臺灣博碩士論文加值系統

摘要

本文以德布西風格與前奏曲美學的討論為起點，探討其前奏曲第一冊第五首《阿納卡普里的丘陵》的曲式與結構，並藉由樂譜版本與錄音比較，尋求合適的詮釋，尤其是踏版運用與演奏速度的問題。


關鍵字：德布西風格，前奏曲美學，踏板運用，樂譜比較，錄音比較

Abstract

Starting with a discussion of Debussy’s musical style and the aesthetic of prelude, this paper studies his “Les collines d’Anacapri” from Préludes Book 1 No. 5, concentrating on its form and structure, as well as interpretational issues such as pedaling and tempo. Comparisons of the available editions and recordings are also provided.

目 錄
頁次
演奏會曲目與輔助文件摘要………………………………………………………i
Recital Program and Paper Abstract………………………………………………..ii
陳昕鋼琴畢業演奏會錄音CDs…………………………………………………...iii
目錄………………………………………………………………………………...iv
譜例目錄……………………………………………………………………………v
表目錄……………………………………………………………………..……….vi
圖目錄………………………………………………………………………….….vii
寫在交大………………………………………………………………………….viii

輔助文件：德布西前奏曲《阿納卡普里的丘陵》：風格•美學•詮釋

一、 序論………………………………………………………………………….1

二、 前奏曲的流變與美學意涵………………………………………………….4
2.1 簡史………………………………………………………………………..4
2.2 美學………………………………………………………………………..6

三、 德布西二十四首前奏曲的創作手法 …………………………………….8
3.1概述………………………………………………………………………8
3.2音階與調式………………………………………………………………8
3.3和聲………………………………………………………………………9

四、 阿納卡普里的丘陵………………………………………………………...12
4.1樂曲分析……………………………………………………………….13
4.2架構圖………………………………………………………………….14
4.3踏板的運用…………………………………………………………….16
4.4樂譜版本的比較……………………………………………………….24
4.5演奏版本及詮釋特色………………………………………………….26
4.6關於中段彈性速度的問題…………………………………………….36

五、 結語………………………………………………………………………...41

參考文獻…………………………………………………………………………..42

參 考 文 獻


Gieseking, Walter, and Karl Leimer. Piano Technique. New York: Dover, 1972.
Hinson, Maurice. The Pianist's Dictionary. Bloomington, IN: Indiana University Press, 2004.
Jarociński, Stefan. Debussy: Impressionism and Symbolism. London: Eulenberg, 1976.
Ketting, Piet. Claude-Achile Debussy. Translated by W. A. G. Doyle-Davidson. Stockholm: Continental, 1947.
Roberts, Paul. Images: The Piano Music of Claude Debussy. Portland, OR: Amadeus, 1996.
Sadie, Stanley, ed. The New Grove Dictionary of Music and Musicians. 20 vols. London: Macmillan, 1980.
Schmitz, E. Robert. The Piano Works of Claude Debussy. Westport, CT: Greenwood, 1970.
Scionti, Silvio, and Jack Guerry. Essays on Artistic Piano Playing and Other Topics. Denton, TX: University of North Texas Press, 1998.
Siki, Béla. Piano Repertoire: A Guide to Interpretation and Performance. New York: Schirmer, 1981.
Vallas, Léon. Claude Debussy, His Life and Works. Translated by Maire O'Brien and Grace O'Brien. New York: Dover, 1973.


網路資源：
Bryce Morrison in Gramophone’s review. February 1999 / August 2000

http://www.answers.com/topic/marguerite-long-classical-musician

Naxos Music Library
殷承宗 Naxos Music Library (online),Marco Polo 8.225946-47HDCD
永井由紀惠http://nctu.naxosmusiclibrary.com/stream.asp?s=12086%2fnctunml03%2fbi0371%5f05
小川典子Naxos Music Library (online), BIS-CD-371


樂譜：

Debussy, Claude. Préludes, Pour Piano. Paris: Durand, 1910.
Heinemann, Ernst-Günter, François Lesure, and Hans-Martin Theopold, eds. Debussy: Préludes I. Urtext ed. Munich: Henle, 1986.
Howat, Roy, and Claude Helffer, eds. Debussy: Préludes. Œuvres Complètes de Claude Debussy, Ser. 1, Vol. 5. Paris: Durand-Costallat, 1985.
Stegemann, Michael, and Michel Beroff, eds. Debussy: Préludes I. Vienna: Wiener Urtext Edition, 1986.


有聲資料：
Debussy Plays Debussy. Master of the Piano Roll, 2003 (Dal Segno 6337668).

Heinrich Neuhaus, 1948 (BMG 74321 25174 2)

Monique Haas, 1963 (DG00289 477 6201)

Ivan Moravec, 1967 (SU 3584-2 111)

Theodore Paraskivesco, 1976 (Calliope CAL 9831)

Maurizio Pollini, 1999 (DG 289 445 187-2)

Pascal Roge, 1978 (Decca 443 021-2)

Zoltán Kocsis, 1996(Philips 456 568-2)

Krystian Zimerman, 1991 (DG 435 773-2)

Friedrich Gulda, 1977 (Amadeo PHCP-20332/4)

Claudio Arrau, 1979 (Philips 432 304-2)

Fou Ts’ong傅聰, 1993 (Hugo HRP796-2, HRP797-2)

Alain Planes, 1999 (Harmonia mundi HMC 901695)