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ABSTRACT
Mind and media art have extremely inseparable relations. Therefore, this research discusses the relationship between synchronic mind and diachronic media from this viewpoint for each kind of different works in the past two years. The thesis tries to take a scientific procedure as the method, auxiliarily take the media as the tool, and add the related footwear pictures and so on in order to express or fictionalize an analytic footprint installation. It provides a reference for the relationship between synchronic mind and diachronic media.
As described below, the viewpoint of the book < Le Pli. Leibniz et le Baroque> wrote by Deleuze,1988, is used to discuss what the thesis author thinks about the synchronic and diachronic media. The main reason is that the thesis author would like to discuss the touch resonates immediately between media and the mind, but not the character of the media itself. Through the thesis discussion, this thesis contains not only the viewpoint of Deleuze but also some kinds of different knowledge including art and each kind of different individual experiences as well as standpoints of epilepsy, Charles Bonnet syndrome, etc, which induced thesis author's arouse me to the artistic viewpoints. Maybe the thesis author does not understand much, but the author believes the answer of any question basically is not exact. Quoting indistinctly and extensively will make us to strike and touch more when we cross over the solution.
Keywords: synchronic, diachronic, media art, forensic science (footwear impressions), monad, psychology
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