臺灣博碩士論文加值系統

本文第一章由第五號的創作背景為主，並以「標題性」想法為輔來看柴可夫斯基的音樂。第二章便縮小範圍，以序奏主題的來源歷史，與其包含的「命運意念」開始介紹，接下來是序奏主題本身的樂曲分析，並將情感表達(Emotional expression)運用在序奏主題的和弦與音程上，最後再針對其具有「連章型式」(Cyclical form)的做法來討論。本文目地是藉由第五號的創作歷程，並以這段膾炙人口的主題為例，來探究此交響曲的生命與命運意念，從中慢慢發掘這十小節的藝術價值與內涵。

The introduction theme (first 10 bars) of the Tchaikovsky’s symphony no. 5 is the main subject of this thesis. In the first chapter, we described the background of this symphony, and later, studied the introduction theme in the second chapter which, includes its “fate idea”, source, name, spirit, affections (Emotional expression) and cyclical form. With respect to the detail of the form, we analyzed the phrasing, material and orchestration, and then used the theory of harmony and interval to explain the affections. The appendix is an interview with Mr. Ting-Yu Wu who is the concertmaster of National Symphony Orchestra since 1987. We talked about the 5th symphony, Tchaikovsky’s personality and some experiences of performance.

演奏會曲目與輔助文件中文摘要 i
Recital Program and Abstract ii
李佳蔚小提琴畢業演奏會之節目與錄音 iii
正文目錄 iv
表目錄 vi
譜例目錄 vii
輔助文件：試探柴可夫斯基第五號交響曲序奏主題之「命運意念」

緒論……………………………………………………………1
第一章 第五號交響曲創作背景..……………………………2
1-1 「標題性」音樂與柴可夫斯基的交響曲………………3
1-2第五號交響曲之創作歷程………………………………5
1-3 第五號交響曲之首演過程………………………………10
第二章 序奏主題的探討……………………………………13
2-1 序奏主題的「命運意念」追溯…………………………13
2-1-1 序奏主題與「命運」一詞的關聯……………………15
2-1-2 序奏主題的其他稱呼……………………………….…16
2-2 序奏主題的來源……………………………………………18
2-3 序奏主題的分析……………………………………………21
2-3-1 序奏主題的樂句與素材分析……………………………22
2-3-2 序奏主題的管弦樂法…………………………………23
2-4 序奏主題的情感表達(Emotional expression)…………27
2-4-1 以和聲運用來看序奏主題的「情感表達」……………28
2-4-2 以曲調音程來看序奏主題的「情感表達」……………30
2-5 序奏主題之「連章型式」運用 ― Cyclical symphony……33
2-5-1第一樂章………………………………………………33
2-5-2第二樂章………………………………………………34
2-5-3第三樂章………………………………………………35
2-5-4第四樂章………………………………………………36
結論………………………………………………………………37
附錄………………………………………………………………38
參考文獻…………………………………………………………43

中文書目：
申元 (譯) (民87)。Herman Laroche等著。柴可夫斯基其人其事。臺北：世界文物。
李懷東 (主編) (民89)。文化巨人叢書 柴可夫斯基。香港：三聯。
巫如雪 (譯) (民81)。David Mountfield著。音樂圖像系列4 ― 柴可夫斯基。臺北：萬象。
林光餘 (譯) (民86)。Alan Rich 著。柴可夫斯基：第五號交響曲，<羅密歐與茱麗葉幻想序曲>。臺北：智庫。
林勝義 (譯) (民 89)。音樂之友社 編。作曲家別 名曲解說珍藏版 — 柴可夫斯基。臺北：美樂。
高士彥 (譯) (民84)。Arnold Alshvange著。柴可夫斯基(下)。臺北：世界文物。
高士彥 (譯) (民82)。 Pytor Ilich Tchaikovsky著。柴可夫斯基論音樂。臺北：世界文物。
孫愛光 (民81)。柴高夫斯基第五號交響曲作品六十四之研究。國立臺灣師範大學音樂研究所碩士論文，未出版，臺北。
康謳 (譯)(民91)。大陸音樂辭典(第15版)。臺北：大陸書店。
焦元溥 著(民96)。遊藝黑白 世界鋼琴家訪問錄(上)。臺北：聯經。
貓頭鷹編譯組 (譯) (民94)。 Christine Ammer著。大學辭典系列(102) 音樂辭典(第二版)。臺北：貓頭鷹。

