台灣藝術大學，應用媒體藝術研究所，pp.13。(2)呂登貴(2006)，《天若光》，國立台灣藝術大學，應用媒體藝術研究所，pp.6。(3)楊光超(2007)，《夢的顏色》， 國立台灣藝術大學，應用媒體藝術研究所，pp.9。(二)英文參考書目：燈光類：(1)Carloson, Verne and Sylvia. Professional Lighting Handbook. Boston: Focal Press, 1985. (2)Milerson, Gerald. The Technique of Lighting for Television and Motion Pictures. Boston : Focal Press, 1982.(3)Ritsko, Alan J. Lighting for Location Motion Pictures. New York : Van Nostrand Reinhold, 1979.(4)Samuelson, David W. Motion Picture Camera and Lighting Equipment : Choice and Technique. Boston : Focal Press, 1986.(5)Sylvania Corporation. Lighting Handbook for Television, Theatre and Professional Photography. Danvers, Mass. : GTE Sylvania, 1984.技術類：(1)Cheshire, David. The Video Manual. New York L Van Nostrand Reinhold, 1982.(2)Fuller, B, et al. Single-Camera Video Production. Englewood Cliffs, N.J. : Prentice-Hall, 1982.(3)Mathias, Harry and Richard Patterson. Electronic Cinematography : Achieving Photographic Control over the Video Image. Belmont, Calif. : Wadsworth, 1985. (4)Millerson, Gerald. Video Camera Techniques. Boston : Focal Press, 1983.(5)Mathias, Harry and Richard Patterson. Electronic Cinematography : Achieving Photographic Control over the Video Image. Belmont, Calif. : Wadsworth, 1985. (6)Millerson, Gerald. Video Camera Techniques. Boston : Focal Press, 1983.(7)Robinson, Richard. The Video Primer. New York : Perigee, 1983.電影理論技巧類：(1)Arijon, Daniel. Grammar of the Film Language. Boston : Focal Press, 1976.(2)Carlson, Verne and Sylvia. Professional Cameraman’s Handbook. Boston : Focal Press, 1983.(3)Clarke, Charles G. ed. American Cinematographer’s Handbook. Los Angeles : A.S.C.(4)Clifford, Martin. Microphones : How They Work and How to Use Them. Blue Ridge Sumit, Pa. : Tab Books, 1977.(5)Eastman Kodak Co. Cinematographer’s Field Guide. Rochester, N.Y. : Kodak, 1978.(6)Nisbett, Alec. The Technique of the Sound Studio. Boston : Focal Press , 1979.(7)Samuelson, David W. Motion Picture Camera Techniques. Boston : Focal Press, 1979. 剪接類：(1)Browne, Steven E. Videotape Editing : A Postproduction Primer. (2)Boston : Focal Press , 1989.(3)Burter, John . The Technique of Editing 16mm Films. Boston : Focal Press, 1979.(4)Hollyn , Norman. The Film Editing Handbook. New York : Arco, 1984.(5)Reisz, Karel and Gavin Millar. The Technique of Film Editing. Boston : Focal Press, 1968. 紀錄片理論與歷史類：(1)Barnouw, Eric. Documentary : A History of the Non-Fiction Film. London : Oxford University Press, 1974.(3)Burton, Julianne, ed. The Social Documentary in Latin America. Pittsburgh : University of Pittsburgh Press, 1990.(4)Peyton, Patricia, ed. Reel Change : A Guide to Social Issue Films.San Francisco : Film Fund, 1979.(5)Rosenthal, Alan. The Documentary Conscience : A Casebook in Filmmaking. Berkeley ; California : University of California Press, 1980.(6)New Chllenges for Documentary. Berkeley : University of California Press, 1988. 導演與編劇類：(1)Rabiger, Michael. Directing : Film Techniques and Aesthetics. Boston : Focal Press, 1989.(2)Rosenthal, Alan. Writing, Directing and Producing Documentary Films. Carbondale ; Southern Illinois University Press, 1990.影像教育與行銷執行類：(1)American Film Institute Guide to College Courses in Film and Television.&;nbsp; Princeton, N.J. : Peterson’s (Dept. 7591, P.O. Box 978, Edison, N.J. 08817), 1986.(2)Draigh, David. Behind the Screen : The American Museum of the Moving Image Guide to Who Does What in Motion Pictures and Television. New York : Abbeville Press, 1988.