臺灣博碩士論文加值系統

貝多芬晚期鋼琴奏鳴曲不僅是鋼琴曲的名作，或是他人生經歷轉變的寫照，更是意味著時代的交替、美學的演進、以及鋼琴進化的過程。本文以貝多芬晚期鋼琴奏鳴曲的第一首-作品101作為研究對象，綜合貝多芬晚期風格的討論、當代鋼琴的認識、以及樂曲分析來作為演奏詮釋上的研究背景。演奏詮釋則分為三個部份-速度、突強記號以及踏板的分析，之後再歸納出貝多芬在曲式及演奏上的突破與創新。最後，希望讀者能從本文中，對作品101有更完全的瞭解，同時也能感受樂曲的美妙奧秘之處，以及貝多芬對於開發音樂想法的那份執著與用心。



曲目：

巴赫：觸技曲BWV 913

貝多芬：A大調鋼琴奏鳴曲，作品101

布拉姆斯：四首鋼琴小品，作品109

拉赫曼尼諾夫：音畫練習曲，作品33，第2、7、8首

巴伯：遊覽，作品20

The late period of Beethoven sonata is not only the masterpieces of piano work or a picture of conversion of his experience, but also the meaning of alternation of generation, development of aesthetics, and the progressive process of pianos. The topic of this thesis is Beethoven piano sonata in A major, Op. 101. Combines the Beethoven late period style the discussion, the contemporary piano understanding, as well as the music analyzes took in the performance interpretation the research background, the performance interpretation divides into three partial - tempo, sforzando notation as well as the pedal analysis. Then induces Beethoven at the musical form and the performance breakthrough and the innovation. Finally, hoped the reader can have a completer understanding about op. 101 from this article, additionally can feel the music the wonderful mystery place, as well as Beethoven regarding development music idea that rigid and intention.



Program:

J. S. Bach: Toccata BWV 913 in d minor

L. V. Beethoven: Piano Sonata Op. 101 in A Major

J. Brahms: Piano Work Op. 119

S. Rachmaninov: Etude Tableaux Op. 33, No. 2.7.8

S. Barber: Excursion Op. 20

目錄......................................i
譜目錄....................................ii
圖目錄....................................v
表目錄....................................v

第一章、序論..............................1
第一節、研究動機與目的....................1
第二節、研究對象、範圍與方法..............1
第三節、文獻探討..........................2

第二章、貝多芬晚期風格....................6
第一節、貝多芬鋼琴奏鳴曲晚期特徵..........6
第二節、鋼琴的改良及影響..................8

第三章、樂曲分析（上）：第一、二樂章......12
第一節、概述..............................12
第二節、第一樂章..........................13
第三節、第二樂章..........................20

第四章、樂曲分析（下）：第三樂章..........32
第一節、序奏..............................32
第二節、終奏..............................34

第五章、演奏詮釋探討......................48
第一節、速度..............................48
第二節、突強記號..........................60
第三節、踏板..............................68

第六章、結論..............................72

參考書目..................................74

（一）書目資料
Bent, Ian. Music Analysis in the Nineteenth Century. Cambridge Readings in the Literature of Music. 2 vols. Cambridge: Cambridge University Press, 1994.

Burk, John N. The Life and Works of Beethoven. [1st Modern Library ed. New York,: Modern Library, 1946.

Cooper, Martin, and Edward Larkin. Beethoven: The Last Decade, 1817-1827. [Rev. ed.] ed. Oxford: Oxford University Press, 1985.

Drake, Kenneth. The Sonatas of Beethoven as He Played and Taught Them. Bloomington: Indiana University Press, 1981.

Johnson, Douglas Porter, Alan Tyson, and Robert Winter. The Beethoven Sketchbooks: History, Reconstruction, Inventory. Oxford: Clarendon Press, 1985.

Kinderman, William. Beethoven. Oxford: Oxford University Press, 1995.

---. Beethoven's Compositional Process. North American Beethoven Studies ;. Lincoln: University of Nebraska Press in association with the American Beethoven Society and the Ira F. Brilliant Center for Beethoven Studies, San Jose State University, 1991.

