臺灣博碩士論文加值系統

本文包含筆者《演奏音樂會》與《獨奏音樂會》之樂曲解說，曲目包括：羅薩《小提琴二重奏奏鳴曲，作品15a》、林姆斯基．高沙可夫《C小調鋼琴三重奏》、莫札特《鋼琴與小提琴奏鳴曲K. 454》、貝多芬《G大調鋼琴與小提琴第八號奏鳴曲，作品編號30之3》、約翰．科里利亞諾《紅色小提琴隨想曲》。兩場音樂會分別以獨奏及重奏方式呈現，盼藉由相異之練習，除了提升自我獨奏能力及技巧外；亦培養與其他樂器合奏之和諧度與默契。
《演奏音樂會》選擇較現代的二重奏及國民樂派作品，羅薩《小提琴二重奏奏鳴曲，作品15a》中充滿強烈突兀之不和諧和弦、如詩畫般地旋律，及活力四射的匈牙利舞曲等元素，無一不深深吸引筆者。林姆斯基．高沙可夫《C小調鋼琴三重奏》屬結構龐大之作，除歌劇般的鋪陳，音響效果更充滿張力與戲劇性，四樂章具不同特色，時而悠閒溫暖，時而慷慨激昂，不僅是首精彩的曲目，更反映林姆斯基．高沙可夫如戲般的人生。
《獨奏音樂會》選擇古典時期的莫札特、橫跨古典至浪漫的貝多芬，及現代作曲家約翰．科里利亞諾等作品。莫札特《鋼琴與小提琴奏鳴曲K. 454》，以慢板導奏揭開序幕，並以愉悅活潑且百聽不厭的樂章結束全曲。貝多芬《G大調鋼琴與小提琴第八號奏鳴曲，作品編號30之3》，全曲以快速向上之琶音開啟，猶如開香檳般的聲響及輕鬆歡愉的氣氛令筆者印象深刻。約翰．科里利亞諾之《紅色小提琴隨想曲》，由電影配樂改編而成，搭配劇情之精彩片段，為筆者想要挑戰這艱澀曲目的最大推手，其中，作曲家擅長以迂迴的之旋律描寫曲折的場景和人心，用心刻畫的每個音符，令人彷彿置身其中，久久無法忘懷。

This thesis consists of program notes of my chamber and solo recitals.
The chamber recital includes two works coming from different periods. The first piece – Sonata for Two Violins, Op. 15a by Miklós Rózsa, consists of three movements. The music contains many distinct elements including a number of very powerful disharmony chords and syncopations and a melodic, romantic atmosphere. Another piece is Rimsky-Korsakov’s Piano Trio in C minor. According to the structure and performance duration, this belongs to a huge chamber work. In this music we can easily find some elements which are very operatic as well. For example, in the first movement, the opening of cello is like an aria; the last movement starts with a recitative of piano. This music is not only a wonderful piece but also a reflection of Rimsky-Korsakov’s own dramatic life.
The solo recital contains music by Mozart, Beethoven, and John Corigliano. The “Sonata for Piano and Violin K. 454” by Mozart has a slow and elegant introduction, then ends at a joyful movement. The second work - “Sonata for Piano and Violin, No. 8, Op. 30-3” by Beethoven starts with a series of fast notes. The opening feels like the sound when you open a bottle champagne and are going to celebrate, full of happiness and cheerfulness. Last but not least, I will present “The Red Violin Caprices” by John Corigliano. The music is based on the soundtracks of the movie. This is also the most challenging work of the entire program. It not only contains many difficult techniques but also includes the emotions and music coming from the healer of hearts.

