臺灣博碩士論文加值系統

當我們提及戈貝爾（Philippe Gaubert, 1879-1941）時，旋即想到他作曲家的身分。但是戈貝爾是以指揮家的身分達到音樂事業的高峰。而更早在這之前，戈貝爾曾以長笛演奏家，初踏上音樂之路；除此之外，他對長笛演奏、長笛教學以及作曲，尤其是創作長笛作品的貢獻亦不可小覷。

本文主題探討的是戈貝爾為長笛與鋼琴寫的《第三號奏鳴曲》〈Troisieme Sonate for Flute and Piano〉，內容共有五章；第一章緒論，闡明筆者的研究動機、目的、範圍與方法，以及對於參考文獻之探討；第二章為作曲家生平，筆者以描述作曲家在音樂生涯中，三個不同面向的成就；第三章與第四章筆者分別以理論與演奏兩個角度，分析此樂曲與演奏詮釋。

When talking about Philippe Gaubert (1879-1941), people tend to see him as a composer. However, he reached the climax of his musical career as a conductor. Even prior to that, Gaubert kicked start his musical career as a flutist. Besides that, his contributions to flute performing, flute teaching and composing, especially his creations of flute pieces are certainly not negligible.

This thesis aims to probe into Gaubert’s “Troisieme Sonate for Flute and Piano”, which he created for both flute and piano. The thesis includes five chapters. The first chapter is the introduction, which tells about the motives, goals, ambitions and methods, as well as the documentation. The second chapter is the composer’s biography. Descriptions of the composer’s success in three aspects are described. The third and fourth chapters are the theory and practice of this piece. These two chapters include the analysis of the piece and the interpretation of it.

摘要
Abstract
第一章 緒論
第一節 研究動機與目的
第二節 研究範圍與方法
第三節 文獻探討
第二章 戈貝爾生平
第一節 嶄露頭角─長笛家
第二節 奠定名望─指揮家
第三節 生涯職志─作曲家
第三章 戈貝爾《第三號奏鳴曲》之樂曲分析
第一節 第一樂章
第二節 第二樂章
第三節 第三樂章
第四章 戈貝爾《第三號奏鳴曲》演奏詮釋探討
第一節 第一樂章
第二節 第二樂章
第三節 第三樂章
第五章 結語
參考書目
附錄

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Fischer, Penelope Ann Peterson. Philippe Gaubert (1879-1941): his life and contributions as flutist, editor, teacher, conductor, and composer (France).D. M. A. Diss., University of Maryland College Park, 1982.

Mangeot, Auguste. “Societe des Concerts”. Le Monde Musical. Paris. A. 32, No.21. November 1921, 350.

Powell, Ardal. The Flute. U.S.: Yale University Press, 2002.

Schonberg, Harold C. The Lives of the Great Composer. NY: Norton, 1981.

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“Paris et departments”. Le Menestrel. Paris:Heugel. A.60, No. 31. August 5 1894, 247.

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