Newman, William S. Beethoven on Beethoven: Playing His Piano Music His Way. New York; London: Norton, 1988.

---. The Sonata in the Classic Era. 3rd ed. New York: W.W. Norton, 1983.

Rosenblum, Sandra P. Performance Practices in Classic Piano Music: Their Principles and Applications. Music: Scholarship and Performance. Bloomington, Ind: Indiana University Press, 1988.

Sadie, Stanley, and John Tyrrell. The New Grove Dictionary of Music and Musicians. 2nd ed. New York: Grove, 2001. 29 vols.

Stowell, Robin. Performing Beethoven. Cambridge Studies in Performance Practice. Cambridge: Cambridge University Press, 1994.

Tovey, Donald Francis. A Companion to Beethoven's Pianoforte Sonatas: Complete Analyses. New York: AMS Press, 1976.

卡爾．徹爾尼（Carl Czerny）著。全部鋼琴作品的正確奏法（張淑懿譯）。台北市：全音出版社，2006。

辛丰年著。鋼琴文化三百年。台北市：揚智文化，1999。

克里姆遼夫（Yuly Anatol'yevich Kremlyov）著。論析貝多芬32首鋼琴奏鳴曲（丁逢辰譯）。台北市：大呂出版社，1994。

肯尼士．德雷克（Kenneth Drake）著。貝多芬鋼琴奏鳴曲－他本人的彈奏和教學（王杰珍譯）。桃園市：原笙國際，2008。

音樂之友社 編，新訂標準音樂辭典上、下冊（林勝儀譯）。台北市：美樂出版社，2003。

高談音樂企劃小組 編，你不可不知道的貝多芬經典創作及其故事。台北市：高談文化，2007。

孫涅克（O. G. Sonneck）著。貝多芬其人其事（張冕譯）。台北市：世界文物出版社，1995。

羅伯特．蕭弗勒（Robert H. Schauffler）著。貝多芬研究（吳心柳譯）。台北市：樂友書房出版社，1971。

羅曼．羅蘭（Romain Rolland）著。貝多芬傳（傅雷譯）。台北市：世界文物出版社，1996。

瀧本裕造著。偉大的普通人－真正的貝多芬（張新林、趙光譯）。北京市：人民音樂出版社，2005。

（二）期刊論文資料
Kolisch, Rudolf. "Tempo and Character in Beethoven's Music." The Musical Quarterly 77.1 (1993): 90-131.

---. "Tempo and Character in Beethoven's Music (Continued)." The Musical Quarterly 77.2 (1993): 268-342.
Kolisch, Rudolf, and Arthur Mendel. "Tempo and Character in Beet-Hoven's Music--Part II." The Musical Quarterly 29.3 (1943): 291-312.

Melville, Derek. "Beethoven's pianos" The Musical Times 112.1542 (1971): 757.

Newman, William S. "Beethoven's Pianos Versus His Piano Ideals." Journal of the American Musicological Society 23.3 (1970): 484-504.

---. "Liszt's Interpreting of Beethoven's Piano Sonatas." The Musical Quarterly 58.2 (1972): 185-209.

Rosenblum, Sandra P. "Two Sets of Unexplored Metronome Marks for Beethoven's Piano Sonatas." Early music 16.1 (1988): 58-71.

Rothstein, William. "Heinrich Schenker as an Interpreter of Beethoven's Piano Sonatas." 19th-Century Music 8.1 (1984): 3-28.

林慧苓。貝多芬A大調奏鳴曲Op. 101。碩士論文，東海大學，台中市，2000。

彭鵬。貝多芬晚年的“五大鋼琴奏鳴曲”。藝苑，1996：27-29。

高宗仁。貝多芬晚期作品風格淺談。淄博師專學報，1997：83-85。

（三）網路資源
“Beethoven-Haus Bonn.”, (1 Jan. 2008)
<http://www.beethoven-haus-bonn.de/>

“R. J. Regier Keyboard Instruments.”, (22 April. 2008)
<http://www.rjregierfortepianos.com/>

（四）樂譜
Beethoven, Ludwig van. Piano Sonatas. Ed. Bertha Antonia Wallner Volume 2. Munich: G. Henle, 1980.