臺灣博碩士論文加值系統

本文是以舒伯特奇人及舒伯特的音樂在不同時代被理解的方式作為切入點來探討舒伯特的《A大調鋼琴奏鳴曲 D.959》。其中顯露了各個時代的不同關注，也顯露了這些關注所反應的人類心理。

舒伯特時代的維也納處於生活上基礎設施不足，政治上高壓統治的狀況。在他的時代人們視他為一個敏感害羞而令人喜愛的天才，但並未認識他創作的完整面貌。而十九世紀後半期舒伯特則被視為具有天才但作曲技巧不足且生前沒沒無聞的作曲家。二十世紀以後人們逐漸發現舒伯特在創作與性格的各個面向，他也晉身偉大作曲家的行列。

羅森將舒伯特規避終止式裡不同和弦對比力量的和聲結構稱為「波浪曲式」，並指出此手法在奏鳴曲式的應用造成了一種漫遊、隨時可以改變方向的音樂效果。而以此理解《A大調鋼琴奏鳴曲 D.959》就會看到此曲包含的愛、自然、鄉愁、流浪、荒涼、死亡這些主題。

綜觀各個時代的看法，會發現其實是人類存在的各個課題在說話，他們主導了舒伯特的創作，也主導了人們解讀這些創作的視角。

This thesis discuss Schubert’s A major piano sonata (D.959) by exploding how Schubert (himself) and Schubert’s music was and is understood. This process reveals the concerns of different ages and the human minds behind the concerns.

In Schubert’s time, Vienna lacked for infrastructure and was under autocracy. This was the environment he worked in. People deemed him as a sensitive and loving genius, but didn’t recognize the full value of his works. In the second half of19th century, Schubert was known as a talented but not skillful composer. After th beginning of 20 century, the new realization of Schubert’s character and music came out; then Schubert stood in the roll of Great Composers.

Charles Rosen described the harmonic structure that can avoid the contrastive power between chords in cadence in Schubert’s works as “wave form”, and pointed out this structure makes a wondering feeling when the structure is applied to sonata form. By a similar way of understanding, the A major sonata reveals the themes about love, nature, nostalgia, wondering, bleakness, and death.

After knowing the views of different ages, I find that the human existing speaks; it determined how Schubert composed and how people see his works.

1. 緒論………………………………………………………………………………1

2. 舒伯特「們」……………………………………………………………………6
2.1 舒伯特生活的維也納……………………………………………………...6
2.2 舒伯特時代的舒伯特………………………………………………………9
2.3 死後的舒伯特………………...…………………………………………...12
2.4 今日的舒伯特……...……………………………………………………...16

3. 舒伯特的鋼琴奏鳴曲與音樂特點……………………………………………….20
3.1 舒伯特的鋼琴奏鳴曲…...…………...……………………………………20
3.2 舒伯特的和聲特點………...……………………………………………...30
3.3 其他特點……………………...…………………………………………...37

4. 《A大調奏鳴曲》（D.959）的詮釋……………………………………………..41
4.1 第一樂章……………………………………………...…………………...43
4.2. 第二樂章……………………………………………...…………………..55
4.3. 第三樂章.....................................................................................................63
4.4. 第四樂章.....................................................................................................67

5. 結論……………………………………………………………………………….76
參考書目……………………………………………………………………………..78

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