西文書目/電子期刊：
Alan Rich. (1995). Play By Play: Pyotr Ilich Tchaikovsky- Symphony No. 5& The Romeo and Juliet Fantasy Overture. New York: Harper Collins.
Joseph C. Kraus. (1991). Tonal Plan and Narrative Plot in Tchaikovsky’s Symphony No. 5 in E minor. Music Theory Spectrum. vol.13. (NO.1). Retrieved July 23, 2008, from http://www.jstor.org/stable/745972
J. A. Westrup. (1940). Tchaikovsky and the Symphony. The Musical Times, Vol. 81. (No.1168). Retrieved July 23, 2008, from http://www.jstor.org/stable/924016
Merton Shatzkin. (1993).Writing for the Orchestra- An Introduction to Orchestration. New Jersey: Prentice Hall.
Michael Kennedy. (2005). Dictionary of Music. British: Grange
Philip Ball. (2008, May 8). Science & Music: Facing the Music. Nature, vol.453.160-162. Retrieved from http://140.113.39.244:2164/nature/journal/v453/n7192/full/453160a.html
Preston Stedman. (1992). The Symphony (2nd. edition). New Jersey: Prentice Hall.
Samuel Adler. (2002).The Study of Orchestration (3rd. edition). New York: Norton.
Stefan Kostka & Dorothy Payne. (1995).Tonal Harmony with an Introduction to Twentieth- Century Music. New York: McGraw- Hill.
The New Grove Dictionary of Music and Musicians. Ed. Stanley Sadie and John Tyrell. 2nd ed. vol.25. New York: Macmillan.
Wilson Strutte. (1983). The Illustrated Lives of the Great Composers- Tchaikovsky. New York: Omnibus.

樂譜：
Otto Singer (1898). “Symphony No.5, Op.64- Arrangements and Transcription- For Piano 2 hands”, in International Music Score Library Project. Retrieved from http://imslp.org/wiki/Main_Page
Pyotr Ilyich Tchaikovsky.“Symphony No.5 in e minor”. 交響曲第5番(短調)。東京：日本樂譜。
Pyotr Ilyich Tchaikovsky. “String Quartet No.1, Op.11”. Edited by Anatoly Nikolayevich Alexandrov. New York: Dover, 1955.

網路(網頁/資料庫)：
陳韻琳(1995)。俄國宗教音樂簡介。2009年1月10日，取自 http://life.fhl.net/Music/russian/russian.htm
Adam Bruce. (2008). The Rise of Programmatic Music. Retrieved May 31, 2009, from http://www.classicalforums.com/articles/Rise_of_Programmatic_Music.html
Alexander Poznansky. (2007). Tchaikovsky: A Life, 1887-1892. Retrieved May 31, 2009, from http://www.tchaikovsky-research.net/en/features/life6.html
Brett Langston. (2006). Symphony no. 5. Retrieved November 24, 2008, from http://www.tchaikovsky-research.net/en/Works/Symphonies/TH029/index.html
Elizabeth Schwarm Glesner. (2000). Piotr Ilyich Tchaikovsky - Symphony No. 5, Op. 64. Retrieved August 4, 2008, from http://w3.rz-berlin.mpg.de/cmp/tchaikovsky_sym5.html
Maros Gazdarica. (2001). Peter Ilyich Tchaikovsky. Retrieved May 10, 2009, from http://www.tchaikovsky.host.sk/life.htm
Maros Gazdarica. (2001). Peter Ilyich Tchaikovsky. Retrieved May 31, 2009, from http://www.tchaikovsky.host.sk work/sym5.htm
Paul Serotsky. (1995). Tchaikovsky- Symphony No.5. Retrieved from http://www.musicweb-international.com/programme_notes/tchaik_sym5.htm
Pyotr Ilyich Tchaikovsky. (n.d.). Retrieved August 1, 2008, from http://en.wikipedia.org/wiki/Tchaikovsky

Richard E. Rodda. Biography of Pyotr Ilyich Tchaikovsky. Retrieved April 16, 2009, from http://www.kennedy-center.org/calendar/?fuseaction=composition&composition_id=2080
Roland John Wiley. Tchaikovsky, Pyotr Il′ yich, §5: Return to life, 1885-8. Retrieved July 31, 2008, from Grove Music Online. Oxford Music Online, http://www.oxfordmusiconline.com/subscriber/article/grove/music/51766pg5
Symphony No.5 (Beethoven). (n. d.). Retrieved April 29, 2009, from http://en.wikipedia.org/wiki/Symphony_No._5_(Beethoven)