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“CHUN XIANG”, “FEI WU” two works using Jiang-zhou gong-drum ensemble in the combination of ad libitum sticking skill for solo drum and inspiration, showing different forms of performance in the past, in the use of musical instruments and sound and limb display of multiple innovations, prompting the author to explore the motivation of the two pieces of music.
By collecting a large number of literature data and interviewing composers , Lee Hui takes the traditional percussion technique and three degree space application as the creative subject. Through the data collation and rational analysis, adds the authors interpretation and the use of individual playing techniques, give the score a new Vitality and act as a medium of communication between the creator and the listener.
Through the process of in-depth study and analysis, the author sums up two pieces of music. Secondly, the author summed up the focus of three performance interpretation, one is two music musical instruments complex, and ad libitum sticking skill for solo transfer skills for the performance of the main body, so the stability of basic skills and right-handed conversion training is extremely important; Second, the performance of wind and lightning in the music, the performer needs to thoroughly understand the use of different parts of Chinese percussion instruments, in order to imitate the composers requirements of the natural phenomenon of sound; The last one will be the physical arrangement, two pieces of music to play with the fast board and the speed of continuous stack upward, so the physical strength and speed distribution should be properly arranged. It is expected that through this study and discussion of composers creative techniques and concepts, thus promoting the development of Chinese percussion music in playing and creation.
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