臺灣博碩士論文加值系統

近年來，互動性在多個領域獲得了關注和重視。從教育到娛樂，再到行銷和溝通，互動性的運用已經變得越來越普遍。這與傳統的被動藝術觀察方式截然不同，互動性的加入使觀眾能夠從旁觀者轉變為積極的參與者，從而獲得更深層次的體驗和刺激。不可否認的是，人類的感官在實現互動性方面發揮了關鍵性的作用，對其功能的理解應該是我們實驗和探索這項技術的重要一環。在日常生活中感官扮演著至關重要的角色，但在現代藝術中將感官作為主題的作品仍然比較少見。本創作的目標就是創作以人類感官作為互動元素的裝置，並將動畫作為視覺元素的一部分，使藝術家和觀眾可以在更深的層面上與自己的感官產生連結。為了實現這個目標，本作品採用了多種不同的互動設備和微控制器，以提供多元化的互動方式。一旦觸發互動相關的3D場景將會產生變化，同時我們也結合了對人類感官的生理科學研究以及對歷史和當代藝術的參考，以提供一個客觀的感官表現。本創作是一個將科學、技術和藝術融合在一起，創造一個以人類感官作為互動元素的裝置，提供對人類感官的新視角並挑戰將藝術僅視為被動觀察的傳統觀念，藉由本創作能夠探索到新的藝術形式和表達方式。

In recent years, interactivity has become prominent in several areas of society. Interactivity is already used in education, entertainment, marketing, and communication. Unlike the traditional method of consuming art by passive observation, interactivity provides further stimulation by placing the audience in the role of active participants. Since the human senses are necessary for interactivity to occur, understanding these functions should be a vital part of experimenting with this technology. Not to mention, the human senses are rarely featured as the subject in modern artwork, despite its significance in daily life. By creating an interactive installation of the human senses, using animation as the visual component, the artist and viewers can connect with the senses on a deeper level. To achieve this the artwork uses different interactive devices and microcontrollers as the method of interaction that, upon interaction, trigger the related 3D scene to change. In addition, implementing scientific research of the physiology of the human senses, as well as historical and modern artistic references, presents a framework to accurately represent these functions. Combing aspects of science, technology, and art, to create an interactive installation of the human senses provides a new perspective of not only the human senses, but how science and technology have fundamentally changed society – challenging the traditional notion of art as passive observation.

Acknowledgements I
Abstract II
摘要 III
List of Tables VI
List of Figures VIII
Chapter 1 Introduction 1
1.1 Background 1
1.2 Motivation 2
1.3 Objective 3
Chapter 2 Literature Review 4
2.1 The Five Human Senses in Visual Art 4
2.1.1 Physiology of the Five Human Senses 4
2.1.2 The Five Human Senses in Visual Art 10
2.1.3 Summary 22
2.2 Interactive Installation 23
2.2.1 Interactive New Media Art 23
2.2.2 Interactive Installations 26
2.2.3 Summary 27
Chapter 3 Creation Concept & Method 29
3.1 Concept 29
3.2 Method 29
3.2.1 Pre-production 29
3.2.2 Production 32
3.2.3 Mockup Design and Interactivity 35
Chapter 4 Discussion 46
4.1 Production 46
4.2 Layout and Setup 46
4.3 Design 48
4.3.1 Animation Design 48
4.3.2 Interactive Design 53
Chapter 5 Conclusions 60
5.1 Future Development 62
Bibliography 63
Appendix 68
Questionnaire Survey Data 68

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