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0In Andrei Tarkovsky's《Stalker》(1979), long take scene interpretation the flow of the time represent the life itself flows in the scene.the void between reality and the room of a phantom,which cutting deeply in both time and space, creates the void of the forbidden 'Zone' .Zone means more than inspiration in psychology way, it appears physically, with my absurd conjection.
I have been always fascinated with exploring the Dayoukeng area,it is the motivation through this journey, a steady push in the mysterious fog.From the edge of the city, into a linear adventure which is unexplored.A membrane covers the body and perceived the whole field,while stepping into those tiny ecosystem runs with its own weather, terrain sculptured by the breath of a lifeless pattern of the volcano.All the human trace was putrid, devour by those lands once being excavated. Like a crocodile hunting the zebra, hiding, stalking and devouring,rip apart till it becomes the sharde of the void.
Temporality in concrete pouring.
Domination the rule of pouring concrete, the mechanism of shaping.Notication the variable while analyzing diversification of stress.The concrete pouring itself is the result of freezing the time,each production comes with unique characteristics.Partition mixture of fine loose soil, clay and concrete to pressurizing and programming the rules to control, in linear and dual-polarity. Growing a new language inside the modules and extended the dynamic equilibrium between each object with time, to sum a brand new concept of observation.The shards of void and time leaks from cleft during the creation of the research process. Applying all the pouring technique I have. And operation the debate, fragmentation the character, liberalization the image. Develop a rhizome-like frame of idea to layering and suture my identity what I want to see and want to be seen.This research is structure my game-board which implementation the next step of sampling urban dynamic and the city itself.
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