臺灣博碩士論文加值系統

我們走進去之後，戰爭發生了。祥和和衝突並行在這裡，彼跟此之間的間距變
得不能彌補。原來替彼造的居所，卻讓他們在夾縫中游移。
每一個面都不再是同一個面，每一個柱子都不再是同一個柱子，柱子根柱子間
的關係變得薄弱，中間參雜著紊亂的事。
或許脫離是比較適合他們的方式，他們存在的時候，我們會感覺到他，他會在
我們周遭的純粹事物身上。
當我們再度去創造一個居所的時候，他會知道，因為居所會呼喚他。

At the moment we walk in, the war breaks out.
Entangled here, harmony and conflict.
Gradually, the distance between them becomes irreparable.
The place, which once built for them, allowed them to wander between cracks.
Raveling in the endless cracks.
Every side is no longer the same face.
Every pillar is no longer the same column.
That is the time.
The time when the relationship becomes weak, while disturbances mixed in.
Perhaps detachment is the way.
The way we feel them while they exit.
Feel them in the pure things around us.
As we create the space again, the shrine will call for them.
They come, as they belong.

目錄

First try P.7

Second Stage P.37

Third Stage P.47

參考書目 P.82

參考書目

《Della Pittura》Leon Battista Alberti
《On Calumny》Lucian of Samosata
《On Adam’s House in paradise : The Idea of the Primitive Hut in Architectural History》Joseph Rykwert
《The idea of a Town : : The Anthropology of Urban Form in Rome, Italy and the Ancient World》Joseph Rykwert
《搜神記》卷十四 干寶
《Bible》Genesis chapter.2
《莊子‧人間世》
《淮南子·覽冥篇》
《Flesh and stone : the body and the city in western civilization》Richard Sennett
《The Art of Memory》Frances Yates
《Nudità》Giorgio Agamben
《建築十書》Vitruvius
《Tiepolo and the Pictorial Intelligence》Svetlana Alpers, Michael Baxandall


圖片

《The Gleaners (Des glaneuses)》 oil painting by Jean-François Millet completed in 1857
《Shepherdess and Her Flock》 Black chalk and pastel by Jean-François Millet completed in 1865
Museo Estrusco/Villa Giulia, Rome
《The Open Window, Collioure》HENRI MATISSE 1905 (oil on canvas)
《視學》年希堯
Jesuit Church, Dr.-Ignaz-Seipel-Platz, Vienna, Frescoes by Andrea Pozzo during his time in Vienna (1702-1709)