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The theme of this dissertation is "Painting•Fashion" as the main research and creation. It is divided into two parts. First, it takes the creation and viewpoints of Eastern and Western artists as the theoretical basis. Projecting self-awareness with women as the carrier and dialogues with decorative totems in different time and space times are the focus of creation and research.
This creative research is divided into five chapters, the first chapter is the research motivation, purpose, content, method, etc., and discusses the key words of the paper to explain, in order to explore the internal and external perspectives of women's fashion. The second chapter is the theoretical basis and literature exploration, looking for the relevant terms of fashion elements, the essence, history, turning point and development. The third chapter describes the creation concept and trajectory formation, expounds the creation concept of its own development, and lists the corresponding formation analysis of other works. The fourth chapter is the analysis and interpretation of the style of personal works. The analysis of the works is divided into three series." Manufacturing situation" Series takes sketching as a reference and reshapes landscapes in a subjective style." Beauty and strength of women" Series uses women as the carrier to reflect the development and context of the fashion of the times."Cross Domain"Series combines technological printing and dyeing techniques or other exotic materials with life-themed objects to create new possibilities. There are three sub-topics.The conclusion of the fifth chapter is to reflect and review the research results of this painting creation paper, and then develop a personal style and artistic language, and practice a suitable art development context.
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