臺灣博碩士論文加值系統

隨著龍瑛宗文學館的成立，該館已逐步發展為新竹北埔地區重要的文學據點與文化觀光節點。其發展核心不僅在於延展龍瑛宗對家鄉北埔的文學記憶，更結合地方文化保存與推廣之理念，使文學教育、文化再生與地方連結成為館舍營運的主要目標。然而，作為一處「小而美」的文化空間，文學館如何進一步擴展其空間與文化想像，以實現館舍營運的永續性，仍是經營者亟需面對的重要課題。本研究主要探討作家龍瑛宗擅長運用熱帶植物符碼所形成的文學風格，以及作家、地方社群與文學館空間場域之間，所交織出的共同意象與集體記憶；並據此為基礎，進一步發展置入文學館園區的跨媒介創作計畫。筆者嘗試以龍瑛宗成名作〈植有木瓜樹的小鎮〉所揭示國族、社會「階級意識」之陰影與「封建陋習」之禁錮，作為探討轉譯與再創作的理念起點，同時擷取文學館園區「龍眼樹下」的空間，作為文本抽象空間與現實場域交會的「節點」。另方面，藉此節點之臨界空間意象為創作主要課題，筆者亦運用燈光藝術裝置作為文本精神轉化的媒介，期使創作實踐得以與作家產生跨時空的對話。本研究創作作品於 2024 年北埔元宵燈節首次展出，透過整合龍瑛宗之文學意象、北埔地方文化特色與跨媒介藝術創作，不僅有效強化文學館與地方社群之間的互動與連結，亦進一步探討龍瑛宗文學精神在當代地方節慶與公共文化活動中的再詮釋與轉化可能。藉由創作實踐，本研究使文學文本得以於特定文化場域中獲取新的意義生成與生命延展，進而展現文學、藝術與地方之間多層次且動態的關係，以達拓展文化空間意識之想像與實踐。

With the establishment of the Long Ying-Zong Literary Museum, the institution has gradually developed into an important literary hub and cultural tourism node in Beipu, Hsinchu. The core of the museum’s development lies not only in extending Lung Ying-tsung’s literary memory of his hometown, Beipu, but also in integrating the principles of local cultural preservation and promotion. As a result, literary education, cultural regeneration, and local engagement have become the primary objectives of the museum’s operations. However, as a “small yet refined” cultural space, how the literary museum can further expand its spatial awareness and cultural imagination in order to achieve sustainable operation remains a critical challenge for its administrators.This study mainly explores the literary style formed by Long Ying-Zong’s adept use of tropical plant symbolism, as well as the shared imagery and collective memory woven among the writer, the local community, and the spatial site of the literary museum. On this basis, it further develops a transmedia creative project situated within the museum park. Taking Long Ying-Zong’s acclaimed work “The Small Town with Papaya Trees” as its conceptual point of departure, the study examines the shadows of national and social “class consciousness” and the constraints of “feudal conventions” revealed in the text, using them as a foundation for translation and re-creation. At the same time, the space “beneath the longan tree” within the museum grounds is selected as a “node” where the abstract literary space intersects with the real site. Focusing on the imagery of liminal space at this node as the main creative theme, the researcher also employs light art installations as a medium for transforming the spirit of the text, with the aim of enabling creative practice to engage in a cross-temporal dialogue with the writer. This practice-based research project was first presented at the 2024 Beipu Lantern Festival. By integrating the literary imagery of Long Ying-Zong, the cultural characteristics of Beipu, and transmedia artistic creation, the project not only effectively strengthens the interactive connections between the literary museum and the local community, but also further explores the possibilities for re-interpretation and transformation of Long Ying-Zong’s literary spirit within contemporary local festivals and public cultural events. Through creative practice, this study enables literary texts to generate new meanings and extended vitality within specific cultural contexts, thereby revealing the multilayered and dynamic relationships among literature, art, and place, and ultimately expanding the imagination and practice of cultural spatial consciousness.