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演奏會曲目

貝多芬：D大調大提琴興鋼琴的奏鳴曲，op. 102，no. 2
燦爛的快板
深情的緩板
快板─快板賦格

德布西：大提琴與鋼琴奏鳴曲， L. 135
I. 序幕：穩定且果決的慢板

II. 小夜曲：適度活躍地

III. 終曲：活躍輕盈且激動地

布瑞頓：C 大調大提琴與鋼琴的奏鳴曲，op. 65
I. 快板的對話曲

II. 稍快的撥奏詼諧曲

III. 慢板的悲歌

IV. 有力的進行曲

V. 急板的常動曲


希納斯特拉：彭巴大草原第二號狂想曲，op. 21


輔助資料
(一) 演奏會錄音
上列曲目於2023年5月30日(星期二)下午二時於國立陽明交通大學人社三館105室演出，該次演出錄音 CD 附錄於本文封底。

(二)樂曲解說

(三)室內樂演奏會錄音
下列曲目於2021年8月16日（星期一）下午二時於國立陽明交通大學光復校區人社三館 604室演出，該場演奏會錄音CD將附錄於論文中。

羅塔：單簧管、大提琴與鋼琴三重奏
穆欽斯基：單簧管、大提琴與鋼琴的幻想曲
布拉姆斯：單簧管、大提琴與鋼琴的三重奏

L. v. Beethoven: Sonata for Cello and Piano in D Major, op. 102, no. 2
I. Allegro con brio

II. Adagio con molto sentimento d’ affetto
III. Allegro- Allegro fugato

C. Debussy: Sonata for Cello and Piano, L. 135

I. Prologue: Lent, sostenuto e molto risoluto

II. Sérénade: Modérément animé

III. Finale: Animé



B. Britten: Sonata for Cello and Piano in C Major, op. 65
 I. "Dialogo" Allegro

II. "Scherzo - pizzicato" Allegretto 

III. "Elegia" Lento

IV. "Marcia" Energico

V."Moto Perpetuo" Presto

A. Ginastera: Pampeana no. 2, Rhapsody for Cello and Piano, op. 21


Supporting Documents

1. Recording of the Recital
The program above was performed on Tuesday, May 30, 2023, at 2:00 p.m. in HC 105, College of Humanities and Social Sciences, National Yang Ming Chiao Tung University. The performance recording is appended inside the rear cover.

2. Program Notes

3. Recording of the Chamber Music Recital
The program below was performed on Tuesday, August 16, 2021, 2:00 p.m. in HC 604, College of Humanities and Social Sciences, National Yang Ming Chiao Tung University. The performance recording is appended inside the rear cover.

N. Rota: Trio for Clarinet, Cello and Piano
R. Muczynski: Fantasy for Clarinet, Cello and Piano, op. 26
J. Brahms: Trio for Clarinet, Cello and Piano in A Minor, op. 114


目錄
頁次
演奏會曲目及輔助資料............................................i
Recital Program and Supproting Documents....................................................v 
目錄 ......................................................vii

譜例目錄 ..........................................................viii


樂曲解說
貝多芬：D大調大提琴興鋼琴的奏鳴曲，op. 102，no. 2 .................1
德布西：大提琴與鋼琴奏鳴曲，L. 135 .............................14 
布瑞頓：C 大調大提琴與鋼琴的奏鳴曲，op. 65.......................24
希納斯特拉：彭巴大草原第二號狂想曲，op. 21 .......................42
參考文獻 ....................................................49室內樂演奏會節目單 ............................................50
大提琴演奏會節目單 ............................................51

陳如萍 、世凌、戴伶螢。〈希納斯特拉《南美大草原第二號》中阿根廷民族音樂素材之運用〉。嘉南學報 37 (2011)：694-706。

陳瑩。〈希那斯特拉大提琴曲之彭巴大草原第二號作品探討與樂曲詮釋〉。臺中市：國立臺中教育大學音樂學系碩士學位論文，2010。

楊牧音。〈由班傑明.布瑞頓《給大提琴與鋼琴的 C 調奏鳴曲作品六十五》探討其創作手法 〉。臺南市：國立臺南藝術大學鋼琴伴奏合作藝術研究所碩士學位論文，2009。

Brett, Philip, Heather Wiebe, Jennifer Doctor, Judith LeGrove, and Paul Banks. "Britten, (Edward) Benjamin." Grove Music Online, 2001. https://www-oxfordmusiconline-com.ezproxy.lib.nctu.edu.tw/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000046435.

Chase, Gilbert. “Alberto Ginastera: Argentine Composer.” The Musical Quarterly 43, no. 4 (1957): 439-60.

Evans, Peter. “Britten’s Cello Sonata.” Tempo, no. 58 (1961): 8-19.

Goodwin, Noël. "Rostropovich, Mstislav (USA)." Grove Music Online, 2014. https://www-oxfordmusiconline-com.ezproxy.lib.nctu.edu.tw/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-1002258083.

Hwang, Sunkyung. “Stylistic Synthesis and Symbolism in Debussy’s Sonata for Cello and Piano.” International Journal of Musicology 3 (2017): 85-101.

Lockwood, Lewis. “Beethoven’s Emergence from Crisis: The Cello Sonatas of Op. 102 (1815).” The Journal of Musicology 16, no. 3 (1998): 301-22.

Moskovitz, Marc D., and R. Larry Todd. “‘Most Remarkable and Strange’: The Sonata in D Major Op. 102 No. 2 (1815).” In Beethoven’s Cello: Five Revolutionary Sonatas and Their World, 146-69. Suffolk. Boydell & Brewer, 2017.

Tabor, Michelle. “Alberto Ginastera’s Late Instrumental Style.” Latin American Music Review / Revista de Música Latinoamericana 15, no. 1 (1994): 1-31.