摘要 i
Abstract ii
目次 iii
附譜例目次 v
附表目次 xvi
附圖目次 xviii
演奏音樂會及獨奏音樂會演出曲目 xix

第一章 羅薩
第一節 作曲家生平 1
第二節 創作背景 4
第三節 《小提琴二重奏奏鳴曲，作品15a》樂曲分析 5

第二章 林姆斯基高沙可夫
第一節 作曲家生平 26
第二節 創作背景 30
第三節《C小調鋼琴三重奏》樂曲架構分析 31

第三章 莫札特
第一節 作曲家生平 77
第二節 創作背景 82
第三節 《鋼琴與小提琴奏鳴曲K.454》樂曲架構分析 84

第四章 貝多芬
第一節 作曲家生平 102
第二節 創作背景 107
第三節 《G大調鋼琴與小提琴第八號奏鳴曲，作品編號30之3》樂曲架構 108

第五章 約翰．科里利亞諾
第一節 作曲家生平 131
第二節 創作背景 134
第三節 《紅色小提琴隨想曲》樂曲架構 137

第六章 結語 162

參考文獻 164

一、中文書目
目黑惇。《莫札特I》。林勝儀 譯。台北︰美樂出版社，2000。
岡部博司。《俄羅斯國民樂派》。林勝儀 譯。台北︰美樂出版社，2006。
孫巧玲。《莫札特小提琴與鍵盤奏鳴曲》。台北︰全音樂譜出版社，2007。
許鐘龍。《國民樂派的舵手》。台北︰錦繡出版社，2000。
許鐘榮。《維也納古典的樂聖》。台北︰美樂出版社，2001。
許鐘榮。《維也納古典樂曲賞析》。台北︰美樂出版社，2001。
許汝紘。《圖解音樂大師》。台北︰華滋出版，2009。
陳沁紅。《貝多芬小提琴奏鳴曲研究》。台北︰全音樂譜出版社，2002。
楊沛仁。《音樂史與欣賞》。台北︰美樂出版社，2009。
劉志明。《古典時代音樂史》。台北︰全音樂譜出版社，2005。
羅傑．布蘭查德。《古典音樂源起》。黃寤蘭 譯。台北︰1994。

二、外文書目、論文
Barry Cooper, Beethoven, Oxford University Press, 2008.
Frolova-Walker, Marina. “Nikolay Andreyevich Rimsky-Korsakov.” The New Grove Dictionary of Music and Musicians, 2d ed., vol. 21. Edited by Stanley Sadie. Oxford University Press, 2001.
Georg Knepler, Wolfgang Amade Mozart, J.Bradford Robinson Translated, Cambridge University Press, 1997.
Green, Douglass M. Form in Tonal Music an Introducion to Analysis, 2d ed.. Harcourt Brace Jovanovich College Press, 1993.
H.Wiley Hitchcock and Stanley Sadie, eds. “John Corigliano.”The New Grove Dictionary of American Music. London: Macmillan Press, 1986.
Julian Rushton. Mozart. Oxford: Oxford University Press, 2006.
Kelvin Tod Kerstetter. “A comparison of the clarinet concertos of Isang Yun amd John Corugliano.” PhD. diss., University of Georgia,1995.
Lofe , Abram. Violin and Keyboard: The Duo Repertoire. 1 vols. New York :Amadeus Press,1991.
Mckenney, Nancy Jane. “The Chamber Music of Miklos Rozsa.” PhD diss.,University of Kentucky, 2002.
Martin Harlow. Mozart’s Chamber Music with Keyboard.Cambridge University Press, 2012.
Rimsky-Korsakov, Nikolai Andreyevich. My Musical Life. Boston: Horizon House Pubs, 1983.
Ruck, Jonathan. “The Cello Works of Miklos Rozsa.” PhD diss., Indiana University, 2012.
Siegmund Kaznelson, Beethovens ferne und unsterbliche Geliebte , US:Standard-Buch, 1953.
Spaethling, Robert. Mozart’s Letters, Mozart’s Life. New York: W. W. Norton, 2005.
W. M. Hoffman, “John Corugliano” The New Grove Dictionary of Music and Musicians,
2d ed., vol. 6 ed. by Stanley Sadie. Oxford University Press, 2001.

三、電子資源
Edition Silvertrust Presents. Accessed March 23, 2016, http://www.editionsilvertrust.com/rimsky-korsakov-piano-trio.htm.
Henry Lowengard. Accessed June 22, 2016, http://www.echonyc.com/~jhhl/nakedc.html.
Imslp. Accessed May 12,2016, http://goo.gl/OpqVtx.
John Corigliano. Accessed June 18, 2016, http://www.johncorigliano.com/.
Miklos Rozsa, Accessed March 23, 2016, http://gejl.info/article/WHEBN0000609081/Mikl%C3%B3s%20R%C3%B3zsa.
Miklos Rozsa Papers. Accessed March 25, 2016,
http://library.syr.edu/digital/guides/r/rozsa_m.htm#d2e108.
The Jiang Violin Duo.Accessed March 23, 2016, http://www.eroica.com/jvd-music.html.
The Miklos Rozsa Society. Accessed February 12, 2016, http://www.miklosrozsa.org/.

四、樂譜
John Corugliano The Red Violin Caprices for colo violin . G, Schirmer, Inc.Press, 2001.