臺灣博碩士論文加值系統

費魯喬‧布梭尼（Ferruccio Busoni, 1866-1924）是十九世紀末著名的作曲家及鋼琴演奏家，而布梭尼的改編創作技巧更是他畢生最為人稱羨與讚賞的；尤以一八九三年，布梭尼將巴赫d小調第二號無伴奏小提琴組曲《夏康舞曲》改編為鋼琴曲版本並題獻給鋼琴家達伯特 （Eugen d’Albert, 1864-1932），為布梭尼眾多改編曲中經常被演出的。
布梭尼改編巴赫d小調第二號無伴奏小提琴組曲《夏康舞曲》為眾多改編版本最常被演奏的曲目，鋼琴交響化為兩版本最大之差異，筆者就布梭尼改編手法歸納為六大類，分別為和聲織度增厚、音域的擴張、添加新的音樂素材、樂器模仿的聲響、增加震音的效果、新增音樂術語。透過以上歸納統整，筆者於演奏時能更掌握巴赫原創曲與布梭尼改編曲的不同核心概念。
本論文旨在分析與詮釋布梭尼改編巴赫d小調第二號無伴奏小提琴組曲《夏康舞曲》，從三大方向探索之：第一部分探討創作背景，說明布梭尼《夏康舞曲》的歷史發展以及創作特色；第二部分進一步深入《夏康舞曲》樂曲分析與演奏詮釋；第三部分就布梭尼改編曲與巴赫原創曲創作手法之差異，包括和聲結構、樂曲架構、音響效果等，經由探討、分析、詮釋、比較，提出個人對此曲的心得報告。

Ferruccio Busoni（1866-1924）was a famous composer and a pianist at the end of the 19 century. Refer to the identity of the composer, Busoni was admired by his skills of transcription. In 1893, F. Busoni adapted J.S. Bach’s《Six Partitas No. 2, BWV 1004》for piano and dedicated to the pianist Eugen d' Albert（1864-1932）. This piano version is the most often performed of many transcriptions.
The transcription of Bach-Busoni Chaconne is the most popular piece for performers, I have integrated the transcription methods into six categories, the harmony texture, the expansion of the range, the additional of new musical materials, the imitated sound of instruments, the increase of tremolo and musical terms. Through the summary, I can better grasp the different core concepts of Bach’s original pieces and Busoni’s transcriptions when performing.
The purpose of this thesis is to discuss the transcription of Bach-Busoni Chaconne, which can be divided into three parts: The first part discusses the background of F. Busoni、the history of Chaconne and the features of compositions；The second part explores the analysis and performance interpretation of Chaconne；The third part discusses the differences between Busoni' s transcriptions and Bach's original compositions including harmony structure, musical structure, and sound effects, submit a personal report on this piano pieces.

目錄………………………………………………….................……………...……i
表目錄…………………………………………………................……………...…ii
譜例目錄………………………………………...…..............…………...…….…iii

第一章 緒論 ……………………………………............……………………1
第一節 研究動機與目的………………….…………………...…………………1
第二節 研究範圍與方法 ……………………….…………………..……………4
第二章 創作背景 ...........................5
第一節 歷史發展與舞曲特色 ……………………………………....…………5
第二節 布梭尼創作改編曲之特色 .................7
第三章 巴赫-布梭尼《夏康舞曲》樂曲分析與演奏詮 .....11
第一節 樂曲分析 ………………..…………………………………………...….11
第二節 演奏詮釋…...…………………………………………………….....…..30
第四章 比較巴赫d小調第二號無伴奏小提琴組曲《夏康舞曲》
與巴赫-布梭尼鋼琴曲《夏康舞曲》..........................50
第一節 巴赫-布梭尼鋼琴曲《夏康舞曲》改編手法探討 ………...50
第二節 兩首樂曲之對照比較探討 ......................52
第五章 結論 …………………………………………………….................…..61
參考文獻 ……………………………………………………...................…………63

一、 中文書目
周美芳。《巴哈-布梭尼《D 小調夏康舞曲》改編手法之研究》。高雄:國立中山大學音
樂所碩士論文，2007。
徐孟東，《二十世紀帕薩卡利亞研究》，上海 : 人民音樂出版社，2003。
劉彥婷。《李斯特帕格尼尼第六號練習曲》與布梭尼《D小調夏康舞曲》之探討台北：
臺北市立大學碩士論文，2008。
陳晏萱。《布梭尼D小調夏康舞曲之樂曲分析與詮釋》台北：臺北市立大學碩士論文，
2014。
陳匯峯。《巴赫 D小調小提琴無伴奏夏康舞曲分析與詮釋》台北：國立台灣藝術大學
碩士論文，2012。
蔡永凱。《布拉姆斯與布梭尼改編巴哈〈夏康舞曲〉中之炫技性》台北：國立台灣大
學碩士論文，2003。

二、 西文書目：
Alexander Silbiger, “Chaconne” The New Grove Dictionary of Music and Musicians. Stanley Sadie, ed. Vol. 5, 2001.
Beaumont, Anthony. Busoni Ferruccio in the New Grove Dictionary of Music and Musicians. New York: Norton, 2001.
Beaumont, Antony. Busoni the Composer. Bloomington: Indiana University, 1985.
Busoni, Ferruccio. “Sketch of a New Aesthetic of Music” New York: Dover, 1962.
Eiche, Joned. The Bach Chaconne for solo Violin: a Collection of Views. Urbana: Ameican String Teachers Association, 1985.
Evans, Edwin. Handbook to the Pianoforte Works of Jahannes Brahms. UK: New Temple Press, 1936.
Raessler, Daniel M. “Teaching New Classicality: Ferruccio Busoni’s Master Class in Composition.” Music Review, (February 1982): 51-56.
Sitsky, Larry. Busoni and the Piano: The Works, the Writings, and the Recordings. New York: Greenwood Press, 1986.
Sitsky, Larry. “Busoni: a short survey of the piano music.” The Piano Quarterly 28, (1979-1980): 22-27.
Spitta, Philipp. Johann Sebastian Bach: His Work and Influence on the Music so Germany, 1685-1750. Translated by Clara Bell and J. A. Fuller-Maitland. New York: Dover Publications, 1979.
Winfield, George A. Ferruccio Busoni’s Compositional Art: “A Study of Selected Works for Piano Solo Composed Between 1907 and 1923”. Ann Arbor. Mich.: University Microfilms International, 1991.

三、 西文電子資源：
Antony Beaumont, "Busoni, Ferruccio." Grove Music Online. 2001; Accessed 31. May.2021.
Boyd Malcolm, “Arrangement,” The New Grove Dictionary of Music and Musicians, 2nd edition. 29 vols. ed. by Stanley Sadie, executive ed. by John Tyrell, New York: New Grove, 2001.
Christensen, Thomas, “Four-Hand Piano Transcription and Geographics of. Nineteenth-Century Musical Reception,” Journal of American Musicological Society 52, no. 2(1999):255-298.
D. Ramdel,” Transcription,” In the New Harvard Dictionary of Music, 1986: 866.
Nicholas Temperley and Peter Wollny, “Bach Revival,” Grove Music online. Oxford. University Press accessed May 31, 2021.

四、 影音資料：
J.S Bach: Italian Concerto; Partita Chaconne from Partita No. 2 in D minor by. Federico Colli Catalogue No: CHAN20079

五、 樂譜：
Busoni, Ferruccio. Chaconne Bearbeitung fur Klavier. Germany: Breitkope & Hártel, n. d.